Tatyana Samoylova

Palma de Ouro de “melhor filme” no Festival de Cannes (1958). Veronica e Boris estão andando nas ruas de Moscou e se amam. Veronica está rindo, porque eles são felizes juntos nesta manhã. Eles veem alguns guindastes no céu. Ao chegar à casa de Veronica eles falam sobre um encontro na margem do rio. E a 2ª Guerra Mundial começa em Moscou. Boris trabalha em uma fábrica e ele não tem tempo para falar com Verônica. Ele vai para a guerra sem se despedir de Veronica.

Chronicle of the unheralded and unsuccessful invasion of the Soviet Union by the Italian army during World War II.

Quatro geologistas estão em uma expedição em busca de diamentes na Sibéria. Após um longo período e uma jornada cansativa eles conseguem a sorte grande e colocam no mapa uma mina de diamantes. O mapa deve ser devolvido a Moscou, na Rússia, mas no dia em que deveriam partir de volta para casa um incêndio acontece na floresta. O incidente acab causando estragos e os geólogos ficam presos na floresta.

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

The story of a woman returning from a labor camp. She is looking for a person, on whose denunciation she was arrested, in order to take revenge on him, but having completed her judgment, she realizes that revenge is meaningless.

Composed entirely of still photographs taken by Chris Marker across 26 countries, If I Had Four Dromedaries presents a dialogue between three voices reflecting on the meaning of images and travel. Through this photo-essay form, Marker explores the relationship between still and moving images and the act of seeing itself.

The career of revered Russian filmmaker Mikhail Kalatozov is explored in this documentary film comprised of rare behind-the-scenes footage, interviews with French director Claude Lelouch, and conversations with some of the biggest names in contemporary Russian cinema. Kalatozov's grandson Mikhail Kalatozishvili pays tribute to the director of such timeless classics as I Am Cuba, Salt for Svanetia, and The Cranes are Flying as such notable fans as Andrei Konchalovsky, Sergei Solovyov, and Alexei Batalov discuss the remarkable influence Kalatozov had on their own film careers.