Billie Burke

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Dorothy Gale est emportée par une tornade loin de sa ferme du Kansas et se retrouve au pays magique d'Oz. Elle se lance alors dans une quête avec ses nouveaux amis pour voir le magicien qui pourra aider ses amis et l'aider à rentrer chez elle au Kansas.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

Lights Out was an extremely popular American old-time radio program, an early example of a network series devoted mostly to horror and the supernatural, predating Suspense and Inner Sanctum. Versions of Lights Out aired on different networks, at various times, from January 1934 to the summer of 1947 and the series eventually made the transition to television. In 1946, NBC Television brought Lights Out to TV in a series of four specials, broadcast live and produced by Fred Coe, who also contributed three of the scripts. NBC asked Cooper to write the script for the premiere, "First Person Singular", which is told entirely from the point of view of an unseen murderer who kills his obnoxious wife and winds up being executed. Variety gave this first episode a rave review ("undoubtedly one of the best dramatic shows yet seen on a television screen"), but Lights Out did not become a regular NBC-TV series until 1949.

Marion et Georges Kerby, un couple de riche, meurt subitement dans un accident de voiture. Leur banquier, Cosmo Topper, se rend compte que la vie est trop courte et souhaite en profiter, seulement sa femme, Clara, vaine et intolérante, l'en empêche. Les Kerbys ont besoin d'une bonne action pour rejoindre les cieux, ils tombent sur Cosmo Tobber et décident de l'aider à vivre mieux. Ils ont le pouvoir d'être invisible et ne se gènent pour en profiter !

Kay et Buckley Dunstan attendent un bébé... Les deux parents se disputent sans cesse et n'ont qu'un mot à la bouche : "divorce". La grand-mère, fière de sa future descendance multiplie les mondanités pour en informer tout leur entourage. Quant à Stanley, le père de Kay, il s'imagine mal dans son futur rôle de grand-père attentionné, au point d'en faire des cauchemars. Quand enfin l'enfant arrive, la vie s'organise bon an mal an autour du nourrisson. Et comme en plus, il s'appelle Stanley junior, le grand-père n'a d'autres choix que d'assumer ses responsabilités.

Millicent Jordan met tout son temps et son énergie à organiser un dîner en l’honneur de Lord et Lady Ferncliffe, sans se préoccuper des problèmes de son mari Olivier Jordan avec son entreprise maritime au bord de la faillite. On suit ainsi les préparatifs du dîner et la galerie de personnages pittoresques invités à la soirée : l'ancienne actrice Carlotta Vance, gênée financièrement cherche à vendre ses actions; Dan Packard, homme d’affaires arriviste, veut s’accaparer l’entreprise d'Olivier Jordan ; sa femme, Kitty, une extravertie friande de chocolat, attend son médecin, accessoirement son amant ; Larry Renault, amant de la fille des Jordan et acteur has-been en proie aux pires difficultés... Le dîner s’annonce plein de rebondissements.

La famille Timberlake n'a guère lieu de se réjouir : le père a du céder son entreprise à son riche beau-frère William, la mère est une malade chronique, et à la veille de son mariage avec Craig, la brillante Sidney, gâtée par son oncle, s'enfuit avec Peter, le mari de sa propre sœur, Roy. William ne décolère pas, Roy tente courageusement de faire face et aide Craig à remonter la pente, mais leur liaison ne se veut que provisoire...