Sonia Couoh

Distopik bir gelecekte geçen filmde, toplumun üst kesiminin düğününe istenmeyen konukların gelmesiyle birlikte yaşananlar konu ediliyor. Lüks bir üst sınıf düğünü, alt sınıftan olduğu düşünülen insanların zorla düğüne gelmesiyle kesintiye uğrar ve onların arasında bir sınıf savaşı meydana gelir.

Film, uğursuz bir varlık tarafından lanetlenen ilk çocuğunu bekleyen genç bir kadının hikayesini konu ediyor. Valeria ve kocası Raul, sonunda uzun süredir hayallerini kurdukları bebeğe kavuşacaklarını öğrenirler. Hamile olan Valeria için başlarda her şey mükemmel görünür. Ancak bir süre sonra bir şeyler teres gitmeye başlar.

Dedesinin ölümünün ardından karısı ve çocuklarıyla birlikte memleketine giden bir adam, burada miras konusunda akrabalarıyla arasında kaos yaşanır.

Carmina and Ana are two sisters who face the bitterness of their parent's absence, living each day in loneliness but accompanied.

Meksika'nın en güçlü televizyon şirketi TV Mexicana Vali Carmelo Vargas'ın (Damián Alcázar) da dahil olduğu ciddi bir takım suçları ve kaçak işleri skandal bir hikâyeyle gözler önüne serer. Vali Vargas siyasi geleceği hakkında endişelenerek imajını temizlemeye karar verir ve TV Mexicana'yla gizli bir anlaşma için görüşür. İddialı genç bir haber yapımcısı olan Carlos Rojo (Alfonso Herrera) ve bir TV şirketinin yıldız muhabiri Ricardo Diaz (Osvaldo Benavides) yozlaşmış valinin kamuoyundaki imajını değiştirerek onu siyasi yıldız ve başkan adayına dönüştürmekten sorumludurlar.

Director Hatuey Viveros' beautiful film unfolds as a fascinating exploration of contemporary life in Mexico, searching to understand today's world, while portraying a younger generation who lack an understanding of their past. And as we journey with Aina on her own discovery, it becomes clear that the process of her search is just as important as the results.

Don Filemón will have to get used to living with Remigia, his daughter-in-law, who can't stand him, until she discovers something about Don Filemón that makes her love him like her own father.

Mexico City. 2002, 2006, 2010. A cop. A hostage. A wife. Corruption, violence, vengeance. Three destinies, during 30 days, during three Soccer World Cups. Three ways to fight in order to survive.

Four ambitious and beautiful young women. From four very different corners of Mexico. Just like hundreds of others, they are caught up in the frenzy that sweeps the nation when Alejandro Mateos, one of the country's most powerful producers, dreams up a nationwide talent search to cast the lead in his next big movie.

Potosi, a rural town in Latin America, is the crossfire of the ravaging that has devastated the north of the country. An accident along a deserted road connects three stories, an 82 year old goat herder that has not shot his gun in 40 years, a woman who is a victim of domestic violence and a humble peasant living on guard to protect his family from the country’s war against organized crime.

Alejandro Gerber Bicecci's "Vaho" (Becloud) tells the story of three childhood friends, Andres, Felipe, and Jose, and their lives in a dusty, run down corner of Mexico City. The boys were inseparable until they witnessed a tragedy that haunts them to the present day. The tragedy shaped each boy differently, and had a profound effect on their lives.

Glasgow-based artist Phil Collins’s film Soy Mi Madre examines the immigrant populations of Colorado’s Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet’s The Maids—a seminal example of Theatre of the Absurd that renders surreal the intricate power dynamics that exist between people of divergent socioeconomic groups and exploits the volatility of social identity—Soy Mi Madre portrays the social realities of this region through the melodramatic lens of the telenovela. Reproduced in this volume through a generous selection of stills, the film uses popular Mexican television actors and crew, including Patricia Reyes Spindola, Zaide Silvia Guitérrez, Veronica Langer, and Salvador Parra, as well as members of the transsexual prostitute community of Mexico City.

Cecilia returns to the house where she lived with her aunt Matilda. Dreams, memories and hallucinations unleash a past that Cecilia had left behind.

Acı gerçeklerle yüzleşen ve yaşama sevincini yeniden kazanmak isteyen bir şef, ortağı ve arkadaşı olan başka bir şefle birlikte Cancún'daki bir yemek yarışmasına katılır.

Andres reaches the Mexican border to cross into the United Sates. There between each attempt, he discovers that Tijuana is a troubled city. As he waits there, Andres is not only confronted with his feelings and what he left behind, but also with those he meets.

The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.

The tiricia is an illness of the soul when the heart is saddened. A story of three generations afflicted with being tiricientas: Ita, Justa and Alicia – grandmother, mother and daughter – who have at different times suffered, tolerated and allowed abuse, dragging on the disease. Alicia decides to break the cycle, eradicating it for future generations.

A single father is faced with a life-altering decision regarding his son's future, forcing him to confront the harsh realities before it's too late.

A silent glimpse at love, blood, and other stuff that keep you awake at night.

In her fifties, Betina finds love online and leaves her monotonous life to meet her virtual fiancé on the other side of the country.

When a young couple's first baby is born intersex, they are thrust into a challenging journey of discovery and decision-making. As they navigate the complexities of intersexuality, they confront both their own uncertainties and the societal pressures surrounding their child's identity.

Jorge Ibargüengoitia'nın romanından uyarlanan dizi, acımasız katillere dönüşen Baladro kardeşlerin 1960'ların Meksika'sında kurduğu genelev imparatorluğunun hikâyesini anlatıyor.

Marigaby, gündüzleri tıp öğrencisidir ve geceleri de ailesiyle birlikte Mexico City'nin yüksek riskli özel ambulans sektöründe hayat kurtarmaktadır. Her iki dünyanın da baskısı onu yıkmakla tehdit ederken Marigaby ayakta kalabilmek için ne gerekiyorsa yapacaktır.

The story of Daniel Arizmendi's rise, the corruption and fear that allowed his gang to terrorize Mexico in the 1990s, where he became known as "el mochaorejas" for his shady crimes

Meksika'da yaşayan 12 yaşındaki Jodie, İsa'ya benzer güçleri olduğunu keşfeder. Acaba sorumluluk üstlenip kaderini gerçekleştirecek mi?

Presents three incidents narrated from four points of view. The viewer can watch each of the sections in any order, addressing high-impact issues in Mexican reality, such as human trafficking, kidnapping, and pedophilia.