Margaret Withers

Encore is a 1951 anthology film composed of adaptations of three short stories by W. Somerset Maugham: "The Ant and the Grasshopper", directed by Pat Jackson and adapted by T. E. B. Clarke; "Winter Cruise", helmed by Anthony Pelissier, screenplay by Arthur Macrae; "Gigolo and Gigolette", directed by Harold French, written by Eric Ambler. It is the last film in a Maugham trilogy, preceded by Quartet and Trio.

Mark Conrad, a habitual drunk and troublemaker with a shady past, is expelled by Hong Kong police after one too many bar fights. He's sent to Macao on the Fa Tsan, a ferry owned by Captain Hart. Conrad's papers are out of order and Macao refuses him entry. Unable to go ashore, Conrad is a permanent passenger on the ferry with Hart, who detests him. It's all one long, lazy voyage for Conrad until one fateful trip when an encounter with a typhoon and pirates forces Conrad to choose between an aimless drifter's life and becoming a man again.

Allan Fury'nin çocuksuz dul eşi, Fury mülkünü Fuller akrabalarına miras bırakır, ancak Allan'ın bir hizmetçi gibi görünen gayri meşru oğlu, mülkü kendisi için almayı umuyor.

In pre-WWI England, a youngster is expelled from a naval academy over a petty theft, but his parents raise a political furor by demanding a trial.

A talented dress designer, who lets nothing get in the way of her success, rises in the fashion world then loses contact with her own humanity. She also forgets that you meet the same people on the way up as on the way down.

In rural Norfolk, villagers are spurred to action when it is announced that the nearby RAF station is taking over the Island of Children, a much-loved and untouched bird sanctuary, for rocket practice.

A gang of four would-be robbers plans to steal a fortune in currency hidden aboard the "Flying Scotsman" in a railroad stateroom by cutting through the wall of the adjacent stateroom, but find themselves up against numerous unexpected drawbacks, including interference by their fellow passengers.

Kicked out of Army Intelligence, a pair of upper class twits set up as private detectives. The result is refined English chaos. "This is the regettable story of two Drones who didn't even know their own Zones. It starts in Germany, gets nowhere and stops at nothing." Radford and Wayne, cashiered from the army when they let a captured Nazi escape, become private detectives who later get involved with the same German and a missing diamond ...

Unable to recall the past 24 hours, a British bank clerk is the prime suspect for a robbery/murder.

Comic survey of methods of undressing through the ages, from Victorian modesty to modern strip clubs.

Ivan Kouznetsoff, a Russian engineer, recounts during World War II his stay in England prior to the war working on a new propeller for ice-breaking ships. Naïve about British people and convinced by hearsay that they are shallow and hypocritical, Ivan is both bemused and amused by them. He is blunt in his opinions about Britons and at first this puts off his hosts, including the lovely Ann Tisdall, whose grandfather runs the shipbuilding firm that will make use of Ivan's propeller. The longer Ivan stays, however, the more he comes to understand the humor, warmth, strength, and conviction of the British people, and the more they come to see him as a friend rather than merely a suspicious Russian. As a romantic bond grows between Ivan and Ann, a cultural bond begins to grow as well, particularly as the war begins and Russia is attacked by Germany.

A neurosurgeon relates to his students in medical school a story about an affair he had with a married woman and how after the affair was over, the woman fell out a window and died. The surgeon, suspecting that she was murdered, set out to find her killer -- but, instead of turning the suspect over to the police, he planned to take his own revenge on the murderer.

Somerset Maugham introduces four of his tales in this anthology film: "The Facts of Life," "The Alien Corn," "The Kite," and "The Colonel's Lady."

An impending V.I.P. visit causes bustle in an English village, while the Ellis family struggles with private problems.

A mysterious barber hides a secret identity that eventually leads to tragedy.

The lonely wife of a workaholic husband on the magical Isle of Capri meets a charming and attractive young man. An exciting affair must end when word gets back to the husband and he becomes ill. In hopes of avoiding a scene, she passes her beau along to her stepdaughter, Monica.

In a French coastal town, Det. Dermot Kinross is inspecting the murder of antiques dealer Maurice Lawes, and the evidence points to Lawes's son, Toby -- and especially to Toby's bride-to-be, Eve Atwood. Eve's ex-husband, Ned, had his eyes set on something Lawes possessed.

Produced by the highly acclaimed Michael Balcon, the story revolves around Robert, the son of the owner of a musical instrument factory. He is in love with Vera, one of the factory workers, who is unaware of his position. So when she jokes one day that she would love a Rolls-Royce, Robert makes sure that she gets one. Then he decides to raise her salary out of all proportion to hint at who he is...

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".