Jan Nowicki

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

Jozef visits a dilapidated Sanatorium to see his father. Jozef undertakes a strange journey through the many rooms of the sanatorium, each which conjures worlds composed of his memories, dreams and nightmares.

Scope is a prisoner on a behemoth space station and is chosen, like all his fellow prisoners, to 'volunteer' for the exploration of far-away planets. Landing on planet Australia 458, he is given a hero's welcome with all the sex, booze, and violence that any one man can stomach. But as his new caretakers push him towards even more heinous and deplorable acts, Scope finds that his freedom comes with a high price; his own violent demise, broadcast live for the viewing pleasure of Australia 458's inhabitants.

A continuation of "Diary for My Children," the film picks up in 1950, when Juli, the diarist, is 18 and determined to become a movie director.

In 1668 Polish colonel Michał Wołodyjowski, who recently retired to a monastery, is recalled to active duty and takes charge of Poland's eastern frontier defenses against invading Tatar hordes and Ottoman armies.

Looking for a safe place to live after being harassed by her husband, a depressive and violent man, Juli stays at a women's shelter run by Mária.

On the eve of the Day of the Dead, among mysterious old rituals of the Vilnius region, ghosts of the past and present start to appear.

Set during the Nazi occupation of Poland, the story follows Michał, who witnesses the murder of his mother, wife and child and then is hurled into a life that literally is not his own; a surreal world littered with trapdoors, doppelgängers and wormholes.

Thirty-year-old nurse Teresa spends her days caring for elderly, dying people. Janusz, a young man she met at an amusement park, enters the life of this bitter and disillusioned woman. Teresa doesn't have the courage to tell him how she feels, and he also has trouble expressing his emotions. They are helped by Julka, a girl from the neighborhood who likes Teresa. She finds a pile of love letters from the beginning of the century in the trash. By forging Teresa and Janusz's handwriting, she starts a love correspondence between them, rewriting fragments of other people's confessions.

As a son deals with his own struggles, he must calm his father's obsession with fishing before his outlandish behavior ruins the entire family.

Barbara is a forty-year-old woman of Polish origin living in Budapest. She is a biologist, a wife and a mother. The death of her woman friend opens her eyes to the fact that she is lonely, unable to find her place.

During the rising of nazism, Sylvia, a rich but sterile woman, needs an heir to inherit her father's money. So she bribes Irene, a Jewish girl, to have a child by her husband.

A family saga of Barbara Ostrzeńska-Niechcic and Bogumił Niechcic against the backdrop of the January Uprising of 1863 and World War I. The film is a rather straightforward and faithful adaptation of a novel by Maria Dabrowska with the same title. The plot is woven around the changing fortunes of a noble (upper-class) Niechcic family in the pre-WWI Poland. There are two main crossing threads: a social history one and an existential one.

Polish-born Russian subject Cezary Baryka comes of age during a tumultous period of ten years from 1914 to 1924, during which he witnesses revolution, rebirth of Poland, war with the Soviets and communist plots.

In 1776 Vienna, imperial counselor Henryk Klein investigates allegations that the charismatic Jewish nobleman Jakub Frank is a fraud whose sect has ruined Galician Jew Jakub Goliński’s family and fortunes. As Klein’s inquiry uncovers Frank’s secret militia, escalating influence, and suspected treason against Empress Maria Theresa’s court, he must decide how far to expose the messianic impostor without igniting sectarian unrest.

The world has been ravaged by nuclear war. The planet is frozen and radiation kills anyone or anything that ventures outside of 'The Dome'. Soft is a shepherd for the last remnants of humanity who have gathered together as they await rescue from a mysterious craft known only as 'The Ark.' He wanders among the masses, performing his regular daily tasks; keeping morale from plummeting, wooing prostitutes, squashing rebellions, and sometimes feeding the hungry. But as the true and sinister nature of 'The Dome' comes to light, Soft must ask himself if humanity is worth saving...

In the first half of the fifties Júlia, the weaver meets engineer Szél on a visit with "educative" purpose, who raises his three children alone in a mighty villa. Júlia is willing to take care of the adolescent children and she moves in to the villa. She falls in love with the man but he is not able to express true, deep feelings.

Set before the first World War in part of Poland under Austrian occupation, the story of a young boy in primary school who later grows up to become a rebellious, poetic-minded teen in the same school when the national movement toward liberation is under way. The story of a country where church and state work together to suppress the human spirit.

After having lost her parents, young Juli returns from the Soviet Union to her native Budapest. Scarred by the wounds of the past, the ghost of Stalin’s oppression haunts her as she reunites with her aunt and adoptive mother Magda.

Television play adaptation of Wajda's stage play of Stanisław Wyspiański's November Night. The drama takes place on two levels - historical and metaphorical. The first one is almost a chronicle of several hours of the uprising - it shows the drama of the attitudes of Poles at the beginning of the armed struggle, in confrontation with the attitude of Grand Duke Constantine, the Tsar's deputy in Poland. The second one presents the world of gods playing out their arguments. Man becomes a plaything in their hands, but it is he who experiences his fear, heroism and hope.

In what appears to be an inexplicable incident, a man drives up to a resort hotel in midwinter, throws away his car keys, enters, and proceeds to agitate everyone he meets with his urgency -- a message he is somehow unable to communicate. Then he leaves, disappearing in the snow. Later, the people he appeared to have upset have gathered to search for him and find him frostbitten, but alive. Visiting him at the sanatorium to which he has been taken, they gradually discover what was really happening.

The law student Caroline and the assistant professor Tom are husband and wife, but they keep their marriage a secret. While Caroline is afraid of annoying her mother Hella who ever since her divorce twenty years ago distrusts men in general, Tom dreads the criticism of his professor, a family law specialist who objects to the concept of marriage. By chance, Caroline gets hold of some juicy information: Her mother and the professor used to be a couple and she is their child. With almost missionary zeal she addresses herself to the task of convincing the two grown-ups to get back together. In the process, however, she steers both her academic studies and her own marriage into a crisis.

The movie is inspired by writer-director Márta Mészáros' own childhood. The film is a grim reminder of horrible days under Stalinist period when several innocent people were persecuted for no fault. A good film which allow people to know how people in Europe were tortured before second world war by dictators and authoritarian regimes.

Poet-filmmaker Jørgen Leth taps his own earliest inspirational veins by free-floating through a camera/microscope-enhanced set of poems with love as their first and final subject. For example, how a tropical island woman prepares for a meeting with her lover. The film was shot partly in the South Pacific with more than a nod to social anthropoliogist B. Malinowski's historical work The Sexual Life of Savages.

1957. Excessively high production standards imposed by the authorities result in the plan not being fulfilled, and the workers cannot imagine living normally without rewards and bonuses. A rebellion breaks out. Worker democracy wins – the working class elects a director from among its own ranks. He is an old locksmith with no managerial experience. Although he believes in the socialist spirit and has a communist past, he does not hold the position for long, as he makes promises too easily that he is unable to keep.

Doctor Ewa Lipska, an attractive young woman just after graduation, with interesting professional prospects for the future, chooses the job of a village doctor. Brought up in a big city, she settles in the small town of Międzybórz in the Łódź Province. She is forced not only to overcome the daily difficulties resulting from medical practice in a rural health center, but also to learn to talk to people of a different mentality and gain the trust of her patients.

An epic tale of a hundred years of Polish history from the perspective of women, the titular maidens and widows. Set against the backdrop of turbulent historical events.

The miniseries charts Napoleon Bonaparte’s career from his return after the Egyptian campaign to his downfall and exile on Elba, portraying his political maneuvering, military ambition, and complex relationships with key figures such as Talleyrand, Fouché, Murat, Tsar Alexander, Joséphine de Beauharnais, and Countess Marie Walewska.

Vera is Secretary at NATO Headquarters in Brussels. During a business trip to the USA, she learns that US nuclear missiles are to be stationed in Western Europe.

Created to mark the 60th anniversary of Poland's regained independence, Andrzej Wajda's acclaimed seven-hour stage production As the Years Go By, As the Days go By... follows two Kraków families between 1874 and 1914.

The series evokes the events of 1900-35 - from the reign of Emperor Wilhelm II, through World War I, the birth of the Independent Poland, the Silesian Uprisings, to the increasingly turbulent period of the rising tide of fascism. The action takes place mainly in the palace of the Dukes of Pszczyna, where the last great descendant of the von Teuss family resides. Prince Hans Fredrich marries the beautiful Englishwoman, Princess Daisy, and has three sons with her. Their fate, the choice of completely different life paths and even different nationalities reflect the enormously complicated mutual relations between the Polish and German elements in the border areas.