Max Berliner

A parallel police group attends a scientific conference and goes into action. Their mission: disrupt a gang of criminals that rob a memory bank.

Cranky, crafty and always immaculately dressed, aged master tailor Abraham Bursztein finds himself facing his winter years in a retirement home after discovering his children have sold his home out from under him. Not one to go quietly, Abraham unexpectedly travels to Poland in order to deliver a suit to a childhood friend who saved his life during the Nazi occupation.

Two friends are looking to earn easy money by gathering people to help them deposit a large sum of money in a fixed term of seven days, to live on the interests, which are higher the greater the amount deposited. This has immediate consequences on the lifestyle of the characters, who are increasingly ambitious. Portrait of the Argentine middle class in full hyperinflation, when financial speculation was the order of the day by the man in the street.

A man meets a former military service buddy who offers him a good deal. Money starts pouring in, but things change from one day to the next.

A merchant who is a good father has no scruples to earn money and engage in a business that harms the State.

When the new don discovers that sadistic mobsters were responsible for the death of his young son, he wreaks a deadly revenge.

The film depicts an eccentric Argentine family consisting of an elderly woman, her son, and the maid. Their relationships with each other and the outside world are closely linked to the dictatorship that grips the country they live in.

Yahudi bir ailenin kızı olan Leni, nişanlısı Rafi’ yi ailesi ile tanıştırmak için onu akşam yemeğine davet eder. Araları günden güne açılan bir anne baba, dansözlük yapan çılgın bir abla, koyu bir Ortodoks olan evin oğlu, bıçağı parmaklarının arasında gezdiren kör bir büyükbaba ve bunların arasında kalmış, normal denilen vasıflara sahip Leni, Rafi’ yi evine davet ederken bu çılgınları hesaba katmış mıydı, gecenin ilerleyen saatlerinde anlaşılıyor.Ailenin gözüne girmek için, yemek hazırlıklarına yardım eden Rafi, donarak koca bir buz kalıbına dönmüş çorbayı elinden düşürür. Kayan buz kalıbı camdan fırlar ve yoldan geçen birisinin kafasına isabet eder. Paniğe kapılan Rafi’ yi, Leni sakinleştirir ve öldüğünü düşündükleri adam için bir ambulans çağırırlar. Hiç birşey olmamış gibi ambulansın siren sesleri eşliğinde yemeklerine devam ederler. Ama Rafi’nin içi hiç de rahat değildir.

The inhabitants of San Hilario make their living from funerals. They are awaiting their first customer in a long time.

Looking for news of his ex-guerrilla sons, a man agrees to collaborate with his restaurant in a network of drug dealers.

A fiction based on the feelings and emotional states that a group of people experience in a small in-country town.

An influential mob boss and a cabaret star team up to increase his power.

Buenos Aires at the end of the millennium a young filmmaker hopeless about their future decides to film his last act.

Catrasca (Jorge Porcel) is a man who works in a restaurant and in his spare time helps in a children's home. His problem is that he carries a family tradition that makes him cause catastrophes in his path, one of which takes his boss (Adolfo García Grau) to the hospital. Upon leaving the hospital, Catrasca is run over by Graciela (Graciela Alfano), the daughter of Professor Galíndez (Osvaldo Terranova). This is how he meets this professor, who has a formula that says he will be the salvation of humanity, so he is the object of persecutions by villains such as Dr. Linda Winters (Moria Casán).

A family consisting of parents, two sons and a teenage daughter falls apart morally.

The adventures of professor Sócrates Pérez, a bit of a crackpot and terribly clumsy, but appreciated by his students for his purity and kindness.

Barbara’s behavior at school unlishes the suspicions of her teacher and the school psychologist, Sara. Talks at school with Sara, begin to reveal fears and darkness that the girl hides behind her eyes. Already convinced of her suspicions, Sara tries to get her superiors’ support as well as Barbara’s mother support to set her free out of her pain. Barbara’s mother denial, her own fear and the inaction of different institutions seem to be impossible barriers to overcome.

Since childhood, Raquel and Maria have been close friends. Now all grown-up, Raquel has fulfilled her dream of becoming an actress, while Maria has married a handyman, given birth to three children and runs the family household. In the wake of the Argentine military coup of 1976, Maria's oldest son Carlos is abducted. Desperate, Maria turns to her prominent friend for help. Yet the more Raquel gets involved in the search for Carlos, the more she becomes herself a target of the junta. Finally, she flees from Argentina to Berlin. Meanwhile Maria joins a group of women who investigate the fate of their disappeared relatives. In 1983, after the fall of the dictatorship, the two friends meet again.

The film recreates the arrival of a group of Jewish immigrants fleeing persecution in Czarist Russia, establishing the first Hebrew colonies in the province of Entre Rios, Argentina.

Behind a castle supposedly inhabited by ghosts hides a secret laboratory.

A prostitute and her homosexual friend arrive from the interior and meet a widowed man.

Argentine re-make of American television series Married... with Children. It follows the Argento family and their lives.

An administrative police officer, Franco Montero, receives as an inheritance the care of a half-brother that he did not know. Lorenzo Montero, a child prodigy with an IQ of 200 who changes his way of life and his work. The eleven-year-old's intelligence puts Franco and his assistant Gustavo Mansilla in charge of the homicide division. By deducing and exploring the three, they solve the most striking cases.

In each episode, which takes place independently of each other, commissioners Jiménez (Luis Luque) and Laurenzi (Darío Grandinetti) must solve different police cases that will be presented to them and will be a challenge for them, for which they will receive the help of the editor literary Daniel Hernández (Nicolás Cabré) who is looking to write a book about crimes.