Marc Fayolle

Dünyaca ünlü İngiliz yazarı Sarah Morton, tatil yapmak ve biraz da çalışmak amacıyla, editörünün Fransa'daki evine misafir gelir. Bir gece, Fransız editörün genç kızı Julie, Sarah'ın hayatına altüst edici bir giriş yapar ve kadın yazarın yaşamındaki tüm sükunet, bir daha geri dönmemek üzere bozulur. 8 Kadın ile tüm dünyada olduğu gibi ülkemizde de tanınıp sevilen yönetmen François Ozon, bu filminde de sadık oyuncusu Charlotte Rampling'ten (Kumun Altında) vazgeçmiyor. Bununla da kalmıyor ve 8 Kadın'ın en masumu ve küçüğünü, Ludivine Sagnier'i de 'fettan kız' rolüyle olaya dahil ediyor.

A young journalist uncovers an assassination disguised as a suicide, linked to an American multinational seeking to dominate French industries. Determined to expose the truth, he races against time to gather evidence before more lives—and his own—are at stake.

Anna and her husband Jean-Paul have to face a long and difficult separation since Jean-Paul is a spationaut. Thanks to a video device they can see each other and communicate... But definitely not for the best!

Crazed scientist Herbert Von Krantz has invented a device to sterilize all nuclear weapons -- and a mad herd of rival spies are desperate to get their hands on the device, including a sect of bald, turtleneck-wearing assassins.

The French intelligence agency plants Xavier, a former militant leftist, into a fascist organisation called Janus, against whom Xavier bears an old grudge.

"This book is a descent into the soul of a child." On November 26th, 1865, Lewis Carroll's 'Alice's Adventures in Wonderland' was published. In this 1973 broadcast, we discover the genesis of this "masterpiece of the absurd" and delve into the depths of a child's soul, thanks to Jean Gattegno's fascinating analysis. As a bonus, Claude Rich reads us an excerpt from Alice's adventures.

Two retirees obsessed with their desire to know everything put their knowledge into practice in a constantly awkward way.

Fascinated by the idea of ​​being able to create life through science, a count produces a monster from corpses. Does the creature have a soul?

Hugo-Paul de Weydroos, forger who manages to mystify the most renowned experts, is an attractive man, not without talent but paranoid and megalomaniac. He lived a childhood in the Paris of the 1920s, upset by his love of drawing and painting thwarted by an abusive mother. Delivered to his own fantasies, the hero indulges in the most disordered introspection and will end up consuming himself to become the reincarnation of the one he is trying to copy: Hans Pauli Weyergans, painter of the 18th century.

Jean-Luc, mountain farmer, married Christine. She accepted this marriage because the man she loved, Augustin, left. Jean-Luc knows this but he hopes that the birth of a child will allow them to live together possible. Unfortunately, daily life between work in the fields and Sunday mass destroys their understanding. After Augustin's return, Christine becomes his mistress and Jean-Luc discovers it. He chases Christine away and remains alone with their child but the latter drowns shortly after in a pond. Refusing to believe in the death of his son, Jean-Luc descends into madness. When a few years later, he sees Christine again with Augustin's child, out of jealousy, he kills the mother and the child, before killing himself.

Does the devil wear white? In a small province, a certain Miss B leaves corpses in her wake and fuels a lot of superstitious gossip. Despite warnings from the villagers, a writer becomes interested in the case and decides to visit the mysterious young woman dressed in white.

Les Cinq Dernieres Minutes is a crime based French television series

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.