Eric Gorman

Sean Thornton doğup büyüdüğü İrlanda'ya,yeni bir hayata başlamak üzere geri döner. Kısa zaman içinde Mary Kate Danaher ile tanışır ve evlenmeye karar verirler. Ancak buna karşı çıkan biri vardır; Mary'nin abisi Will Danaher. Sean hem Will Danaher ile mücadele eder hem de geride bırakmak istediği hatıralarıyla... The Quiet Man, 7 dalda Oscar'a aday olan ve John Ford'a en iyi yönetmen Oscarı'nı getiren çarpıcı bir drama.

Three vignettes of old Irish country life, based on a series of short stories. In "The Majesty of the Law," a police officer must arrest an old-fashioned, traditional fellow for assault. The man's principles have the policeman and the whole village, including the man he slugged, sympathizing with him. "One Minute's Wait" is about a little train station and glimpses into the lives of the passengers, with a series of comic setups. The third piece, "1921," is about a condemned Irish nationalist and his daring escape.

Thomas Crimmins is a new warder, or guard, in an Irish prison. He is young, naive, and idealistic, determined to serve his country by his part in meting out justice to criminals. His superior, Regan, however, realizes that even prisoners are human beings, and Regan is sick of the eye-for-an-eye attitude that leads the state to execute condemned men, or "quare fellows." Crimmins begins to see that not all is black and white in his new world, and when he becomes involved with Kathleen, the wife of one of the condemned men, his attitude begins to change. When new evidence arises to suggest that Kathleen's husband may not deserve his fate, Crimmins is torn between his duty and his humanity.

What happens to the saints and sinners of a small Irish village on the day the world is supposed to end.

Longtime playwrights and performers of the Abbey Theatre share colourful reminiscences of the national institution founded by W.B. Yeats and Lady Gregory in 1904. Oscar Nominee: Best Documentary Short

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.