Claudia Cantero

La Cordillera'da düzenlenen üst düzey Latin Amerika siyasi zirvesine katılanlardan biri de Arjantin başkanı Hernan Blanco’dur. Bu zirve sadece Latin Amerika’yı değil tüm dünya ülkelerini etkileyecektir. Kendi ülkesi ve diğer ülke başkanlarının Hernan’dan birçok beklentisi vardır. Ülkesi için oldukça önemli kararlar alması gereken bu dönemde onu zor duruma sokan birçok etken vardır. Damadı Hernan’a şantaj yapmaktadır. Geçmişi ile ilgili sırlar ortaya çıktıkça Hernan’ın huzursuzluğu da artar. Hernan Blanco, koltuğunu korumak ve ailesi ile prensiplerine sahip çıkmak arasında vermek zorunda olduğu zor bir kararın eşiğindedir.

When Marcelo Pena finally is about to be appointed Head of the Philosophy Department, the famous and seductive Professor Sujarchuk returns from Europe to claim the kingdom for himself.

A small town in an Argentinian province, 1975. The life of Claudio, a successful lawyer, gets complicated when he has a stupid quarrel with a stranger in a crowded restaurant.

Six strangers meet to participate in a theater class for beginners, but the peculiar behavior of one of them soon transforms the experience into an emotional journey.

Veronica otoyolda araba kullanmaktadır. Birden dikkati dağılır ve bir şeye çarpar. Ama sürmeye devam eder. Kazayı takip eden günlerde onu nesnelere ve insanlara bağlayan duyguları yok olur. Negatif bir uyanıştır bu. Polis herhangi bir kaza raporu gelmediğini söyler. Ancak o neye çarptığı konusunda bilinmezlik içindedir. Bir hayvana mı çarpmıştır yoksa bir çocuğa mı?

A story in search of a way out, a desired escape, of repetitions and symmetries, of the same paths that come and go but never cross, like cable cars...

Yetişkin hayatının büyük bölümünü New York'ta geçiren cana yakın ekonomist, memleketi Buenos Aires'e döner ve ilgisiz babasıyla tekrar bir bağ kurmaya çalışır.

A trumpeter for the Uruguayan Air Force Band finds an opportunity to make his dreams come true after enrolling in a music contest.

An old man, facing a housing problem, goes back to the place where he was raised. He starts to lose his mind, his memory slowly fades and confusion installs in his brain as he travels through those known landscapes.

Los Marziano reconstruye la oportunidad de un reencuentro entre dos hermanos tras un largo período de distanciamiento. Se trata de un relato que trabaja con profunda inteligencia -y con rasgos de comedia- el universo de las relaciones familiares.

A young man is struck and killed in a traffic accident, and the wrong man is accused of the homicide.

Marcela’s world becomes strange and unfamiliar after her sister Rina dies. She feels lost in her own house, and her relationship with her husband and children seems to suffer. But when Nacho, a young friend of her daughter’s, unexpectedly drops by, she starts to talk and walk with him. Gradually Marcela begins to have conversations with relatives from another dimension.

Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.

A woman finds new meaning in her life after her housekeeper quits her job.

Seemingly abandoned, a young woman walks through the porous city of Buenos Aires with her camera, finding potential mothers at every turn.

Clara and Alejandro move into a new house. A few days later, he goes on a work trip and she is left alone, surrounded by moving boxes. That chaos makes her accept a series of random invitations that will take her away from the hermetic world she lives in.

Patagonia narrates the journeys of two women - one looking for her past, the other for her future. The film inter-cuts between their stories, in which one of them travels south to north through the Welsh springtime and the other east to west through the Argentine autumn.

As a child, Lucas falls in love with Ana. His story is truncated: she moves away and he loses track of her. Today Lucas does crossword puzzles and has almost zero love-sexual life. Meanwhile, his friend Santiago has a blind date with Verónica that ends after a few seconds. Verónica's neighbor is in a secret and quite toxic relationship.

At her summer job, Ivana learns it's easy to create a circle of lies, fiction and love when you're bored.

The expected return of the son for his father funeral shakes up a traditional and secretive familiar environment where women are supposed to count on men to survive as he shows himself turned into a female.

Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.

It is a hot, humid and sticky night. Inés, a woman in her forties, is driving through the city of Buenos Aires towards the Buenos Aires suburbs. She is on her way to spend Christmas with her brother's in-laws whom she does not know. During these hours of family siege, Inés faces the questions that open up about her life decisions, reevaluating her choices.