Felix Bressart
Oyuncu · 1892 – 1949 · Eydtkuhnen, East Prussia, Germany [now Chernyshevskoe, Russia]
From Wikipedia, the free encyclopedia. Felix Bressart (March 2, 1892 – March 17, 1949) was a German-American actor of stage and screen. Felix Bressart (pronounced "BRESS-ert") was born in East Prussia, Germany (now part of Russia) and was already a very experienced stage actor when he had his film debut in 1928. He started off as a supporting actor, e.g. as the Bailiff in the box-office hit Die Drei von der Tankstelle (1930), but had soon established himself in leading roles of minor movies. After the Nazis seized power in 1933, Jewish-born Bressart had to leave Germany and continued his career in German-speaking movies in Austria, where Jewish artists were still relatively safe. After no fewer than 30 films in eight years, he emigrated to the United States. One of Bressart's former European colleagues was Joe Pasternak, now a successful Hollywood producer. Bressart's first American film was Three Smart Girls Grow Up (1939), a vehicle for Universal Pictures' top attraction, Deanna Durbin. Pasternak also selected the reliable Bressart to perform in a screen test opposite Pasternak's newest discovery, Gloria Jean. The influential German community in Hollywood helped to establish Bressart in America, as his earliest American movies were directed by Ernst Lubitsch, Henry Koster, and Wilhelm Thiele (director of Die Drei von der Tankstelle). Bressart scored a great success in Lubitsch's Ninotchka, produced at Metro-Goldwyn-Mayer. MGM signed Bressart to a studio contract in 1939. Most of his MGM work consisted of featured roles in major films like Edison, the Man. He combined his mildly inflected East European accent with a soft-spoken delivery to create kindly, friendly characters, as in Lubitsch's To Be or Not to Be, in which he sensitively recites Shylock's famous "Hath not a Jew eyes?" speech from The Merchant of Venice. Lubitsch also directed Bressart to similar effect in The Shop Around the Corner. Bressart soon became a popular character actor in films like Blossoms in the Dust (1941), The Seventh Cross (1944), and Without Love (1945). Perhaps his largest role was in RKO Radio Pictures' "B" musical comedy Ding Dong Williams, filmed in 1945. Bressart, billed third, played the bemused supervisor of a movie studio's music department, and appeared in formal wear to conduct Chopin's "Fantasie Impromptu." After almost 40 Hollywood pictures, Felix Bressart suddenly died of leukemia at the age of 57. His last film was My Friend Irma (1949), the movie version of a popular radio show. Bressart died during production, forcing the producers to finish the film with Hans Conried. In the final film, Conried speaks throughout, but Bressart is still seen in the long shots. Description above from the Wikipedia article Felix Bressart, licensed under CC-BY-SA,full list of contributors on Wikipedia.
Filmler24
Film7.8KomediSavaşİkinci Dünya Savaşı döneminde Alman işgali altında bulunan Polonya'da yaşam, Nazi'lere karşı olan herkes için oldukça zordur. Polonya'nın Nazi'lere direnişine çok ciddi şekilde zarar verebilecek bir casusun Alman'lara bilgi ulaştırmadan bir an evvel engellenmesi gerekmektedir. Joseph Tura ve karısı Maria'nın başını çektiği bir grup tiyatro oyuncusu, Nazi'lerle amansız bir mücadeleye girişirler.
Film8.1KomediDramHediyelik eşya dükkanında çalışan Alfred Kralik ve yeni işe giren Klara Novak, tanışır tanışmaz birbirlerinden nefret ederler. Kralik’in de Novak’ın da ilgilendikleri birer mektup arkadaşı vardır. Gel gör ki birbirinden nefret eden bu iki insan, aslında birbirlerine tatlı mektuplar yazmaktadırlar…
Film7.5KomediRomantikSovyetler tarafından Paris'e gönderilen gizli ajan Ninotchka, burada tanıştığı Leon'dan etkilenir ve işler amacını aşar. Mücevher satmak ve bilgi toplamak için gönderildiği Paris'te kapitalist bir iş adamı olan Leon ile filmlerdeki gibi bir aşk yaşayan genç kadın, bakalım görevini tamamlayabilecek mi?
Film6.6DramMüzikDiscovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.
Ziegfeld Girl
1941 · 39 votes
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Portrait of Jennie
1948 · 125 votes
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The Seventh Cross
1944 · 43 votes
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A Song Is Born
1948 · 47 votes
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Above Suspicion
1943 · 39 votes
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Edison, the Man
1940 · 27 votes
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It All Came True
1940 · 22 votes
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Blossoms in the Dust
1941 · 38 votes
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Without Love
1945 · 29 votes
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1940 · 27 votes
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Three Smart Girls Grow Up
1939 · 8 votes
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Three Hearts for Julia
1943 · 2 votes
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Crossroads
1942 · 39 votes
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Bitter Sweet
1940 · 8 votes
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Take One False Step
1949 · 18 votes
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Greenwich Village
1944 · 6 votes
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The Thrill of Brazil
1946 · 4 votes
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Escape
1940 · 16 votes