Betti Pedrazzi

Amerikalı rahibe Cecilia, İtalya’daki göz alıcı bir manastırdan davet alır. Cecilia burada çok sıcak karşılanmıştır. Fakat bu kusursuz mekânın bazı karanlık ve korkutucu sırlar barındırdığını çok geçmeden anlar. Yeni evi, uğursuz ve anlatılamaz dehşetler yaşayacağı bir kâbusa dönüşür.

1980'lerde Napoli'de futbola duyduğu sevginin peşinden giderken bir aile trajedisiyle sarsılan genç Fabietto'yu yönetmenliğe giden belirsiz ama parlak bir gelecek bekler.

Gioia is a high school teacher who has never known any other love than the oppressive bond with her own parents, with whom she still lives. One of the students at her school, Alessio, is cashing in on his own body to make a couple of hundred euros to help his mother, a cashier in a supermarket. The relationship that dawns between Gioia and Alessio is forbidden fruit, fragile yet, inexplicably, one they can’t do without. Still, Alessio’s desire to improve his social standing is a silent killer that prevents him from ultimately accepting Gioia’s surprising affection for him. He goes and destroys it all, cancelling the only person who has ever loved him.

On the surface the women at the convent are your average nuns. However, what they get up to in their spare time is far from what you'd expect from nuns.

She hates men, he hates complications - but after one passionate night ties them together, these two irreconcilable opposites are forced to coexist... working at the same school, with a baby on the way! Can a staunch feminist and an oblivious chauvinist find common ground?

Sara and Nicola are married and in love. Their lives seem to be perfect: they have an angelic six-year-old daughter, thriving careers and a stable marriage. The birth of their second child, which disrupts the family balance, leads to tragicomic scenarios.

Ölümcül bir kansere yakalanan hamile bir kadın, doğmamış kızına her doğum gününde bir tane açması için 18 duygusal hediye bırakır.

Matteo Messina Denaro'nun otuz yıllık kaçakçılığı sırasında yaşanan gerçek olaylardan esinlenilmiştir. Gözden düşmüş bir politikacıya, gizli servisler tarafından yakalanması zor bir Mafya babasını ortaya çıkarma operasyonuna dahil edildiğinde ikinci bir şans verilir. Görevi, patronun vaftiz babası olarak kişisel bağını kullanarak, gizli mektuplarında saklandığı yeri açıklamasını sağlamaktır.

It's 1987, the final act of the Maxi Trial in Palermo, the largest criminal trial in Italian history. On this occasion, eight jurors, four women and four men, are locked in a deliberation chamber for thirty-six days. Their task is to determine the convictions or acquittals of 470 defendants accused of mafia crimes.

Lucie and Gianni travel to Venice for a romantic getaway. Unfortunately, his newly single, emotionally unstable mother shows up uninvited and hijacks their holiday. They came to Venice to start a family, but first, they have to survive his.

An absurd law prevents John, an unrecognized child at birth, from knowing the identity of his biological parents before his 100th birthday. To succeed in attracting public opinion, his only hope is to obtain the complicity of Gustavo, the only unrecognized-at-birth centenarian alive. The only one who would have the right to avail himself of this legislation but seems to have no interest in doing so. The Most Beautiful Century of My Life tells of the meeting between a centenarian projected into the future and a young man anchored in the past and of their unexpected friendship.

Amata is about two lives that graze one another without meeting, connected by invisible threads and choices that can change a person’s fate. With its intimate, sensual and deeply human gaze, Amata singles out the bodies and souls of its two lead actresses in order to explore what it means to choose. And love. Nunzia is an out-of-town student with a crushing secret: an unwanted pregnancy. Isolated, she weighs a grueling decision: keep the baby or give it up. In another place, Luca and Maddalena endure the emptiness of a new life that doesn’t arrive. After a long, fruitless trial, a chance presents itself: delicate, luminous, full of anticipation. Amata is the story of two women who intersect, fragile fighters yet strong at the same time, who imagine love, freedom and motherhood in its many forms. And a third woman, Margherita – the child. Torn between different worlds, and silent carrier of a bond that unites them, though no one knows.

Tonino Esposito is the son of the fearsome Camorra boss of Rione Sanità, Naples. Unlike him, however, Tonino is clumsy and utterly innocuous—a decent person at heart—and so when his father dies he's passed over in matters of succession. His pride wounded, he doesn't resign himself and tries to be his own boss, only managing to make a fool of himself. When he finds out that his daughter is dating to the son of the judge prosecuting the new boss, Tonino sees the opportunity to prove himself in front of his family and all of Naples.

Although this sounds like a weekend like many others, in the Prior house the atmosphere is rather tense because of some nervousness on the part of individual members of the family, especially the father, Peppino, who gets angry with anyone who happens to shoot: with their children, Juliana and Roberto, and his sister, aunt Meme. Meanwhile, his wife Rosa is dedicated to the preparation of the sauce, which she will serve for Sunday's lunch, to which she invited the neighbors, the accountant Ianniello and his wife.

A police inspector has to help an eccentric stranger who seems to have lost his memory.

In 1943 Italy is crumbling. Salvo D'Acquisto, a Carabinieri officer is trying to maintain law and order. One tragic incident will unravel a chain of events leading to him having to stand between the Germans and people he swore to protect.

Marta and her daughter Nina move to Malanotte, a small mountain village. The little girl has been suffering from hypnagogic paralysis for some time, a sleep disorder which can lead to hallucinatory states, and Marta thought that a bit of mountain air and distance from the frenetic rhythm of city life might benefit the little girl. However, the house they move into is anything but welcoming, and children are never seen playing in the streets of Malanotte. Nina’s symptoms begin to worsen from the very first night in the new house, and the little girl has more and more vivid nightmares in which a ghostly figure sits on her chest, immobilises her and steals her breath. For Marta, a single mother in a place she finds increasingly sinister, it will become harder every day to know what is best for her child.

An epileptic director trying to make a film about the life of famed Romanian actor Elina Löwensohn discovers that her real-life subject bears little resemblance to the star she idolized.