Carlo Cerciello

Salvo was five when his father Vincenzo was arrested, practically before his eyes. Seven years later Salvo lives with his uncles and his cousin a controlled and peaceful existence in the Turin area, but his father returns and claims his son for four days. Vincenzo has to carry an important load to Bari and brings Salvo (nomen est omen) with him as insurance: a child is better than a gun, he says, because his presence in the event of a possible police detention can have a distracting effect . This however is not the only reason why Vincenzo wants Salvo with him, and the "Salv-atore" child will prove to be a potential vehicle of redemption for that messed up father, but not entirely devoid of feelings and attentions.

The portly meter reader Crecenzio is first seen blowing up a building. The reasons for this drastic, desperate act provide the basis for the story, which is told in flashback.

On a winter’s day, Nena gathers her family to celebrate her birthday. Il paradiso del pavone is a small journey into the intimacy and authenticity of human beings: a film about an extended family in which everyone talks but no one really listens. Until an unexpected event forces the family members to look into each other’s eyes and reveal themselves for what they really are.

Set in the 1790s, this historical drama follows the travails of an idealistic noblewoman who helps lead a daring revolution in Italy.

An unexpected pregnancy and premature birth become a burden that Maria is unprepared for. Lacking control over events for the first time in her life, she retreats into an emotional space where she is alone, until the day arrives when she must learn to live again for the sake of her vulnerable child.

Naples told, through the centuries, in an anthology: Dadapolis by Fabrizia Ramondino and Andreas Friedrich Müller. A city always full of ferment, culture but also contradictions. In the film, however, today's city is told through the eyes of about sixty artists who live and work between Naples and abroad. A kaleidoscopic story made up of performances, songs, works of art and dialogues that narrate the transformations of a city, which never before has turned out to be so topical.

Roberto Saviano'nun mafyadan tehditler almasına neden olan kitap uyarlaması dizide; Napolili bir suç örgütü olan Camorra’nın iç yüzü, mafya babası Pietro Savastano’nun 30 yaşlarındaki sağ kolu olan Ciro’nun gözünden anlatılıyor. Uyuşturucu satışı başta olmak üzere her türlü yasa dışı faaliyet tamamen onların kontrolündedir. Fakat Don Pietro’nun yaşlandığı, gücünün artık azaldığı düşünülmekte ve bu da beraberinde Savastanolar için gün geçtikçe daha da büyüyen var olma mücadelesini getirmektedir.