Martin Bretschneider

SOKO Leipzig is a German police procedural television programme, a spin-off of the earlier German police programme SOKO 5113. It was first broadcast on 31 January 2001, on German television channel ZDF. On 12 November 2008, the first part of a two-part crossover between SOKO Leipzig and British police procedural The Bill was aired, with the same version being shown on both ZDF and British television channel ITV1.

SOKO Kitzbühel is an Austrian television series produced by ORF and ZDF. It is a spin-off of the German crime series SOKO 5113. It is set in the renowned Tyrolean tourist centre of Kitzbühel. The production company "beo-Film" has produced the show since 2001. The German abbreviation SOKO stands for Sonderkommission, "special commission", a task force with specific duties.

Ein Fall für zwei is a German television series, which premiered on September 11, 1981 on ZDF. The series, located in Frankfurt am Main, features two main characters who solve crimes: a defense attorney and a private investigator. Josef Matula, a former German police officer, has gone into private business. His method of investigation is very effective and direct, and he sometimes even resorts to dirty tricks. Claus Theo Gärtner has portrayed the role since the start of the series.

The SOKO Stuttgart team investigates analytically and with sensitivity in the likeable state capital. The exciting cases of the series lead them to bizarre crime scenes and to different milieus.

Shows the interaction between Hamburg police officers and paramedics.

Series written by Christiane Sadlo about writer and journalist under the pseudonym "Inga Lindström" and her family. Characterized by impressive landscapes, all of which are shot on location in Sweden. Series has no continuous storyline, and each episode is filled with new characters.

Practical semester at the Halle/Saale Police College: Finally out of the seminar rooms and into real life - which for the students means: real murder cases. With the support of their trainers in the homicide squad, they will have to solve this. The beginners sometimes overshoot the mark, make mistakes and have to learn new things on their way to becoming fully qualified detectives. In each episode, a case between the university and real life is dissected, discussed and solved, while the private complications of the students, lecturers and trainers are not neglected.

From 9/11 to the Ukraine War: Five lifeworlds of post-migrant people in Germany, that have taken an unwanted turn in the shadow of public discourse.

The movie deals with the championship-winning German soccer team of 1954. Its story is linked with two others: The family of a young boy is split due to the events in World War II, and the father returns from Russia after eleven years. The second story is about a reporter and his wife reporting from the tournament.

Eifel landlady Toni Janssen has the blues. The unexpected single life is just as depressing as the decline of the "Kupferkanne" without the cooking skills of her "ex". The otherwise tough restaurant owner would prefer to crawl under the comforter all day! But giving up is out of the question for her mother Heidi. The fact that the Janssen women have been making it on their own for generations is their motto in life anyway. The best example: Heidi's newly opened guesthouse, which is often fully booked! It's not just business success that has a rejuvenating effect on the optimistic woman in her mid-fifties. Ron, the gardener hired by the investment-happy business founder, surprises her with his charming advances. What Heidi initially finds hard to believe soon sends her into a frenzy of love.

1985: The outbreak of nuclear war drives the inhabitants of a small town into a bunker. Among them is a married couple whose son is missing. Their different ways of dealing with loss reveal the apocalypse of a love affair.

Based on a short story by Salman Rushdie.

Adolescents in the amphibious situation between child and adult try to cope with their emotions and their environment. Right there they would need limits, a foothold and hope and yet they signalize the opposite. Between loss, extinct love, parental problems and their own needs the parent generation tries to understand or at least to save something.