Facundo Bo
Oyuncu · 1943 – 2016 · Buenos Aires, Argentine
Facundo Bo (1943–2016) was an Argentine-born French actor and artist, known for his involvement in Parisian avant‑garde theatre in the 1970s. Born in Buenos Aires, he moved to France and joined Alfredo Arias’s TSE troupe, where he stood out through bold performances blending theatre, dance, and pop aesthetics. His notable role in Copi’s Eva Perón contributed to his fame, particularly thanks to his deliberately subversive interpretation. In cinema, he appeared in several French films during the 1980s, including L’Ombre rouge (1981), Tout feu tout flamme (1982), and L’Amour par terre (1984).
Filmler9
Film5.8DramKomediA playwright offers two actress friends the chance to appear in his new, unfinished play, which consists of only one female part.
Film6.0KomediDramVictor Valance, an absent father and gambler, works with shady casino operations abroad. When he returns to Paris in need of money, he plans to take advantage that Pauline, his eldest daughter now fully responsible for the whole family, has begun to work for the Ministry of Finance. Pauline thwarts his new projects but when she realizes gangsters are looking for Victor she will put her life at risk to help him and save their family.
Film8.0TarihTV MovieA historical television film directed by Jean‑Dominique de La Rochefoucauld, Richelieu, or The Day of the Dupes recounts the political tensions that came to a head in November 1630, when Marie de’ Medici attempted to remove Cardinal Richelieu from power. Blending court intrigue, the king’s illness, and decisive reversals, the film portrays the struggle for influence that ultimately cemented Louis XIII’s trust in his minister. Led by Didier Sandre, Patrick Raynal, and Dominique Blanchar, the telefilm offers a meticulous reconstruction of the events that shaped the kingdom’s balance of power.
Richelieu ou La journée des dupes
1983 · 1 votes
Film5.9KomediA closeted gay man's attempt to "act straight" for the sake of his job has unexpected consequences.
Film8.0KomediLaura, 35 years old, is married to Ricardo, an Argentinean cameraman, political refugee in France. They have two little girls, Ariane and Amélie. Laura works in a printing company, as a machine operator. When democracy is re-established in his country, Ricardo wants to return with his wife and daughters. But Laura refuses and the couple separates. Three years later, the young woman meets Didier Caillaux-Lalande, a young man who comes to print a book on Gustave Doré.
La vie en couleurs
1989 · 1 votes
Film6.0Dram"Cocktail Molotov" is the story of the adventures of this threesome, who reach Venice only to learn of the outbreak of the May 1968 disturbances at home. Once again, Anne, Frederic and Bruno realize that the important things of their time are happening somewhere where they are not. Swindled out of their car and virtually broke, they hitchhike back to Paris, hoping to arrive in time for some of the excitement.
Cocktail Molotov
1980 · 14 votes
Film5.2DramGerilimThe time is the 1930s and two Soviet spies (both Frenchmen by nationality) have been helping Communist factions during the Civil War in Spain. It is the time of Stalin's iron rule in the USSR, and the two agents are suddenly called to Moscow by the KGB. Knowing that they are in trouble for no fault of their own, fear drives one of them to suicide while the other gets his lover and her child and begins a run for his life, knowing that the KGB will never let him go free.
Film4.9KomediDramSimon lives in an affluent intellectual environment, headed by his mother Alice. Raphael, his cousin, belongs to the poor branch of the family, but Simon adores him. So he decides to help him become a writer.
Rue du Bac
1991 · 8 votes
Film9.0BelgeselDocumentary on State terrorism during the last military dictatorship in Argentina, made in its aftermath. Invited by the Goethe-Institut to hold a workshop with young film students, Schroeter contrasts the official statements of the regime with the testimony of victims, dissidents and relatives of the disappeared. And trust that their faces and words will resonate much more than a mere representation of violence.