Hyo Kitazawa

Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor.

In 1941, overpopulated Japan faces an economic boycott and its armed forces push further to the south. And despite negotiations between Japan and the U. S. A. war is declared with the attack on Pearl Harbour. Victories follow for Japan on land and sea and her forces push forward to the borders of India. But gradually the tide turns in favour of the Allies and after the atom bombings of Hiroshima and Nagasaki, Japan is compelled to accept the Potsdam Declaration and by the order of the Emperor agrees to unconditional surrender. Under the supervision of the occupation forces the International Military Tribunal opens in Tokyo to try the Japanese war leaders. Established in the cause of justice, and to prevent future aggressive wars the trials drag on for two and a half years. And on December 23, 1948, General Tojo and six other war leaders mount the thirteen steps to the gallows at Tokyo's Sugamo prison.

It was supposed to be about a love story, but it was and was not. An aircraft mechanic working for the government is matched by his boss with the latter man's daughter (Setsuko Hara) who is both beautiful and aggressive. Yet, he picks a woman who is less assertive as his bride.

In postwar Japan, two sisters—a film studio script girl and a revue dancer—become swept up in the growing labor movement when workers around them strike for better conditions. As their conservative father opposes their activism, his own dismissal forces him to confront the realities of class struggle and join their fight for a fairer future. Now considered a lost film, Those Who Make Tomorrow was produced by Toho to promote unionization during Japan’s Allied Occupation.

Junai Monogatari AKA Story of Pure Love is about two poor youths, Mitsuko and Kando, rebelling against society in various ways, who are desperately trying to be together despite tortuous circumstances. The film depicts their lives as thieves, menial laborers who can get little pay, society outcasts, and of course, lovers. Junai Monogatari depicts, mostly, their struggles within the Japanese reformatory system and Mitsuko's worsening sickness.

Baseball movie about Eiji Sawamura.

In 1887, two businessmen, Echigo-ya and Kitahara, compete for railroad construction authorization from the government. The minister states that a local noble must not object, and his missing younger brother is the only one who could sway him. Meanwhile, Omitsu, a hotel employee tired of Echigo-ya’s wife’s arrogance, teams up with Kitahara to stage a scheme where a vagrant young man pretends to be the noble’s lost brother, aiming to trick and embarrass the wealthy woman.

About an establishment where old men pay to sleep besides young girls that had been narcotized and happen to be naked, the sleeping beauties. The old men are expected to take sleeping pills and share the bed for a whole night with a girl without attempting anything of bad taste like putting a finger inside their mouths.

Richness, severity and pureness of love is beautifully and sentimentally depicted.

During the late Meiji period, at the beginning of the twentieth century, Sumako, a country girl, becomes a great actress with the help of Hogetsu, a scholar who brought European realism to the Japanese stage. The relationship leads to the end of his marriage and the breakup of his Arts Society.

The premature death of a young mother serves as inspiration for her husband and son.

Fourth installment of Nikkatsu's "Drifter" series, with Kobayashi Akira.

A romance with political overtones about the relationship of a sheltered bourgeois woman and a doctor who devotes himself to caring for the poor. Over a ten-year period - from 1936 through the war - they find each other and are separated again by the events of those tumultuous days.

On February 4th of the 16th year of the Genroku era, Yatō Uemon no Shichi reminisces while waiting his turn for seppuku at the Mizuno residence. When news of his lord, Asano Naganori, attacking Kira Yoshinaka in the palace reached Akō, Uemon no Shichi was sixteen. The family elder, Ōishi Kuranosuke, determined to avenge, gathered allies, but Uemon no Shichi's father, Chōsuke, being sickly and considered too young, was not included. Chōsuke committed suicide.

The 14th and final "Crazy" feature. The Crazy Cats reunited (minus Ishibashi, who had by then retired from the team) for one last feature, Jun Ichikawa's odd Memories of You (Kaisha mono-gatari, 1988) released by Shochiku. Most of the cast of Crazy lrresponsibles at Shimizu Harbor (1966) return in this sequel.

Japanese film based on the life of writer Ichiyo Higuchi (1872-1896).

This film attempts to reconstruct the tension of the Battle of Shanghai through an episode in an understated way, introducting its story in a documentary mode. In the film story, Japan's marine regiment protects Japanese residents and Chinese refugees-women and young children-from rampant street fighting, Shanhai Rikusentai unsparingly uses its first eight minutes for an official-mannered self-justification of the war. From the viewpoint of explaining Japan's military operation,the narration refers to the city s spatial division in sync with maps on screen.

The story deas with the experiences of an exceptionally strong-willed, middle class Tokyo "ojōsan" who comes to teach in a middle school in the countryside.

Follows the story of an insurance company executive from Tokyo, Mr. Mito, who is demoted to the Osaka office. He takes a room at a small inn and tries to rebuild his life.

The 9th NHK Asadora. Starring Naoko Otani as a young woman living with her grandmother.

A television serial that was in turn adapted from a radio series and a novel, My Daughter And I featured a Japanese novelist who is married to a French woman who have one daughter. The man and his daughter begin a new life when the woman dies. Having difficulty spending time with his daughter, the man sends his daughter to a Christian boarding school. He remarries and brings his daughter back home. After the end of the World War his lot improves professionally, yet his second wife dies.