Tommy Rall

Büyük ağabeyleri Adam, yeni evlendiği karısını kardeşleriyle beraber yaşadığı kulübeye getirdiğinden beri Pontipee erkelerinin hayatları oldukça değişmiştir. Hatta durumdan öyle etkilenirler ki, bekar kardeşler kendileri de birer eş sahibi olmak için kasabaya inip beğendikleri kızları kaçırırlar! Stanley Donen'ın yönetmenliğini üstlendiği bu son derece keyifli müzikalde Oscar ödüllü Gene dePaul/Johnny Mercer şarkısı, Michael Kidd'in koreografisi ile herşey yerli yerine oturuyor. başrollerdeki Jane Powell ve Howard Keel'e geyik derilerine bürünmüş erkek dansçılar ve içeteklikli dansözler eşlik ediyor.

Fakir bir Yahudi mahallesinden Ziegfeld Gösterileri'leriyle kariyerinin zirvesine çıkan Fannie Brice' in hayatı.

Kasabaya daha önce gelip yerleşenlerle, yeni gelen göçmenler arasında sorunlar vardır. Bir kızılderili bu anlaşmazlıkları körükleyerek kendine çıkar sağlamaya çalışır.

Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.

A pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.

During the Great Depression, a sheet music salesman seeks to escape his dreary life through popular music and a love affair with an innocent schoolteacher.

Eddie and his family have just inherited a spooky wreck of a house. What they do not know about the house is that it was built over an evil passage way, but they are soon to discover the wacky evil it releases.

In 1880, Osawkie, Kansas is feuding with rival town Mandaroon over which will be county seat, keeping the town's men away from home most of the time. The last straw is when Matt Davis feels compelled to go on a new foray on his wedding night; his bride Liza (just call her Lysistrata) takes teacher Cassie's advice and organizes a marital strike to make the men-folk stop their nonsense.

Three completely different stories are told through dance.

Ruth and her beautiful sister Eileen come to New York's Greenwich Village looking for "fame, fortune and a 'For Rent' sign on Barrow Street". They find an apartment, but fame and fortune are a lot more elusive. Ruth gets the attention of playboy publisher Bob Baker when she submits a story about Eileen. She tries to keep his attention by convincing him that she and the gorgeous, man-getting Eileen are one and the same person.

When eccentric English teacher Andrew Larabee needs a raise in order for his fiancée to marry him, his interest in archaeology leads him to an ancient statue's burial site. But when he finds a traveling circus directly above the statue's location, he accidentally becomes part of the act. With a newfound passion for performance and an attraction to the beautiful acrobat Selena, Andrew must decide what is truly important to him.

A successful aging dancer takes a young female protegee.

Orphan prodigy singer runs away from her oppressive aunt and tricks a rural couple into adopting her.

A scrappy fighter from Jersey City named Tommy Shea -- "born in a dump, educated in an alley" -- catches the eye of wealthy businessman, Robert Mallinson, who allows him to train at his Long Island estate. Shea soon falls for Mallinson's daughter, Dorothy, but fears he doesn't have the money to support her in proper style. To get this money, Shea decides to work with crooked fight-promoter Harry Cram, even though this means dropping his honest manager, Dave Bernstein. As the big fight approaches, however, Shea begins to have second thoughts.

At fictitious Tait University in the Roaring '20s, co-ed and school librarian Connie Lane falls for football hero Tommy Marlowe. Unfortunately, he has his eye on gold-digging vamp Pat McClellan. Tommy's grades start to slip, which keeps him from playing in the big game. Connie eventually finds out Tommy really loves her and devises a plan to win him back and to get him back on the field.

Ann Miller hosts this documentary short on the making of the MGM-Cole Porter hot musical "Kiss Me Kate".

This behind-the-scenes documentary includes interviews with people who were directly involved in the MGM classic musical 'Seven Brides for Seven Brothers'. Those interviewed include actors and actresses who appeared in the film - as well as the film's choreographer, director, and musical arranger

TV goes Hollywood when Steve Allen visits Universal-International to prepare for his upcoming title role in "The Benny Goodman Story."

Students at the Davis School of the Theatre are assigned "Antigone" as their class play, but they conspire to do a swing musical instead.

Startime, an anthology of drama, comedy and variety, was one of the first American television shows broadcast in color.

“The Bell Telephone Hour” was a musical variety show that aired on “NBC” TV from 12 January 1959 to 14 June 1968 that showcased the best in Broadway, Classical, Concert, Jazz and Popular music each week. The series had its’ own house band appropriately named the “Bell Telephone Orchestra”. The show also had its’ own theme song being the “Bell Waltz” composed by “Donald Voorhees” who was also the show's Orchestra conductor. Some of the greatest violinists of the 1960’s performed on this show that aired in the old “Black & White” format. Some of these great violinists included “Erica Mornin”, “Isaac Stern", "Michael Rabin", "Ruggiero Ricci", "Yehudi Menuhin" and "Zino Francesacatti". From time to time some of the great singers and bandleaders of the 1960’s would perform on the show as well. Some of these were “Bing Crosby”, “Gordon MacRae”, “John Gary”, “Leslie Uggams”, “Mary Martin”, “Nelson Eddy”, “Patti Page” and “Roy Rogers”. The TV show followed on the heels of its’ predecessor with the same name on “NBC” radio that aired from 29 April 1940 to 1958 on Monday nights at 8 PM. The name of the show was derived from its’ Major sponsor “Bell Telephone Laboratories”. The TV version began airing on Friday nights at 8:30 PM once a month. It later was given it’s same time slot now airing every other week alternating with another show on the other weeks such as News shows and specials. The show time slot changed quite often over the years. In September 1960 it aired at 9 PM and in September 1961 it moved to 9:30 PM. In October 1963 it moved to Tuesday nights at 10 PM, September 1965 it moved to Sunday night at 6:30 PM and in September 1967 it made its' final move back to Friday night at 10 PM.