Jacques Josselin
Oyuncu · 1894 – 1977 · Marseille, Bouches-du-Rhône, France
Filmler12
Film8.0DramRomantikSinema tarihinin en önemli filmlerinden birisi. Filmin tarihi bağlamda ifade edilmesi bir yana, özellikle seyirciye seslenen murder plot, aşk hikayesi vs. yönlerinin olması bunun nedenleri arasında sayılabilir. Carne & Prevert işbirliğini de bu başarıda gözardı etmemeliyiz. 1940′ların ortalarına doğru Fransız Sinemasının konumlandırılmasına bakıldığında bunda Marcel Carne ve onun ekibininin önemi gözler önüne serilir. Öyküde 1827-1828 yılları Fransa’sına panaromik bir bakış gözler önüne serilmektedir. Bu sahne özellikle akılda tutulmalıdır, filmin son sahnelerinde bu tip bir panaromik bakışa adeta simetri oluştururcasına geri dönülecektir. Açılış sahnesinin etrafında bulunan binalar seyircide derinlik hissi oluşturacak şekilde dizilmiştir ki bu izleyicide bir göz yanılması uyandırır. Ayrıca bu küçük setlerde, göz yanılması ve algı oyunlarıyla seyirciyi büyülemek amacıyla cüceler kullanılmıştır.
Film6.7SuçDramHenri, the Man from Nantes, comes back to his country after a successful stay in the United States, where he was working for Liski, the drug dealer. With the fame of being a tough guy preceding him, he sets himself to the task of knowing why the French operations were not so profitable - and soon he is master of all links of the organization. He can now get it honed to perfection - or destroy it. Only... the Police are following his every step.
Film7.5DramRomantik19.yy'ın Paris'inde varlıklı bir Generalin (Charles Boyer) karısı olan Louise'in (Danielle Darrieux) kocasının evlilik yıldönümünde kendisine armağan ettiği küpeleri borçlarını kapatmak için satması ve kocasına yalan söyleyerek onları kaybettiğini söylemesi birbiri ardına birçok trajik yanlış anlamaya yol açar. Burjuva ahlak ve davranışlarının eleştirildiği filmdeki kişiler burjuva veya aristokrat sınıfından herhangi birileri olabileceğinden soyadları belirtilmez, sadece "Madame de..." veya "General André de..." şeklinde anılırlar. Film boyunca sürekli el değiştiren elmas küpeler filmin karakterleri ve olayları arasındaki bağlantıyı oluşturur ve farklı kişiler için farklı şeyleri sembolize ederler. Küpeler yerine göre aldatmanın, mülkiyetin, açgözlülüğün, gücün veya aşkın sembolü olurlar.
Film6.4SuçDramLouis Bertain is the owner of a Paris garage which is the front for a robbery gang. He and his accomplices are careful to keep up a civic veneer by day, indulging in criminal activities only when "the red light is on" at night. This status quo is upset when one of the gang members becomes convinced that Louis' younger brother is a police informer.
Film5.7KomediMüzikIn the early 1950s, the popular radio show "La Kermesse aux Étoiles", hosted by the famous Jean Nohain, mixing lottery games and performances of various artists, will be disrupted by the adventures of a man and his fiancée seeking to recover a dangerous bottle of perfume (explosive) which was unfortunately mixed with the prizes to be won ...
Film7.1DramA Paris-based doctor tries to spread the gospel of Natural Childbirth. Working in a cloistered rural community, Gabin runs up against the stone walls of fear and prejudice. His theories are proven sound when unwed mother Nicole Courcel gives birth within Gabin's methodology. The childbirth sequence is filmed straight-on with a delicate combination of taste and frankness. Nonetheless, the lurid ad campaign of Cas Du Dr. Laurent sensationalized this sequence all out of proportion.
Film7.0DramMelodrama of two struggling artists whose love for each other is thwarted.She has some success as a ballerina despite being wounded by him in a fit of jealousy. His career as a sculptor is stymied when he is arrested.
Film7.0KomediThe young mayor of Fontenac, Virgile, is much loved by his constituents who appreciate the improvements he has made in their peaceful village. This beautiful harmony is disturbed by the arrival of a young platinum pin-up, Maggy, alleged pupil of the lord, in truth his mistress.
Une fille dans le soleil
1953 · 1 votes
Film7.1DramPortrait of a two-faced man. By day he is rich, brilliant and respectable financial officer Lussac; at night, he becomes "Mirror", a ruthless gang leader in Marseilles.
Film6.3KomediTo conceal his nighttime infidelity from his wife Gisele, Pierre calls in a particularly shady private detective to concoct an alibi. He is introduced to a certain Robert Crémieux, who will pass himself off to Gisèle as a childhood friend with whom he spent the night until the early hours of the morning. The so-called childhood friend turns out to be a delinquent accused of burglary and rape on the very night he was supposed to be with Pierre. Pierre is immediately suspected of being his accomplice and, trapped by his own turpitude, arrested. Entangled in his lies and denials, he has to admit his infidelity to get out of the impasse.
Film6.0A band of Marseilles, lazy and happy to live, are involved in trafficking; Titin, put in prison for a while, is finally released and can marry Miette.
Film6.5SuçDramBased on the novel of the same name by writer Edouard Peisson, this Jean Delannoy film display one boy’s unconditional love for his mother, despite her tragic mistreatment of him. After being raised by a shepherd for the past 12 years, Simon (Pierre-Michel Beck) is reunited with his mother Marie (Madeleine Robinson). Marie is a prostitute in Marseilles and is now stable enough to welcome Simon back into her life. Unaware of her profession at first, Simon is happy to have his mom back, but in time he learns how she makes her living. This troubles Simon but he continues to love her, despite not loving her chosen profession. His anger toward this issue gets directed toward Marie’s louse of a boyfriend, Paul (Frank Villard), and the result is a heartfelt tale about love and family.