Roberto Pirillo

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

A successful businesswoman in the music industry sees her life fall apart after a young and mysterious woman starts work as her secretary. The scheming girl is totally obsessed by the famous businesswoman and she tries to steal everything from her, including her career.

Heartbreak forever changed the fate of the young and humble José Alfredo. Years later, he became the Lord Alfredo, a successful owner of a jewelry empire and a man obsessed with power. Temperamental and cunning, he tries to balance his turbulent marriage, an extramarital love affair, and the dispute between his children over succession in his business. One day, however, the unexpected appearance of a possible daughter, of whom he was unaware, causes upheaval in his life and takes his familial conflicts to a whole new level.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

After getting lost on a sea excursion, Jô Penteado and Fábio Coutinho develop mutual feelings during the two months they spend stranded on a deserted island.

The story revolves around the conflicts within Silvana and Oliva's family—her mother and paternal grandfather—who are fighting for custody of Zeca after the child's father dies.

Livia and Felipe are in a forbidden love story doomed to end tragically. A century later, they both have a new chance to make their love real again. “Time After Time” is an innovative romance set in two different eras in which characters hold the opportunity to make up for their mistakes, come to terms with the past and write themselves another story.

Set in 19th-century Brazil during the waning years of slavery, Escrava Isaura tells the story of Isaura, a white-skinned enslaved woman raised with the manners and education of a noble lady. Though treated with affection by her mistress, Isaura remains legally enslaved and becomes the object of obsessive desire by Leôncio Almeida, the cruel heir to the plantation. After the death of her protector, Isaura falls under Leôncio’s control. Despite his attempts to seduce and dominate her, she resists, determined to preserve her dignity and freedom. Her father, Miguel, helps her escape to Recife, where she adopts a new identity and meets Álvaro, a wealthy and principled abolitionist who falls in love with her. Leôncio eventually tracks her down, leading to dramatic confrontations. In the end, Álvaro rescues Isaura by purchasing Leôncio’s debts, securing her freedom and affirming the story’s central themes of justice, love, and resistance against oppression.

Patricia, an orphan living in a traveling amusement park, believes the stars will bring her happiness. One day, an astrologer predicts the impossible: the young woman, an Aquarius, will fall in love with a Pisces boy, a sign initially incompatible with hers. The girl does, in fact, become enchanted by the wealthy student Renato, but he doesn't feel the same way. Patricia travels to Rio de Janeiro, where she befriends a gentleman whom she affectionately calls Mr. Pepe, unaware that he is Renato's great-uncle and the owner of the company where she begins working. Mr. Pepe discovers fraudulent activities committed by his family and decides to fake his death to observe the dispute over his inheritance.

Serafina is a romantic young woman who dreams of experiencing great love. Claude is a wealthy businessman who is in the country illegally. The two make a deal that will transform their lives.

Professor Luciano Lima arrives in the fictional town of Nova Esperança to take over as principal of a school. A widower, he hires a governess to take care of his four children: Júnior, Babi, Zizi, and Rui. The professor and the governess, Paula, fall in love, but the romance faces strong resistance from the children, especially Babi, the most rebellious of the four. Luciano also encounters difficulties at the school. His former girlfriend, English teacher Maria do Carmo, does everything she can to steal his position as principal. Meanwhile, a group of maladjusted and rebellious students, led by the biker Rafa, disrupts the school environment and bothers the other students. In this scenario, Giovana, a young psychologist hired by Luciano to help him deal with the rebellious students, emerges. She ends up forming a love triangle with Paula and the professor.

Marked by the reputation of “son of the devil”, Zeca sees his life change when he falls in love with Maria Rita, Santinha. But the young woman's devotion and expectations about her destiny put the romance to the test.

The plans of the young couple Daniel and Clarice are thwarted by Vitor Lopo Jr. He orders the kidnapping of the couple's newborn daughter, Mariana, who ends up living with Pestana and Elza—a pair who have kidnapped other children as well. Among the children kidnapped by Elza and Pestana is Joãozinho, the son of Joana and Felipe Marinho. The plot takes major unexpected turns.

Kiki Blanche is a former star dedicated to her family and her beauty salon, in the South Zone of Rio de Janeiro. In addition to Milena, her legitimate daughter, Kiki raises Fernanda, Paulo, Renata and Regina. The great conflict of the plot is Fernanda's passion for Fábio, a man also loved by Milena.

Set in 1940s São Paulo, the story follows Laura, a modern woman devoted to the arts who is oppressed by her husband, Natércio Prado—a wealthy man with traditional views. Amidst marital turmoil, Laura suffers a severe trauma and is even committed to an asylum by her husband. The couple separates, and the family is torn apart: Laura keeps her youngest daughter, Virgínia, while Natércio retains custody of the other daughters, Otávia and Bruna. Frail and penniless, Laura moves into the Vila Mariana home of her neurologist, Daniel. He is in love with his patient and believes her condition is physical rather than mental. Laura hides the fact that Virgínia is actually Daniel's daughter. The youngest daughter eventually returns to live with her father, where she faces hostility and harshness from the housekeeper, Frau Herta.

In the backlands, the drover Ricardo marks the destiny of young Maria. Years later, in Xique-Xique, a mistake between two identical women rekindles passions, separations, and an impossible love.

Rio'nun yasa dışı kumar dünyasında yükselmeyi kafasına koyan genç bir adam, onu bekleyen ihanetlerden, ihtiras oyunlarından ve dökülecek kandan habersizdir.

A man bored with his reality, works in the São Paulo government censorship department, is married to Isabel, but falls in love with Dora Dumar, an actress of the films he has the obligation to censor.

Betão is a countryman who works in a circus, selling peanuts. His daughter also works there, and becomes the circus's greatest attraction. But she decides to marry a rich man, and another circus comes to town, putting his employment in danger.

Norma is a low middle class young woman trying to find a rich husband to have comfortable life. She poses naked for a men magazine expecting to be known in the upper class. She engages the gay Marcelinho, who is imposed by his father to get married to have the right to his inheritance, but when Marcelinho's father dies, he calls their deal off. Meanwhile, Norma meets the opportunist and gigolo Lincoln, who pretends to be a tycoon farmer, and they have a torrid affair. But Lincoln believes she is a rich woman from a wealthy family and he intends to marry her to have money.

A Deusa Negra is a love story that spans two centuries. In 18th century Yorubaland, Prince Oluyole is taken prisoner in the course of internecine warfare fanned by overseas slave traders. He is sold into slavery in Brazil. In present day Nigeria, at his father's deathbed, the young Babatunde promises to go to Brazil and search for traces of their once-enslaved ancestors. Beginning with a Candomblé ritual, his journey takes him ever deeper into this culture and, in a dream-like sequence, affords him a deeper understanding of his ancestors' suffering and powers of resistance. Balogun effortlessly links present with past, real with magical worlds and discourse with trance. The hypnotic atmosphere is also heightened by the music of the Nigerian drummer Remi Kabaka, which plays with repetitive patterns and distortions.

Jeca has to face a rich farmer woman that wants his love. At the same time, his wife seems to be possessed by the Devil. Made after the huge success of 'The Exorcist', Mazzaropi created his version of the Blockbuster.

Counting on her looks, beautiful and mysterious woman blackmails powerful businessmen involved in fishy schemes, getting everything she wants from them in return for her silence.

Balogun's most political film is a confrontation with the African wars of liberation. Based on Carcase for Hounds, Meja Mwangi's novel about the Mau-Mau uprising, it is set in an unnamed country and thus offers the vision of a pan-African struggle for freedom and against colonial oppression. The central figures in the straightforwardly and powerfully told story are the guerrilla leader Haraka and his adversary, the English colonial official Kingsley. In the end, the film becomes a homage to the freedom fighters from all over Africa: the final images show Patrice Lumumba, Steve Biko, Nelson Mandela and Amílcar Cabral, among others.

The story of Domitila de Castro Canto e Melo, the Marquise of Santos, the most famous of the mistresses of Dom Pedro I, Emperor of Brazil.

Salvador, Bahia, January 1835. After more than a decade of hard work, Guilhermina, 27, a slave of Muslim origin, finally gets the resources to buy her manumission, as well as that of Teresa, 11, her teenage daughter. But, contrary to an old promise, his “lord”, farmer Souza Velho, refuses to sell the girl's letter. When Pacific Licutan, Salvador's most esteemed Islamic leadership, is arrested by the Bahian authorities, the Muslim community goes into a boiling state and begins to articulate a jihad. In desperation, Guilhermina sees in the uprising the only way to win her daughter's freedom.