At the Comédie-Française, there is one golden rule: the play is never canceled. Unfortunately for Nina, everything else is—just three hours before the premiere of her first staging. An actor is stuck on a train, tensions explode, equipment breaks down, egos clash, and panic sets in. With no way out and time slipping away, Nina must hold the show together at all costs. Will she make it until the curtain rises?
Down-on-his-luck, unemployed Alexandre has two months to prove to his wife he can take care of his two young kids and be financially independent. Now, the thing is, although The Box, a user-friendly startup, wants to hire him on pro- bation, the company’s slogan is “No kids!” and Séverine, his future boss, is a short-tempered “killer”. So if Alexandre wants to land the job, he’s bound to lie... Will his meeting with Arcimboldo, an “entrepreneur of himself” and the king of online odd jobs, help the brave, disoriented Alexandre overcome all those challenges?
Yan is a successful artist. One day he is waiting for his date Florence to turn up at his apartment. As the doorbell rings, he finds another young woman in underwear on his doorstep: his neighbor Eva! She tells him she locked herself out of her apartment and insists that he helps her. Whilst Yan is trying to enter Eva's apartment via their adjoining balcony, his phone rings. It is Florence, and she is not impressed when a female voice answers the phone. At this point, Eva's rabidly jealous boyfriend Boris returns home. Seeing Yan in his apartment, he deduces that Eva has been having an affair behind his back. Florence then turns up and Yan tries in vain to explain the situation. By chance, Florence's husband suddenly puts in an appearance. After that, it all starts to get a bit complicated.
Şubat 2013’te Louis haylaz nihilizmini Phoenix, Arizona’ya götürüyor. Louis yaşlı bir kadın ile evcil hayvanından, Manhattan’da yaşamaktan, vücudunun yaşlanmasından, erkeklerin kadınların göğüsleri ile büyülenmesinden, besin zincirinin dışında yaşamanın güzelliğinden, araba sürerken çok çabuk öfkelenmesinden ve cinayetten bahsediyor ve sahnede sürekli hareket ediyor.
Orta sınıfa mensup, huysuz Bayan Gallienne’in üç çocuğu vardır. İki çocuğunu “oğlum” diye seven Bayan Gallienne üçüncü çocuğuna “Guillaume” diye seslenmektedir. Bunun sonucu yaşı ilerledikçe Guillame, kendisini bir erkek çocuk olarak görmez. Bir anne nasıl böyle davranabilir? Bir dizi olayla Guillame, asıl kimliğini arayışa çıkar ve annesinin üzerinde bıraktığı zararlı etkisinden kurtulmaya çalışır.