FilmIolanda, Child and Corsair
2012 · Vizyonda · 102 dk
Adventure of children and adults, fancied trips and everyday tragedies. The city and the countryside. Real and dreamt life. An experimental film inspired to the life of Emilio Salgari and his novel Yolanda, daughter of the Black Corsair. The movie is part of a series produced by Quarto Film on the 150th anniversary of Salgari's birth.
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Film6.6A psychiatric-clinic medical director runs some tests on two patients, the Ragionier Antonio Vignanelli and Cavalier Peppino Caprioli, so they must retrieve some memories of family life in order to understand their mental illness.
1958 · 50 votes
Film6.3During a sun-soaked Sicilian summer, aimless filmmaking undergrad and back-seat radical Tanino has a fling with Sally, a dreamy American tourist from an upper background. When summer ends, Sally flies back home, without ever reaching out. Clueless, a smitten Tanino decides to pay her a surprise visit under the pretense of returning a camera she left behind. But when he gets there, he quickly realizes the reality of America—and his relationship with Sally's—is far from the idealized version his small-town boy imagination conjured.
2003 · 204 votes
Film7.4Alberto Nardi is a Roman businessman who fancies himself a man of great capabilities, but whose factory teeters perennially on the brink of catastrophe. Alberto is married to a rich and successful businesswoman from Milan, Elvira Almiraghi who has a no-nonsense attitude and barely tolerates the attempts of her husband to keep his factory afloat with her money.
Film6.7The film is about an old fashioned Italian with moral values of the 1930/40's , who has to find a wife in the modern, woman's liberated society of Australia of the 1960/70's.
Film6.5Oscar dreams of becoming an actor or a stuntman. To contact a manufacturer he stages an accident and consequently injures a young actress, then tries to limit the damage by taking the girl to his home.
Film7.8In 18th-century Rome, impish aristocrat Onofrio del Grillo amuses himself by playing pranks on all sorts of people — his reactionary family and fellow nobles, the poors, the French occupiers trying to modernize society, and even the Pope himself.
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