A political satire on one of the enemies of the Soviet regime, the leader of the English Labour Party, James Ramsay Macdonald. The plot unfolds at a fast pace, using grotesque satirical techniques to prove that the royal power in England is a fiction.
The Duchy of Grand Fenwick decides that the only way to get out of their economic woes is to declare war on the United States, lose and accept foreign aid. They send an invasion force (in chain mail, armed with bows and arrows) to New York and they arrive during a nuclear drill that has cleared the streets.
Two high school misfits join forces in an attempt to overtake the local school board. Guided by their families, they enter the perilous word of politics and, in the process, learn a thing or two about love.
Mike Donnelly (Chris Farley) ile tanışın! O, herkesin sevdiği, komik ve başına bela açmaya hazır bir sakarlık makinesi. Büyük kardeşi Al’in (Tim Matheson) Washington eyaleti valiliğini kazanmasına yardım etmeye kendini adamıştır, ancak her oy kazanma fırsatını utanç verici bir felakete dönüştürmeyi başarır. Kampanya ekibinin tembel yardımcısı Steve Dodds (David Spade), Mike’a göz kulak olmayı gönüllü olarak üstlenir. Mike, mevcut valinin bir sahtekâr olduğunu keşfedince, iyi niyetli yıkımı yepyeni bir seviyeye taşır. Tommy Boy’un yıldızları Chris Farley ve David Spade, neden “90’ların en iyi komedi ikilisi” olduklarını bir kez daha kanıtlıyor!
In this winsome comedy, an entitled Economics professor pursues a tactic to buy an ailing widow’s mansion for nothing, but he quickly realizes that his seemingly foolproof strategy won’t be as easy as he thought.
Gulley Jimson is a boorish aging artist recently released from prison. A swindler in search of his next art project, he hunkers down in the penthouse of would-be patrons the Beeders while they go on an extended vacation; he paints a mural on their wall, pawns their valuables and, along with the sculptor Abel, inadvertently smashes a large hole in their floor. Jimson's next project is an even larger wall in an abandoned church.
Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. Her comic persona is a self-centered hipster, brash and clueless about her political incorrectness. A handful of musical numbers punctuate the performance.