Uneori ninge cu zăpadă, alteori cu întuneric

Teo is a director rehearsing with actors for a new project. The subject, autobiographical, is puzzling from the beginning: the turmoil of a director who stages a play about the drama he experiences after the death of his little girl from an incurable disease. As it progresses, the five-act story, in which the only constant characters are him, his wife and their little girl, surfaces uncertain episodes on the border between life and fiction, accentuating the dilemmas. The turmoil appears in every sequence of life camouflaged either in the play, or in the movie that seems to have no beginning and end, or in the everyday details that sometimes make it ambiguous, sometimes comic-absurd, sometimes unbearable.