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Film8.4
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This compilation features 10 of Michael Jackson's greatest video hits, including "Billie Jean," "The Way You Make Me Feel," "Black or White," "Rock With You" and others. -Includes the never before seen 18 minute version of "Bad". Directed by Martin Scorsese. Featuring Wesley Snipes. -9:30 Long Version of "The Way You Make Me Feel". -"Black Or White"- short film "Panther" version -"thriller"- "monstrous masterpiece" the ultimate "music movie" 14 minutes of horrific fun by director John Landis. -"remember The Time"- directed by John Singleton (Higher Learning, Boyz N The Hood, Shaft),features Eddie Murphy and Magic Johnson.
Daft Punk Unchained is the first film about the pop culture phenomenon that is Daft Punk, the duo with 12 million albums sold worldwide and seven Grammy Awards. Throughout their career Thomas Bangalter and Guy-Manuel de Homem-Christo have always resisted compromise and the established codes of show business. They have remained determined to maintain control of every link in the chain of their creative process. In the era of globalisation and social networks, they rarely speak in public and neither do they show their faces on TV. This documentary explores this unprecedented cultural revolution revealing a duo of artists on a permanent quest for creativity, independence and freedom.
Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early '70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.
A musical study of Los Angeles in the late 90s, where homeless teens roam the streets and profess to live a punk lifestyle of music, drugs, and flouting authority.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."