Rosario and Matteo, two man from Southern Italy. Luigi wants to give Rosario a chance to redeem himself and offer him, at the same time, an opportunity to confront his beliefs with the ones of his son Matteo.
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Film6.5
Dram
Matteo is a young successful businessman, audacious, charming and energetic. Ettore instead, is a calm, righteous, second grade teacher always living in the shadows, still in the small town from where both come from. They’re brothers but with two very different personalities. A dramatic event will force them to live together in Rome for a few months, bringing up the opportunity to face their differences with sympathy and tenderness, in a climax of fear and euphoria.
Taşrada yaşayan, bütün çocukları kendisini terketmiş yaşlı adam yıllar sonra onları teker teker ziyaret eder. Bu arada hicbir şeyin göründüğü kadar iyi gitmediğini anlayacaktır.
Roma'nın güney banliyölerinde çocuklarıyla birlikte yaşayan bir grup ailenin gündelik hayatlarına, aileler arası gerilimlere ve aile içi karanlık sırlara odaklanıyor.
Young Father Giulio returns to Rome, where he was born and raised, to replace a priest who has left the clergy to start a family. He is delighted to reunite with his loved ones, especially his mother, sister, and old friends. Once radical leftists like Giulio himself, the latter are now each coping in their own way with the defeat of the revolution. Soon, however, Giulio realizes that despite his best efforts, he seems unable to solve the problems troubling those around him.
Villa Guelfi’de yalnız yaşayan, insanlardan uzak duran Adriano’nun hayatı, villaya yerleşen genç bir toplulukla değişir. Başta onları kovmak istese de zamanla aralarında bir bağ oluşur. Mevsimler geçtikçe çatışma yerini iş birliğine bırakır ve Adriano, sert tavrına rağmen hamile olan Matilde’ye sahip çıkarak yeniden hayata tutunur.
Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide structure. Comfort or passion? Carlo can't really decide until it's too late.