Deux amours

François Marsault, a war veteran, makes the most of his retirement alongside his wife Annie. Authoritarian and ruthless, François rules his family with an iron fist — but when he discovers that his esteemed wife cheated on him 40 years ago, he files for divorce and confronts her former lover, who lives in the French Riviera.

Bénédicte, a famous opera singer, leads the life of a diva between Parisian palaces and social gatherings. After an evening of excess, she sees her career crumble. Fatou, also a palace regular but as a cleaning lady, is the only one to reach out to her. Passionate about singing, Fatou has one idea in mind: to convince Bénédicte to take part in the big national karaoke contest. The perfect vocal mastery of one and the tenacity of the other could well create sparks and take them very far.

Angèle, a thirty-something from Ivory Coast, always cope thanks to the gift of gab and audacity. To escape from a bunch of dangerous criminals, she becomes a nanny in the uptown Paris, hired by Hélène, the single mom of eight years old Arthur. Discovering the work conditions of her colleagues, she decides to stand up for their rights, thanks to a young lawyer who will quickly fall for her.

Georges Lachaunaye is a member of an impoverished aristocratic family which needs money to live but of course doesn't want to work for it. He therefore has to think of something drastic in order for the family to survive. And then it comes to him: he'll rob the collection boxes in churches.

Tüm entrika, bir kasada bulunan "carte-blanche" (kayıtsız şartsız yetki) belgeleri etrafında dönüyor. Bu belgelerdeki boşluğu kim doldurursa, bir revünün sahibi oluyor. İşin içinde büyük paralar var. Kasanın sahibinin yeğeni, amcasını kandırmaya ve belgelere kendi adını yazdırmaya çalışıyor. Ancak işler daha da karmaşık çünkü banka müdürünün de bu işte parmağı var. Bu düzeni, mütevazı bir banka veznedarından (Pierre Richard) başka kim bozabilir ki?

Baptiste, a talented imitator, is unable to make a living from his art. One day, he is approached by Pierre Chozène, a famous but discreet novelist, constantly disturbed by incessant calls from his publisher, his daughter, his ex-wife... Pierre, who needs peace and quiet to write his most ambitious text, then suggests that Baptiste become his 'answering machine' by pretending to be him on the phone... Little by little, Baptiste doesn't just imitate the writer: he develops his character!