Young industrialist Clemens Klina doesn't have time for his children and accidentally hires a man who actually came to him, seeking revenge, as a nanny for them.
Şubat 2013’te Louis haylaz nihilizmini Phoenix, Arizona’ya götürüyor. Louis yaşlı bir kadın ile evcil hayvanından, Manhattan’da yaşamaktan, vücudunun yaşlanmasından, erkeklerin kadınların göğüsleri ile büyülenmesinden, besin zincirinin dışında yaşamanın güzelliğinden, araba sürerken çok çabuk öfkelenmesinden ve cinayetten bahsediyor ve sahnede sürekli hareket ediyor.
Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.
Three manic idiots—a lawyer, a cab driver and a handyman—team up to run a ballet company to fulfil the will of a millionaire. Stooge-like antics result as the trio try to outwit the rich widow and her scheming big-shot lawyer, who also wants to run the ballet.
The young Orthodox Jew, Motti Wolkenbruch, finds himself at a turning point. His beloved mother wants him to get married and presents one marriage candidate after the other. Unfortunately none of the woman pleases him, because they all look just like her. The situation gets even more complicated, when Motti secretly falls in love with the non-Jewish girl Laura, a so-called Shiksa.