I Don't Speak English

A socially-awkward, home-schooled kid forces his way into public school against his suffocating, but loving, mother's wishes.

Sergio Benvenuti is a shy seller of contracts for a Roman company of music, but because of his character he cannot find even a customer, so he asks for help from a fellow named Nadia.

Paola, a modern woman used to the hardships of modern life, takes her chance to make things right for herself.

During a sun-soaked Sicilian summer, aimless filmmaking undergrad and back-seat radical Tanino has a fling with Sally, a dreamy American tourist from an upper background. When summer ends, Sally flies back home, without ever reaching out. Clueless, a smitten Tanino decides to pay her a surprise visit under the pretense of returning a camera she left behind. But when he gets there, he quickly realizes the reality of America—and his relationship with Sally's—is far from the idealized version his small-town boy imagination conjured.

A collection of dark-humoured vignettes, including tales of a cardinal with a liberal congregation, a motorist and a hitchhiker, mentally challenged tramps, parents contemplating their daughter's participation in a pornographic film, and a conniving husband.

Armando is the daddy, Cristiano is the adult son. Each of them lives his life in a different way respect the other: Armando is an old play-boy and often he "buys" his women with his money; Cristiano is a shy guy who lives in a community with other guys like him. The movie proceeds showing us, ironically, the differences, the different ways to think, to act, to treat the women between father and son.