Softball player Ann Casey is tired of wearing athletic clothing and seeking something more glamorous, so she answers a newspaper ad seeking models at a photography studio. A reporter, Jimmy Jones, distracts her while in line and inadvertently costs Ann the job.
Vasat bir beyzbolcu olan Roy Hobbs, kariyerinin sonlarına dogru büyük bir değişim geçiririr. Takımını şampiyonluğa taşırken aynı zamanda geçmişiyle yüzleşmek zorunda kalacaktır.
Jeff Bernstein sporcuların menajerliğini yürüten başarılı bir isimdir fakat son zamanlarda elindeki tüm başarıları oyuncuları ya kaybetmiş ya da başka menajerlere kaptırmıştır. Çözüm yolu ararken, televizyonda Hindistanlı kriket oyuncularını seyreder. Aradığı madeni bulmuş gibidir. Kısa bir Hindistan seyahati sonrası yanında 3 kriket oyuncusu (Rinku Singh, Dinesh Patel ve Ash Vasudevan) ile döner. Bernstein elindeki bu yıldızlar ile alışıla gelmişin dışında bir uygulamaya gider ve onların Beysbol Birinci Lig’inde oynamaları için var gücüyle uğraşmaya başlar.
A corrupt D.A. with governatorial ambitions is annoyed by an investigative reporter's criticism of his criminal activities and decides to frame the reporter for manslaughter in order to silence him.
Holly Parker, the wife of a wealthy diplomat, is compromised by the accidental death of a man who has been romantically pursuing her. She is forced by her mother-in-law to assume a new identity in order to save the reputation of her husband and infant son. She wanders the world, trying to forget her heartbreak with the aid of alcohol and unsavory men. Eventually returning to the city of her downfall, she murders a blackmailer who threatens to expose her past. Amazingly, Holly is represented at her murder trial by her now adult son, who has become a public defender. In the hope of protecting her family, she refuses to reveal her real name and is known to the court as "Madame X".
At a desert diner, the lives of five strangers become linked through a single twenty-dollar bill. Shot for $20,000 and starring Philip Baker Hall, the short premiered at Sundance and later inspired Anderson’s debut feature Hard Eight (1996).