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Charlotte Susa
Daisy Corinna, Sängerin
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Kimler oynuyor. Birine dokun, başka nelerde oynadığını gör.
Bunu izleyenlerin sonra izlediklerinden seçildi.
Film6.2Adam Sandler, bu sürprizlerle dolu stand-up gösterisi için şarkılarla, esprilerle, partilere dalan köpeklerle ve bol bol sevgiyle sahnede.
2024 · 44 votes
Film5.9In this winsome comedy, an entitled Economics professor pursues a tactic to buy an ailing widow’s mansion for nothing, but he quickly realizes that his seemingly foolproof strategy won’t be as easy as he thought.
2022 · 87 votes
Film6.6When an upwardly mobile couple find themselves unemployed and in debt, they turn to armed robbery in desperation.
1977 · 83 votes
Film7.1When a hilariously dull policeman moves in with his best buddy in Munich, he has to deal with scandals, a corpse — and potential marriage.
2018 · 106 votes
Film5.9Michael (Jamie Foxx), nişanlısı Rae (Nia Long) ile romantik bir tatil yaparken, ev için biriktirdikleri parayı lüks bir spor arabaya harcadığı ortaya çıkar. Rae öfkelenip onu terk eder. Michael, çölde bir benzin istasyonunda mahsur kalır ve arabası çalınır. Bu sırada, üç soyguncu marketi basar ve Michael ile diğer müşterileri rehin alır. Polis ve SWAT ekibi olay yerine gelirken, Michael, soyguncularla mizahi bir şekilde başa çıkmaya çalışır.
Film6.4Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.
