Inna Churikova

1994 yılı yapımı "Güneş Yanığı" adlı filmin devamı niteliğinde olan film, 2 ayrı bölüm olarak çekilmiştir. Bu ikinci bölümün adı ise "The Citadel" (Kale)'dir. Yönetmen Mikhalkov’un üçlemesinin bu son bölümünde, İkinci Dünya Savaşı sırasında ihanete uğrayıp, esir kampında vatan hainliği iddiasıyla idam edilmekten kurtulan Albay Kotov, savaşın bitmesiyle eve döner. Ne var ki, hiçbir şey eskisi gibi değildir. Kotov, bu kez de ismi, onuru ve aşkı için savaşmak zorundadır.

A fairy tale about a conceited young man and a young woman with a tyrannical step-mother, who must overcome magical trials in order to be together.

In Yekaterinburg over the Christmas period, shop assistant Lenka Shabadinova experiences a number of incredible events and unexpected meetings.

On a stopover in Moscow, a young writer Volodya makes friends with Kolya, who is returning home from a hard night shift. Just as Kolya is about to take a rest, he is met by his old friend Sasha, who wants help getting a deferral from military service so that he can get married.

Dan'ka ve Ksanka'nın köydeki çocuklukları, babalarının gözleri önünde Beyaz Muhafız subayı tarafından öldürülmesiyle vahşice sona ermiştir. İntikam peşinde, şehirli bir entelektüel olan Valerka ve cips Yashka ile güçlerini birleştirirler, ancak düşmanlarına yaklaşmadan önce köylerine ve ilerleyen Kızıl Ordu'ya yardım etmeleri gerekir.

Ivan Mirosnikov, a cheeky young man in the Gorbachev era, is trying to figure out what to do with his life (he's not in college, and the 2-year mandatory military service is looming large ahead of him). Meanwhile, he lives with his divorced mother, and works as a courier at a Russian newspaper. Through his job, he meets patronizing Professor Kuznetzov and his rebellious daughter Katya. To annoy the professor, Ivan claims to have an affair with Katya. To his surprise, Katya backs his story up.

A Russian criminal steals a giant diamond from the Mafia, hides it, and suddenly runs into his unknown brothers; unexpected, absurd events with participation of the mob, doctors, musicians, Americans, militia, and gypsies ensue.

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

Pavel Ivanovich Chichikov plans to buy the titles to “dead souls” and use them as collateral to obtain a large loan. He comes to a small provincial town and begins to proposition the local landowners. These landowners are revealed to be so petty and avaricious that not even Chichikov’s amazing offer can be worked to his advantage on them. Some stall, some refuse for no obvious reasons, some promise and then renege, and others want “in on the deal.” In the end, Chichikov, having concluded that the landowners are a hopeless lot, leaves for other regions.

In one of the Kuban collective farms, a new beauty-cook has appeared. Many began to look after her, but the girl was not a timid dozen and quickly gave a turn to the unlucky boyfriends from the gate. However, true love found a way to her heart, and although human envy and stupidity have done many troubles, the lovers still managed to unravel this complex tangle of misunderstandings.

The author's remake of the famous New Year's comedy is not an exact copy of the original. Festive mess in the same House of Culture, where they celebrated the New Year 50 years ago. Now the institution is named after Ogurtsov and is headed by Mr. Kabachkov. A young enthusiast Alyona Krylatova and a young man Denis Kolechkin work in the recreation center. Alyona, as she can, opposes the "arts" of the bureaucrat and opportunist Kabachkov, and Denis helps her.

For a successful Road Patrol Service officer time to start a family, but he lives with his mother. When Petia decides to propose Olya marriage, his official car crashes into drunken pop star.

Şu ünlü (yoksa ünsüz mü) Baron Munchhausen'in filozofik ve şiirsel bir portresi. Baronun çılgın ve eğlenceli maceraları.

A story of a young man who is returning to his home town after being evacuated as a boy during WWII.

This melodrama revolves around the post-war meeting reunion an intelligent front-line officer, now happily married, and a woman street vendor. This encounter reawakens in them submerged feelings of gratitude and tenderness as the officer recalls how they met during the war and what she used to mean to him. Now he learns that she is alone with a small daughter, the girl's father having been killed at the front.

Two parents put their child in his crib for the night and leave the room. The child starts crying, and the Cat comes into the room to keep him company. The child grabs her tail, and the Cat angrily reminds him that they agreed a thousand years ago that he would not do that. Upon seeing that the child doesn't remember, the Cat sighs and decides to tell him the story from the beginning. The story starts when the planet was young and life on Earth is starting with dinosaurs.

The social ferment in late 19th century Russia which led to the 1917 Russian Revolution is movingly portrayed in this lengthy historical drama, which is very faithful to the 1907 novel The Mother by the celebrated Marxist writer Maxim Gorky (1868-1936). In the story, "the mother" has no other recourse than to watch her decent, kindly husband turn into an animalistic, drunken brute as a result of working in the inhuman conditions of a steel mill in the town of Sormovo. When he begins to express his suppressed rage by beating her, she is defended by her teenaged son Pavel. After his father's death, Pavel is forced to go to work in the same factory. However, Pavel and his friends begin investigating Marxism and socialist thought, and work to organize their fellow workers.

Assia lives in a small Russian village, populated by useless alcoholics. She sells eggs and alcohol to her neighbours, and everybody is happy. However, one day, her hen lays a golden egg, and Assia may have a golden opportunity.

For many years, Vassa Zheleznova has been leading the family business and, despite the inconspicuous children, her dissolute husband, alcoholic brother, and revolutionary daughter-in-law, is trying to maintain at least the appearance of a normal family... 1913 is coming, and everything that was dedicated to her life is wrecked.

Diplomat Volodin is going to work in the States for a responsible job. But, having crossed the ocean, he immediately went over to the Americans. And not empty-handed: he calls the American embassy from a pay phone and gives the appearance of a Soviet intelligence officer. The traitor is sure that he will not be identified “by the phone's strangled voice. There can be no such technology. But, on the instructions of the Chekists, such a technique was developed in Marfino's "sharashka" near Moscow by convict engineers and scientists.

Few not connected novels about the love. Few couples falling in love in different places of post USSR: Moscow, Georgia, Armenia.

Fitil is a popular Soviet/Russian television satirical/comedy short film series which ran for about 500 episodes. Some of the episodes were aimed at children, and were called Фитилёк, Fitilyok, Little Fuse. Each issue contained from the few short segments: documentary, fictional and animated ones. Directed by various artists, including Leonid Gaidai who presented his famous trio of Nikulin, Vitsin and Morgunov into the cast. It was called in USSR as "the anecdotes from the Soviet government".

The elderly criminal authority Semyon Timofeevich Babushkin, about whose thieving talent legends were made up at the time, has not left prison for the last 35 years, preferring it to freedom, where he has no friends or relatives left.

The Idiot (Идиот) is a 2003 Russian costume drama television serial written by Vladimir Bortko, adapted from Fyodor Dostoevsky's 1869 novel of the same title. In corrupt 19th-century St Petersburg, Christ-like Prince Myshkin becomes entangled in the lives of the self-destructive Nastasya Filippovna and the romantic Aglaya Epanchina.

Pavel Ivanovich Chichikov plans to buy the titles to “dead souls” and use them as collateral to obtain a large loan. He comes to a small provincial town and begins to proposition the local landowners. These landowners are revealed to be so petty and avaricious that not even Chichikov’s amazing offer can be worked to his advantage on them. Some stall, some refuse for no obvious reasons, some promise and then renege, and others want “in on the deal.” In the end, Chichikov, having concluded that the landowners are a hopeless lot, leaves for other regions.

Moscow. The year is 1925. Professor Gradov, his wife Mary, their children Nina, Nikita and Kirill, and long-term friends at home, relatives from Moscow and Tiflis, and those who have yet to enter this family and history, are all young and full of hope. Many hopes will come true, but the history of the country in the 30-50s left no chance for a cloudless life for anyone...