Giovanni Franzoni

Tüyler ürpertici atmosferi ve güçlü oyuncu kadrosuyla Don’t Look Back, psikolojik gerilim türünün bildik öğelerini alışılmadık biçimlerde ve yine kadın ekseninde kullanırken yönetmen Marina de Van’ın önceki filmi Dans ma peau / Derimin Altında’yı hatırlatıyor. Başrollerini Monica Bellucci ve Sophie Marceau’nun paylaştığı filmde, bir yazar olan Jeanne, bir fotoğrafın izinde İtalya’ya gider, burada bir kadının peşine düşer ve bu kadına dönüştüğünü fark eder.Dönüşüm, Cannes Film Festivali resmi seçkisinde yer aldı.

Alberto, post office manager of a small town in Brianza, under pressure of his wife Sylvia, is willing to do anything to get the transfer to Milan. Even pretending to be disabled to climb in the ranking. But the trick does not work and as punishment, he is transferred in a small town in Campania, which to an inhabitant of the north is equivalent to a nightmare ...

When Englishman Jonathan Harker visits the exotic castle of Count Dracula, he is entranced by the mysterious aristocrat. But upon learning that the count has sinister designs on his wife, Mina, Harker seeks help from vampire slayer Van Helsing.

In Rome it hasn’t rained for three years and the lack of water is overturning rules and habits. Through the city dying of thirst and prohibitions moves a chorus of people, young and old, marginalised and successful, victims and profiteers. Their lives are linked in a single design, while each seeks his or her deliverance.

Leftist radical-turned-terrorist Giorgio—hiding out in Latin America since the 1970s—turns himself in as soon as the Berlin Wall falls. Wishing to lead a comfortable, bourgeois life in his native Italy, he cuts a deal with a dirty cop, getting his sentence reduced in return for ratting former comrades out. Once released, Giorgio obsessively pursues his dream of becoming an upright citizen, but his old police aquaintance keeps dragging him down...

The last few years in the life of Armida Miserere, female jail director who committed suicide.

Loose adaptation of Italy's national epic, Alessandro Manzoni's “The Betrothed”. In war-torn 17th century Italy, shady feudal lord Don Rodrigo eyes young and beautiful Lucia, who loves—and is reciprocated by—commoner Renzo. The two lovers plan to marry in secret, but Rodrigo discovers it and they are forced to flee their village, becoming separated and each facing many dangers, including the Plague.

An 11-year-old boy and his neo-Nazi dad struggle with being outcasts in their suburban town.

Biasutti and Perbellini have the same name, Fausto, and they both hate life in the big city. They meet by chance during a trip for amateur photographers, become friends and begin to cultivate together the dream of going to live in the countryside, keeping with the fruit of their efforts. When Biasutti inherits his grandmother’s old house in Valvana, in the hills of the north east, the dream can finally become reality: the welcome in the village, however, proves less warm than expected.

Cora is a 19-year-old woman who has recently returned home for a gap year.  Her father is the mayor of Bucco, a town whose livelihood depends on the tourism of Christians who believe in the apparitions of the Virgin Mary.  While busy organizing the celebration of the Virgin of Bucco, an annual event that attracts numerous pilgrims, Cora notices a mysterious man whose presence will slowly rupture the tranquility of the town and her nascent adulthood.

When Doctor Andrea Fanti loses 12 years of memories from a brain injury, he finds himself adjusting to a world full of strangers.

Roberto Saviano'nun mafyadan tehditler almasına neden olan kitap uyarlaması dizide; Napolili bir suç örgütü olan Camorra’nın iç yüzü, mafya babası Pietro Savastano’nun 30 yaşlarındaki sağ kolu olan Ciro’nun gözünden anlatılıyor. Uyuşturucu satışı başta olmak üzere her türlü yasa dışı faaliyet tamamen onların kontrolündedir. Fakat Don Pietro’nun yaşlandığı, gücünün artık azaldığı düşünülmekte ve bu da beraberinde Savastanolar için gün geçtikçe daha da büyüyen var olma mücadelesini getirmektedir.

Loose adaptation of Italy's national epic, Alessandro Manzoni's “The Betrothed”. In war-torn 17th century Italy, shady feudal lord Don Rodrigo eyes young and beautiful Lucia, who loves—and is reciprocated by—commoner Renzo. The two lovers plan to marry in secret, but Rodrigo discovers it and they are forced to flee their village, becoming separated and each facing many dangers, including the Plague.