Diego Gentile

Öfkenin iliklere işlediği, dengenin her daim hassas olduğu bir toplumda, aşkların, nefretin ve intikam duygusunun hüküm sürdüğü birbirinden bağımsız bireylerin öykülerini taşıyor perdeye Asabiyim Ben. Satın alınan şereflerin gölgesinde, insanların kanunlar karşısında çaresiz ve öfkeli olduğu bir dünyaya ait altı farklı hayat hikayesi dikiyor karşımıza. Yolsuzluğun ve yozlaşmışlığın hüküm sürdüğü bir ülkede, kana bulanan muhteşem düğünler, ölüme yürüyen danslar, telleri iyiden iyiye gevşeyen sinirler ve bu yoldan çıkmışlığı tasvir eden "eğlenceli" öyküler.

Ölümcül bir kanserle pençeleşen bir kadın, oğluna yadigâr kalması için bir deftere yaşam, ölüm ve sevgi hakkında çeşitli notlar yazar. Gerçek bir öyküden uyarlandı.

Lucía, an active little girl, looses a tooth. Santiago, her father, is an out-of-work boss, and her mother, Pilar, is a successful but overworked architect, reassure Lucía, by telling her that the Hairy Tooth Fairy (a mouse named Pérez) will come to her bedroom to collect her tooth, leaving some money in its place. A mouse who had been monitoring the situation tells another mouse, who in turn tells another mouse until finally the news reaches Pérez, The Hairy Tooth Fairy, who lives in a boat in the port along with hundreds of other mice. They receive the teeth that he collects, and then clean, shape and polish them so that they can be transformed into shiny round pearls. These pearls are then carried through the citys sewers until finally they reach the jewellers owned by Morientes, where an old friend exchanges them for their weight in gold.

Martín, a TV host of 42, has the urgent need of becoming a father. Leonardo, an agronomist of 45 and Martín’s partner for the past ten years, has doubts since he himself was adopted by his parents.

Unable to have kids of their own, Cecilia and Diego get a call from the adoption agency they registered to, some time ago. The sudden arrival of Joel, a 9 year old with a very hard backstory, will change the course of their lives.

With the Peronist government overthrown, with General Perón in exile and the Liberating Revolution in power, four renowned Peronist leaders are confined in the distant and cold Unit 15 of the Río Gallegos prison. Faced with the imminent execution to which the political prisoners will be assigned, they decide that the only option to survive is escape. Leaving aside their personal and ideological differences, they plan one of the most spectacular escapes in Argentine history.

Mariel and her husband, happily married and expecting a baby, are moving from the apartment they currently rent to a larger apartment they have just booked for purchase. She is an architect, and her boss left him in charge of designing how the illumination of a collection of works of art should be. Everything goes very well for Mariel, but at the last ultrasound something is not right. The gestation of his embryo was interrupted. She lives from now on with the death she carries inside.

Argentina, 1978. On the occasion of the World Cup, two Italian journalists travel to the South American country to provide a report on the event: instead, they will learn about the tragedy of Plaza de Mayo.

Angel is one of those typical macho’s who does not hold women in high regard. With his fancy talk, his tight suit and his fashionable job as a director of publicity spots, he has ample opportunity to grab as many young aspiring actresses by the pussy as he can. His wife and kid are left to deal with the consequences. This is now drastically coming to an end. One night, when there’s once again not enough blood flowing through his brains and too much through his nether regions, he walks into a trap set up by a circle of Celtic Goddesses. They transform him into a zombie and make him a pawn in their plan to end male dominance one and for all. Luckily Angel’s not alone. He’s part of a brotherhood of undead macho’s. They do not only exchange tips in how to mask their increasingly penetrating body odor, they also come up with a plan to sabotage the Goddesses.

Martín Sala (Nicolás Mateo), now returns to work in a radio together with his cousin, Diego (Luciano Leyrado), and Lando Carrizo (Diego Gentile), a radio producer. The station is in need of a change and Lando comes up with a contest that has as a prize a transmission of the program from where he designates the winner.

True crime anthology series about female murderers.

A show where a drunk narrator tries telling an important event of the history of Argentina and Latin America.

Dul ve üç çocuklu bir baba iflasın eşiğindedir ama amcasından beklenmedik bir servet miras kalır. Ama mirası almasının bir şartı vardır: ailesi konuşabilen yetişkin şempanze Chueco’ya bakmalıdır. Bunu saklamak kolay olmayacaktır çünkü bu şempanze asla susmaz ve ailenin başına bin bir türlü bela açacaktır.

Nafta Súper was born as a spin-off of the argentinian cult film "Kryptonita" (Kryptonite) from 2015. Eight suburban episodes, eight mocking, engaging, and ferocious hunts. Nights of drinking that are nights of shooting, lived with adrenaline, dark humor, and glistening sweat.

The series proposes a new look at the human bonds of the new century. Each of the chapters develops a unique story. They are focused on the conflicts that their characters face in the face of the resistance of a society that often does not fully accept new realities, a product of the transformations that are currently being experienced.