Ieronymos Kaletsanos

In a country shaken by major political events, three generations of a Greek family clash over an inside-the-family adoption.

Thessaloniki, Greece, 1948. The American journalist George Washington Polk, who works for CBS, walks into a restaurant. During his meal he discovers that he has already been murdered. A journey through the reflections of time and memory begins. The movie refers to the crucial assassination of the American journalist George Washington Polk during the Greek civil war.

Twice-orphaned Jace, a seven-year-old Albanian of Greek origin, witnesses a massacre that wipes out his entire foster family in Argyrokastron, and then falls in the hands of a bunch of ruthless gangsters who "export" children abroad for various profitable reasons (ranging from beggary to organ trade). Jace ends up in Athens, Greece, begging at street corners, exploring the secret horrors of brutal institutions for young offenders or, much later, serving obscure patrons, in an underworld where violent loss seems to be his only destiny. The movie follows Jace's inverted Odyssey in a dark universe of abuse, murder and fear, as he desperately (and silently) seeks for a "family" of his own or, at least, for a sense of belonging

Elias dreams of building a boat from scrap metal, chasing the shadow of his sailor father’s legacy. But as his creation crumbles, so does the myth he’s built around himself—forcing him to confront the fragile truth of who he really is.

A 64-year-old mother is asked to decide whether to donate the organs of her 27-year-old brain-dead son to the man who caused his death in their car accident.

According to the director: “The film deals with the corrosive effect, on a relatively advanced life, of what psychologists may call ‘the repressed’, while I prefer to concentrate on the beautiful Greek word ‘kaemos’ [καημός, translated as longing, unfulfilled desire]. The most ‘realistic’ and most synoptic… synopsis I can give for the fiction of the film is: ‘A man comes face to face with himself’, but this wording (and here comes the fantasy element) must be read literally.”

For many years, Nadja has worked as a housekeeper for an upper class Greek couple and their daughter. She’s allowed to feel like part of the family. When she’s diagnosed with a serious illness, and the man of the house runs into financial difficulties due to the economic crisis, Nadja loses her job. Yet she shows no external sign of how these two traumatic events have affected her.

Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?

Two brothers, the honest Michalis and the swindler Nontas, are forced to resort to bank robberies in order to pay off the latter's entanglements with the mafia. Michalis' love for a secret police officer, a strange couple of her colleagues and Nontas' greed will make things even more complicated.

In a port of Peloponnese the local Master Mason, his daughter, a Palestinian commando, a corrupt police chief and 17 girls from eastern Europe await the arrival of a ship with a route from Panama to Israel.

When fourteen-year-old Myrto learns her father has fled to avoid paying his debts, she kidnaps the son of his business partner whom she blames for bankrupting her father's joiner's workshop. Memories resurface as she wanders through the aisles of the workshop, where she hides her victim between stacks of spruce, oak and ebony.

16 yaşındaki Harris bütün gününü arkadaşlarıyla Atina sokaklarında kaykay yaparak geçirmektedir. Okulların kapanmasını fırsat bilen Harris arkadaşlarıyla bütün gün aylaklık yapmaktadır. Ülkeyi vuran ekonomik krize pek aldırmaz. Öte yandan geçim sıkıntısı çeken polis memuru Vasilis büyük bir çıkmaz içindedir. İkisinin yolları kesişir.

A man is forced to acknowledge the son he left behind years ago, only to ask him for one thing: to help save his underage child with a transplant.

The father is unemployed. His son is sick. It is cold outside.

As New Year's Eve approaches at the end of 2000, eight lonely, alienated city dwellers struggle to connect with other human beings.