Claudette Maillé

Anne karnındayken bile soğan kokusundan etkilenerek ağlayan Tita’nın ve ablasının evlendiği Pedro’ya olan aşkının, yemek tarifleri ve mutfak öyküleri arasında anlatılan öyküsü. 1989 yılında Meksikalı yazar Laura Esquivel tarafından yazılan romandan uyarlanmış. Romanın ve filmin original ismi “çikolata için gereken su gibi” gibi bir anlama geliyor.

Javi and Lu's relationship faces dangerous territory as old and new temptations emerge: a young woman reigniting Javi's chemistry and a mature man pursuing Lu. Through humor, entanglements, and surprises, their love is tested.

A series of events related to a 100 dollar bill.

Aynı zamanda başarılı bir ressam ve heykeltraş olan ve 1996 yılında çektiği ilk filmi "Basquiat"la pek çok festivalde ödül kazanan Julian Schnabel'ın Kübalı şair ve yazar Reinaldo Arenas'ın otobiyografik romanına dayanarak çektiği "Karanlıktan Önce", yazarın yaşamını Küba'daki çocukluk yıllarından New York City'deki ölümüne dek geniş bir perspektiften ele alıyor. Arenas babasının annesini terk etmesinden dolayı Küba'da çiftçilik yapan büyükannesi ve büyükbabası tarafından baskı altında yetiştirilir. Küba'da devrim sırasında hem yazar olması hem de eşcinselliği nedeniyle isyancı olarak mimlenir, basit bir sebepten dolayı hapse atılır ve işkence görür. Bütün bu olumsuz koşullara rağmen yazmaya devam eder. Hapishanede diğer mahkumların mektuplarını yazarken gizlice kendi romanını da yazar ve el altından ülke dışına kaçırtarak bastırır. 1980'de ise sınır dışı edilerek Amerika'ya gider.

Rehine pazarlıkçısı Alan Bender, başkanı bir kaçırılma olayından kurtarması için çağrılır. Ama kendini aynı zamanda karısını ve evliliğini kurtarmak için pazarlık ederken bulur.

Tomás Tomás is a young yuppie playboy with a string of discarded girlfriends. But when Silvia, the victim of one of his adventures, tries to get revenge by typing "positive" on his AIDS test, Tomás experiences for the first time the realities of love and death.

Two men rob a bank, and when one of them dies after a cashier sets off the alarm, the surviving robber wants revenge on her.

Yıllarca yiyecek ve barınak arayarak harabe bir şehirde dolaştıktan sonra, iki kardeş ayakta kalan son binalardan birine girer. İçeride, onlara dış dünyada hayatta kalmaları için tehlikeli bir teklif yapacak bir adamla karşılaşırlar. Sinemanın baş provokatörü Gaspar Noé’nin izinden giden Emiliano Rocha Minter’in iddialı çıkış filmi, kıyamet sonrası dünyada tüm tabuları yıkıyor. Cehennemi andıran görselliği ve olağanüstü performanslarla akıllara kazınacak bir film.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

As Mexico prepares to host the 1968 Olympics, students and civilians are uniting on the streets to protest the authoritarian government. Tensions are running high and the eyes of the world are on Mexico and President Gustavo Diaz Ordaz. Ana Maria, a student photographer and daughter of a high-ranking official, finds herself embroiled in the movement and is swept off her feet by Félix, a working-class architecture student. This film remembers the events that led to one of the darkest chapters in Mexico’s recent history: the massacre at Tlatelolco, 10 days before the opening of the Olympic Games.

A woman in her mid-30s breaks up with her boyfriend of seven years and goes on a journey of self-discovery.

While driving through the kilometer 31 of a lonely road, Agata Hameran hits a boy. She leaves her car to help the victim and another car runs over her and she falls in a deep coma. Her twin sister Catalina telepathically feels the pain of Agata and hears her whispering for help. Together with her boyfriend Nuno and Agata's mate Omar, they return to the km 31 of the road, and find out that the place is surrounded by supernatural accidents caused by the ghost of a mother that lost her boy many years ago. Further, Catalina discloses that the spirit of Agata is trapped between the worlds of the living and the dead.

On a lark in Tijuana, a carefree Brazilian art student crosses paths with a brooding Mexican journalist, sparking a cascade of events across both Mexico and Brazil. As Dolores and Damián discover an intimate love and a mysterious spiritual heritage, they struggle with ever more costly choices.

Erick is a twelve year old who is almost addicted to skateboarding. His lower middle class family is on the verge of a crisis. His father is about to lose the glass factory where he works. Since problems never come alone, Erick gets into trouble with a local gang. While running away from them, he meets an old man who tells him the legend of Hidalgo´s hidden treasure. Erick and his two friends, Andrea and Omar, travel to Guanajuato to look for the treasure, but run into Nathan Pickett, a sacred art trafficker who is looking for the same treasure and isn´t willing to share.

The fictional Father Ángel de la Cruz is based on Legion of Christ founder Marcial Maciel, whose long history of child abuse was not addressed until 2006 and only publicly acknowledged in 2009. But director Luis Urquiza chooses to structure his film through the largely uncomprehending, wondering eyes of 13-year-old Julián, who travels from the arms of his loving pastoral family into the austere, hallowed halls of the seminary. Singling out the boy as his intimate disciple, installing him in his palatial private quarters and redubbing him “Sacramento Santos,” Father Ángel begins Julian’s instruction into the mysteries of “perfect obedience,” whose cardinal rule is: Never question a superior’s actions.

Leon has a crush on Ofelia, so he decides to steal money from his father and cross the country looking for Ofelia who traveled to Guadalajara. On his journey, Leon goes through many adventures and takes the final step from childhood into adolescence.

The Faces of the Moon is the story of five women from five different countries (Argentina, Uruguay, Mexico, USA and Spain), invited to Mexico City to be the jury of the Third Annual Latin American Women's Film Festival. In six vertiginous days these women share their past experiences, their ghosts and, their expectations. The group views and critiques the festival's film entries, and, in the process, the women reveal their personal, political and national histories.

After the sudden death of their parents, two sisters, Celeste and Soledad, must find a way to put aside their differences in order to adapt to their new life.

Oshinica Mataraso and Rifke Groman are from two families from Europe: the Mataraso are Sephardic who came to Mexico after being expelled by the Catholic Monarchs, and the Groman are Ashkenazi and their lineage had to face the Holocaust. Oshinica and Rifke are Mexican-born Jews, although they feel treated as foreigners. Anxious to find their identity, Oshi and Rifke confront the traditions of their relatives.

Three friends have a special mission: find some keys lost in a pile of dead leaves. It may seem a simple task, but it will turn into an odyssey when it confronts them to their fear to grow up. This afternoon, as trivial as it may sound, could change the course of their lives.

Daniel and Maria are about to get married and have a modern wedding on the beach in mind. But their families have other plans for the celebration.

In Guita Schyfter’s El águila y el gusano, an intricate plot serves to intersect the destinies of several characters: the owner of a beauty salon in love with “all things Chinese”, a politician with a taste for oration who couldn’t care less about the problems of his country, a political adviser whose counsel is never considered and a shady investigator with a name that nobody seems to recall. The script by Schyfter and Hugo Hiriart, her longtime collaborator and author of the 2013 novel on which the film is based, bristles with finely-crafted, hilarious dialogue.

Damian is a married artist living in Los Angeles with his wife. After Damian accidentally hits a woman with his car and flees the scene, he seeks atonement and travels alone to Mexico, both to find peace and to reconnect with his family roots. Assisted by local guide Arce, Damian locates his grandmother's resting place and searches for redemption through a long trek in the arid wilderness of his ancestral land.

Over more than thirty years, a department of the Condesa in Mexico City, is the setting in which they are carried out ten stories, mixed, form one whose only constant is the rupture. The passage of time and the outside world only guess through the windows and objects that come with the characters. The set is a great solitude, possible in a city of the blind.

Bir saldırı sonucu on iki yıllık hafızası silinen dahi bir doktor, geçmişini yeniden inşa etmek, karmaşık aşk ilişkileriyle yüzleşmek ve yeni bir ilaçla ilgili yaklaşan bir skandalı atlatmak zorundadır.

Bu kara komedide, güçlü ve zengin bir kadın, ailesinin kirli sırlarının kocasının metresi tarafından ifşa edilmesinin ardından mükemmel aile imajını korumaya çabalıyor.

Diego Nava ve Emilia Urquiza çifti Meksika'nın geleceğine yön veren birlikteliklerden birine imza atarlar. Nava'nın Meksika'da başkan olmasının ardından çiftimiz dünya politik çevrelerinde de büyük destek görürler. Kağıt üstünde her şey mükemmelken kapalı kapılar ardında Nava, idealist siyasetçi kimliğinden ödün vermeye başlamıştır bile. Emilia bu gidişata dayanamaz ve bir gece eşini terk eder. Olayın hemen ertesinde Diego Nava'nın intihar etmesiyse tüm gözleri eşine çevirir. Bir anda ülkede halk düşmanı ilan edilen ve eşinin şüpheli intiharından sorumlu tutulan Emilia hem Meksika polisinden kaçmayı başarıp hem de adını temize çıkarmak zorundadır. Bu müthiş siyasi gerilim 24 Mart tarihinden itibaren Netflix'te yayında!

"El Candidato" günümüz Meksiko'sunda geçen casusluk, siyaset ve suç çatışmaları hakkında bir dizi. İki CIA ajanı, gizli bir şekilde Meksika'nın en kötü uyuşturucu baronunu devirmek için çalışıyor ve neticede ülkenin en büyük politikacılarının en karanlık sırlarını ortaya çıkarıyor.

Capadocia is a Mexican HBO Latin America television series. It started on March 2, 2008 and its second season was planned for 2010.

Maria, Mama Cake's owner, faces the consequences of success in selling "special" cakes and pastries.

When a prominent politician is murdered, the intrepid journalists of Frente Tijuana risk their lives to uncover the truth.

Vladimiro's illusion of finding peace and quiet away from his family in his underground fallout bunker is ruined when he's forced to share it with a shady tycoon hounded by kidnappers, terrorists and activists.