Allen Fong
Yönetmen · d. 1947 · Hong Kong, China
Allen Fong Yuk-ping (方育平) (born July 10, 1947) is a film director and one of the leaders of the Hong Kong New Wave of the late 1970s and early 1980s. His cinematic style is highly influenced by Italian neorealism. He also usually uses personal or real-life stories as the basis for his films. Despite his limited number of productions, he is one of the directors to have won "Best Director" three times at the Hong Kong Film Awards. Others who share this achievement are Ann Hui and Johnnie To. He won in 1982 for Father and Son. His 1983 film Ah Ying was entered into the 34th Berlin International Film Festival.
Filmler9
Film6.9KomediRomantik1937'de Şanghay'da, yakında ayrılacak bir asker, Japon hava saldırısı sırasında bir köprünün altında genç bir kadınla tanışır. Savaş bittikten sonra buluşmaya yemin ederler, ancak birbirlerinin adını veya yüzünü bilmezler. On yıl sonra, gece kulübü şarkıcısı olan genç kadın, ülkeden yeni gelmiş saf bir kızı evine alır. Köylü kızı, şarkıcının bilmediği bir şekilde, üst kattaki söz yazarı adayına aşık olur; bu kişi köprüdeki askerden başkası değildir.
Film4.5SuçKomediA man is hired by a group of people he believes to be gangsters to escort a briefcase from America to Hong Kong. When he arrives, however, his contact is nowhere to be found. With no further instructions, he decides to take in the sights of Hong Kong, which consist of him taking part in a great deal of blood, sex and general weirdness, all while wearing a briefcase handcuffed to his arm.
Life Is Cheap... But Toilet Paper Is Expensive
1989 · 17 votes
FilmBelgeselExamines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.
Film7.5KomediDramTells the story of the relationship between a widower with Alzheimer's disease and his daughter-in-law, May Sun, who is a housewife in her forties trying cope with the upheavals in her family.
Film7.0RomantikKomediA screenwriter gets involved with two actresses who are trying to succeed in the 1960s Hong Kong film industry.
Film5.5BelgeselAn exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.
Film5.7MüzikKomediA second-rate private eye sees a woman's UFO abduction claim as his ticket to fame and fortune.
Film6.6DramAllen Fong portrays the strains of marriage through the eyes of a young couple.
Film9.0KorkuDirector Tong orders a box to be moved during a shoot. His only thought was move a mound of snow to make the scene look a little better. His crew warn him it's a devil's box, but move it anyway. The first guy to pick up the box dies shortly after, having accidentally fallen off a roof. Tong's work declines, as does his health. He is diagnosed with a brain tumor, and begins to be pursued by… something evil.