Lucy Tulugarjuk
Oyuncu
Lucy Tulugarjuk (born February 28, 1975) is an Inuk actress, throat singer, and director. She is the executive director of the Nunavut Independent Television Network. Tulugarjuk is from Igloolik, Nunavut. Tulugarjuk is known for starring in the 2001 film Atanarjuat: The Fast Runner, for which she won the award for Best Actress at the American Indian Film Festival. In 2015, she acted in the film Maliglutit. In 2017, she directed her first feature-length film, Tia and Piujuq (Inuktitut: ᑏᐊ ᐊᒻᒪᓗ ᐱᐅᔪᖅ). The film featured Marie-Hélène Cousineau as producer and Tulugarjuk's daughter in the lead role as Piujuq. With Carol Kunnuk, she was co-director, co-writer and co-star of Tautuktavuk (What We See), which premiered at the Toronto International Film Festival in 2023 and won the Amplify Voices Award for Best First Film. She performs as a throat singer, but in 2014, declined to perform for Nunavut MP Leona Aglukkaq in protest of the government's seismic testing. That year, she wore seal skin at the Gone Wild show in Fort Smith, Northwest Territories, to support Inuit culture. In 2016, she also called for the resignation of Aglukkaq's successor as MP, Hunter Tootoo. She is the executive director for Nunavut Independent Television Network, a service of Isumabased in Igloolik. In 2021, Isuma launched Uvagut TV, a 24/7 online channel devoted to Inuktitut language programming, for which Tulugarjuk is the managing director. Tulugarjuk reported seeing the channel as "a tool for preserving and revitalizing the Inuit people's language and culture." Description above from the Wikipedia article about Lucy Tulugarjuk, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Filmler6
Film7.2AksiyonGerilim"Görevimiz Tehlike: Ölümcül Hesaplaşma"nın bıraktığı yerden devam ediyor. Ethan Hunt ve ekibinin, yanlış ellerde dünyanın sonunu getirebilecek bir yapay zeka programı olan "Varlık"a ulaşma mücadelesini anlatıyor. Ethan, bu kez sadece dünyayı kurtarmakla kalmaz, aynı zamanda geçmişteki hesaplaşmaları da sonlandırmak zorundadır.
Film6.8FantastikDramBased on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.
Film7.0AnimasyonGizemA young shaman must face her first test: a trip underground to visit Kannaaluk, The One Below, who holds the answers to why a community member has become ill.
Film6.1KomediFiona is the manager of a fast-food restaurant. She lives comfortably with her family in the suburbs. In other words, Fiona is happy... until one day she accidentally gets locked into a walk-in fridge. She escapes the next morning, half frozen and barely alive, only to realize that her husband and two children didn't even notice she was missing. But when Fiona develops an obsession for everything cold and icy: snow, polar bears, fridges, icebergs--she drops everything, climbs into a frozen goods delivery truck and leaves home. For a real iceberg.
Film6.4MaceraDram18. yüzyılda, henüz Avrupalılar gelmeden önce Kanada’nın vahşi ormanlarında geçen bir aşk ve yol hikâyesi. İnnu kabilesinin reisi Mishtenapuu’nun kızı olan Maîna, zehirlenerek babasının öldürüldüğü gün, “Ağaç olmayan Topraklardan Gelenler”in de kabilesiyle savaşa girdiğini ve sevdiği erkeğin, ihanet sonucu öldürüldüğünü öğrenir. Tüm bunların üstüne bir de ölüm döşeğindeyken annesine her zaman onu koruyacağına dair söz verdiği 11 yaşındaki Matsii’nin düşmanlar tarafından kaçırılması, Maina’nın hayatını değiştirecek olan yolculuğa çıkmasına sebep olacaktır. Fakat kendisini de esir alan düşmanını Maina rüyalarından tanımaktadır.
FilmDramAfter experiencing a traumatic event in Igloolik (an Inuit hamlet in Foxe Basin, Qikiqtaaluk Region in Nunavut), Uyarak leaves her community and family in Nunavut to live in Montréal. When Covid-19 lockdowns close off the Canadian Arctic from the rest of the world, Uyarak is further separated from her closest friend, eldest sister, Saqpinak. This extreme situation blurs the lines of both the fictional lives of the sisters, and the non-fiction lives of the film’s directors, Lucy Tulugarjuk and Carol Kunnuk, who play the sisters.