Itziar Lazkano

Birkaç seneliğine Londra'ya taşınan Hache, Barcelona'ya döndüğünde hiçbir şeyi bıraktığı gibi bulamaz. Kendisi de dahil olmak üzere birçok şey değişirken, aynı kalan tek şey Babi'ye duyduğu aşktır. Ne var ki Babi bu süreçte hayatını yeniden inşa etmeye koyulmuş ve başka biriyle nişanlanmıştır. Bunu öğrenen Hache de böyle bir karar alır ve arkadaşları, işi ve çevresi olmak üzere her şeyi değiştirmeye başlar. Gin isimli kendine oldukça benzeyen bir kadınla tanışır ve aralarında uyumlu bir ilişki başlar. Ancak bir partide karşılaştığı Babi, onu şaşkına çevirir ve aklını karıştırır. Hache artık hiçbir şeye ya da hiç kimseye inanmadığı bir döneme girmiş; zamanını ise güçlü olmaya çalışarak geçirmeye başlamıştır...

Bir dedektif, hapisten çıkmak üzere olan bir seri katilin işlediği iddia edilenlerle tıpatıp benzeyen cinayetleri çözmek üzere Vitoria-Gasteiz'e döner.

Lucía is an eight-year-old girl, who sometimes struggles as the world tries to catch up with the fact that she is trans. As the summer holidays pass, she explores her femininity alongside the women of her family who at the same time reflect on their own femininity.

Basque Country, Spain, 1980s. In Bilbao, a gray city dominated by political corruption and nationalist terrorism, Charli works as a chauffeur for Oliveira, a businessman engaged in shady deals. Alarmed by a series of threats and attacks, Oliveira decides to entrust Charli with the protection of his daughter Marta.

Leo and Lorea have loved one another. Maybe they still do. But something in them has broken. After five years, their relationship is done. He looks after his sick father, trapped between responsibility and an emotional void that weighs him down. She, caught up in poorly-paid jobs and personal crises, tries to get her life back on track without really knowing where to begin. They are two bodies, tired and alone, pierced by their precarious situation, by unresolved issues, by the emotional legacy of a generation who always seem to come late to everything: to love, to stability, to maturity, to serenity, to personal satisfaction.

The story of Susana, a young woman who works as a house cleaner. Susana's life is anything but easy; on the contrary, it is full of problems. The constant work and complications that Susana has to face almost daily mean that she urgently needs a break. So when she sees that her employers' house is empty because they have gone on vacation, Susana sees her chance: she moves in for a while to enjoy the luxuries of the rich, so far removed from her daily life.

Sonia’s life was perfect at first. Her theatre career is improving and Óscar the man who is having an affair with her promises her to leave his wife for her soon. But suddenly her life descends into a downward spiral of terror when she receives photos of them two being together. This is the trademark of a serial killer who already has killed four women and now Sonia is the next target.

During Holy Week of 59 in the tragicomic social landscape of Franco's Spain, takes place the sentimental chronicle of a nine years old boy: Pablito. Pablito wants the pedal car he sees in a shop near his home. His family -middle class with bad luck - silently suffers the pressure of the other part of the family- middle class with good luck and best influences. The desire of the car and the hope to get it encourage his parents to take the child, piggy bank in hand, through a strange journey to the colorful and surprisingly familiar world full of lies and blackmail. Pablito emotionally survives in that environment thanks to his ability to get from his imagination the answers that parents and teachers do not give him. And that way, Pablito will create his own happy ending.

In Madrid, Azu's husband Filipe is smug and boorish, but it's his money she slips to family members constantly in need of cash and that she uses to buy gifts for her lover, Pablo. Things start to fall apart when Pablo wants to leave her and when Filipe wants to evict Azu's cousin from a butcher shop he rents. Azu hatches a plan that relies on her sister, her cousin the butcher, and his mentally-challenged delivery man. When things start to go wrong, can Azu make them right?

Victoria is a republican widow who enters in the prison of Saturrarán (Vizcaya), place where an experiment of the Franco regime takes part: the separation of children from their mothers to give them up for adoption to families close to the regime, in order to break the chains of communism.

Jone is a sixteen year old girl that lives in Bilbao (Basque Country) in 2009. In her highschool you can feel the independentist environment, demonstrations, strikes... are usuals between the students organizations. In this moment her dad starts to work int the Basque Government, between other things he has to go with body guards. This situation will change Jones life and she will have to learn to live between two worlds that she doesn't understand yet, and to understand that not everything is black or white.

Unable to fly the nest due to the economic crisis that grips Spain, a penniless, young couple have trouble consummating their fledgling relationship in their parents' homes.

Itziar is eight years old and lives in two very different worlds. On the one hand, the world of her disappointed Basque nationalist parents and, on the other, the religious school, which gives the girl a repressive and retrograde education. However, there is another kind of world, much nicer to Itziar, formed by the street and her friends.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Javier Giner, a thirty-year-old audiovisual professional, voluntarily checks himself into a rehabilitation center due to his alcohol and cocaine use. Armed with his personal journal and complete determination to reverse the path he's going down, Javier faces what is undoubtedly the key moment of his life. The months of recovery in the rehab center, surrounded by nature and a cast of memorable characters, completely change Javier Giner's life.

The birth of the Basque terrorist gang ETA and its first attack, of which José Antonio Pardines, a Guardia Civil traffic officer, was the victim.

Vaya Semanita is a Spanish weekly sketch comedy show that is broadcast on Basque public television's second channel Euskal Telebista since 2004. It is broadcast in Spanish.