Eduardo del Llano Rodríguez
Yönetmen · d. 1962 · Moscow, USSR (Russia)
Eduardo del Llano Rodríguez (Moscow, 1962) is a Cuban writer, university professor, screenwriter, and film director. He earned a degree in Art History from the University of Havana in 1985, and during the 1980s he was part of the theatre and literary group NOS-Y-OTROS. He trained with Jorge Goldenberg, Tom Abrams, and Walter Bernstein in the craft of screenwriting, while working as a professor at the Faculty of Arts and Letters of the University of Havana (History of Latin American Art and Photography). With the short film Monte Rouge (a satire about the work of the Cuban State Security), he took a critical stance toward the Cuban regime, although Eduardo del Llano made it clear that it was not a clandestine film, but one that was simply not financed by the Cuban Institute of Cinematographic Art and Industry.
Filmler3
FilmKomediNicanor has just finished the ritual of preparing himself a gourmet coffee when two strangers knock at his door. They identify themselves as members of State Security, who have come to install microphones in his house to listen to the antigovernment remarks Nicanor makes. Since they only have two microphones, they ask for his help in choosing the best room to install them and tell him that from now on he can only make his comments in that room.
Monte Rouge
2004
- Film8.0Komedi
At the elementary school where Evita, Nicanor’s daughter, studies, the parents are instructed that the children must bring photos of various independence heroes for an important activity the next day. That night, when he discovers that they do not have any photos of heroes at home, Nicanor will have to go out and look for them, no matter what it takes.
Photoshop
2006 · 1 votes
FilmKomediAt an unspecified event, everyone votes in favor. Unexpectedly, there is one vote against: Nicanor O’Donnell’s. When Nicanor goes to the bathroom during the intermission, some curious delegates follow him, eager to find out why he dared to vote against. The suspicion that someone is locked in a stall, listening to everything, turns their sympathy into mistrust toward Nicanor. But the one locked in the stall is also a poor wretch.
Intermezzo
2008