Elio Petri

Bir polis metresini öldürür; ipuçlarının izinin sürülmesini de kendisi yönlendirir; güçlü karakterinin yanı sıra, mesleğindeki konumu da düşünüldüğünde meslektaşları onu suçlu bulmakta aciz kalmaktadırlar. Kendisini suçlamaları yönünde teşvik mi etmektedir onları? Yoksa sadece gücünü göstererek gösteriş mi yapmaktadır, ya da nihayet kendi gerçek yüzünün ortaya çıkarılmasını mı hayal etmektedir?

We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's "Morceaux de Cannes" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.

A young bank teller, literally allergic to paper money, becomes the worst nightmare of his best customer, a wealthy butcher who manages his business unscrupulously.

Based upon Vincenzoni's biography, "Pane e cinema", the documentary traces the story of the screen play writer who invented many stories that became blockbusters throughout the world.