Michael Snow
Yönetmen · 1929 – 2023 · Toronto, Canada
Michael Snow was considered one of Canada's most important artists, and one of the world's leading experimental filmmakers. His wide-ranging and multidisciplinary oeuvre explored the possibilities inherent in different mediums and genres, and encompassed film and video, painting, sculpture, photography, writing, and music. Snow's practice comprised a thorough investigation into the nature of perception. While Snow early established himself as a successful painter and musician in his native Toronto, it was his 1962 move to New York City that marked the beginning of his rise to international prominence. He entered into a long-lasting and fruitful dialogue with downtown Manhattan's artistic avant garde, exchanging ideas with figures such as Yvonne Rainer, Philip Glass, Sol LeWitt, and Richard Foreman, and developing of some of his most ambitious and influential works to date. His 1964 film New York Eye and Ear Control documents his growing involvement with the burgeoning free jazz movement, and the soundtrack boasts a lineup that includes Albert Ayler, Don Cherry, and Sonny Murray. Snow would continue to pursue improvised music, both on his own and in ensembles such as Toronto's CCMC. The generation and reception of sound in the broader sense emerged as one of his main concerns, reflected in performance and tape works that share qualities with contemporaneous experiments by composers like Steve Reich. At the same time, Snow made alliances within the underground film scene centered around Jonas Mekas' Filmmakers' Cinematheque, an experience that encouraged him to find ways to transfer his concerns with music and photography into the realm of the moving image. He assisted Hollis Frampton on films such as Nostalgia(1971), and it was legendary director Ken Jacobs whose loan of equipment helped Snow create his most famous and influential work, the groundbreaking 1967 film Wavelength. Wavelength, which notoriously includes a 45-minute camera zoom within a fixed frame, remains one of the most studied and admired works of structuralist filmmaking. Other of Snow's films of this period, including Back and Forth (1969) and La Région Centrale (1971) similarly explored the mechanics of filmmaking to simultaneously investigate the functional processes of cinema and of thinking itself. In the 1970s and 1980s, Snow, responding to a growing institutional commitment to his work, experimented more with large-scale installations, including public sculptures such as Flightstop (1979) and The Audience (1988-89). In recent years, he focused on the specific nature and potential of digital media, yielding works like the video-film *Corpus Callosum (2002). Regardless of artistic genre, Snow consistently engaged in an analytical discourse on the nature of consciousness and experience, language and temporality. He died on January 5th, 2023.
Filmler17
Film4.9BelgeselCinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
Cinématon
1978 · 7 votes
Film7.3BelgeselAlso known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.
Diaries, Notes, and Sketches
1968 · 32 votes
Film7.8KomediGizemVarious unrelated vignettes, often juxtaposing sound and image.
Film7.0BelgeselJonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.
Birth of a Nation
1997 · 4 votes
Film6.8BelgeselExperimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community.
Free Radicals: A History of Experimental Film
2011 · 12 votes
Film7.5BelgeselGrand Opera marks a stock-taking of Benning's work and his life, presenting a personal and artistic autobiography woven together with a series of events dealing with the historical development of the number pi, Benning's travels, and homages to Michael Snow, Hollis Frampton, George Landow (Owen Land), and Yvonne Rainer.
Grand Opera: An Historical Romance
1979 · 6 votes
Film4.8"Homage to Michael Snow's environmental sculpture 'Blind.' The film proposes analogies, in imitation of three historic montage styles, for three perceptual modes mimed by that work." -HF
Snowblind
1968 · 6 votes
FilmBelgeselA serendipitous encounter with a younger artist gives legendary Canadian art icon Michael Snow the opportunity to reflect on his life and career.
Portrait of Snow
2016
Film6.6DramMichael Snow narrates a series of Hollis Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a hot plate.
Hapax Legomena I: (nostalgia)
1971 · 34 votes
Film5.5BelgeselThis is an interesting little documentary about the Nova Scotia College of Art and Design, which was apparently one of the global hotbeds of experimental/avant garde art- particularly video art- back in the 70's & 80's. MacGillvary interviews a number of the artists that were formative to the program. Many of whom would go on to become teachers at the school.
I Will Not Make Any More Boring Art
1987 · 4 votes
FilmBelgesel"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my camera. It’s only love: therefore it can’t harm you". Joyce Wieland.
Bill's Hat
1967
Film7.5BelgeselToronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.
Toronto Jazz
1963 · 2 votes
Film6.0BelgeselMICHAEL SNOW UP CLOSE was produced on the occasion of The Michael Snow Project, a major, career-spanning, multi-venue retrospective of the artist. The documentary celebrates the multi-faceted shape of Snow's creative genius, including glimpses of his work in painting, sculpture, film, photo-works, performance, installations, and holography. Discussions with Snow, original documentation of his music and performance work, and excerpts from his avant-garde films, are complemented by interviews with filmmakers Jonas Mekas and Bruce Elder, Snow's dealer Av Isaacs, the architect Eb Zeidler, museum director Pierre Théberge, curator Louise Dompierre, and others. A deliberately conventional documentary about a deliberately unconventional artist.
Michael Snow Up Close
1996 · 1 votes
FilmBelgeselKnokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium. To celebrate cinema’s 50 year existence, they put together a side program showcasing the medium in all its shapes and forms: surrealist film, absolute film, dadaist films, abstract film,… The side program would soon become a festival in its own right: ‘EXPRMNTL’, dedicated to experimental cinema, and would become a mythical gathering of the avant-garde…
EXPRMNTL
2016
Film7.0"Vanity. Had a beard. Appearance (looks). Looking. Disappearance act. Hand-made fades and zooms but camera made shave. Camerazor. Handsome. Tired. Walking Woman. My worst film."
Short Shave
1965 · 1 votes
Film5.0BelgeselIn this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary activities.
Manual of Arms
1966 · 18 votes
Film4.6DramTwo twenty-something women dream of the ideal man and slowly realize that reality is very different from their fantasies.