Wieslawa Wesolowska

A team of inspectors investigates murders in and around the small Upper Bavarian town of Rosenheim, and they still have plenty of time to see idyllic landscapes and luxurious pre-alpine villas and enjoy sumptuous Bavarian fare with beer.

Küstenwache is a German television series that tells the fictionalized adventures of a unit of Federal Coast Guard officers off the German coast of the Baltic Sea.

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.

SK Kölsch is a German television series.

Pastewka is a German television sitcom that began airing on German TV channel Sat.1 in 2005. The series, currently in its sixth season, is set in Cologne, with German actor Bastian Pastewka starring as a fictionalized version of himself. It has been compared to Seinfeld and Larry David's Curb Your Enthusiasm. The series was awarded, among others, the Rose d'Or and the German Television Prize. Series was directed by Joseph Orr and Jan Markus Linhof.

Jasper Teerlinck, an eccentric professor, is an adviser to the police.

GSG 9 is a German TV-series about the special unit GSG 9 der Bundespolizei of the German Federal Police. It premièred in the Spring of 2007. Its original title, GSG 9 - Ihr Einsatz ist ihr Leben, is a pun on the word Einsatz. Einsatz can be translated as "mission, stake, bet, dedication", depending on the context. Thus, it can be translated as, GSG 9 - Their Mission Is Their Life or GSG 9 - They Put Their Lives at Stake.

Countdown – Die Jagd beginnt is a German television series.

Die Familienanwältin is a German television series.

With his uncouth manner, Professor Pohl doesn’t enjoy the best reputation at the university where he works. To make matters worse, he makes a racist remark when student Naima arrives late for his lecture. Unfortunately for him, a video of his verbal outburst spreads like wildfire on the Internet, and the university’s president, Lambrecht, is called to deal with the incident. But Pohl is not dismissed. Instead, he is put to the task of helping Naima prepare for an important debating competition. The lecturer and the student could not be more different, yet they are thrown together to work as a team.

Martin gets a retraining.

Kerstin is in great pain. Her daughter Juliane wants to help her die, but the law forbids it. Jessica Krummacher’s second feature describes the most important of events via tiny details that stay with us and get under our skin.

A neurosurgeon hits a child one night and, in a panic, commits a hit-and-run. The next day, she finds the boy on her ward of all places, a Romanian street kid who is being forced to pick pockets by a gang. The boy, who recognizes the driver from the accident, blackmails the doctor out of fear of the police and his gang. She is forced to give him shelter, but the two soon become friends and form a tight-knit community.

Christoph begins his year of civil service at a nursing home as the personal caretaker for 28-year-old Sven. The seriously ill young man is suffering from muscular dystrophy and his nursing room has become his own little microcosm which he has been sovereignly controlling for years.

Armin Steeb is adrift: just finished with school, living with his middle-class parents, clueless about finding work. He tries connecting with a girl, he engages in risky sex with strangers in public toilets, he goes to job interviews. He also sends an anonymous letter to a local Munich newspaper, claiming responsibility for a fatal road accident. He fitfully pursues notoriety as he goes through life nearly without affect. What will it take to get Armin to smile?

Macho Alex is smart and good-looking. He is known among women as an unscrupulous hunter. He wraps the women in rows around his fingers and then disappears into his sports car. For him, love is something for men who pee while sitting. The womanizer Alex then pushes it a little too far, because three love affairs at the same time are too many even for the greatest professional.

Anna and Edith are colleagues at an insurance company. Their male chef uses the women's business success to his own advances. Anna's husband would prefer her to be at home. Anna and Edith become a couple, but it doesn't end with a romantic rendez-vous. Together, and with the help of their female colleagues, they want to improve their work conditions.