Colette Mars

Marceau Léonetti, a competent and energetic officer stops by chance the son of an influential lawyer driving under the influence of alcohol. A few months later, the lawyer falsely accuses Léonetti as being violent and incompetent. As a result Marceau is transferred to a small police station, where he meets young and beautiful Jeanne. Soon they are faced with a tough investigation.

La Garçonne is a 1957 French film directed by Jacqueline Audry. It follows Monique, an ingenue and a clueless girl who believes in true love. When she discovers her future husband has a lover, she rebels against her bourgeois life:s he will lead a free and wild life and she will live like a man. Soon she becomes the toast of Gay Paris, sleeping with all the men around, and even with a woman.

Shortly before the War, Jan Lazlo, a Hungarian musician who has emigrated to France, falls for a young woman. Alas, the lady forsakes him and the poor man tries to overcome his grief by writing "Gloomy Sunday", a song so desperate that it can drive its listeners to suicide. Max, a music publisher, likes the song and decides to launch it by all means, foul or fair. Bob, his accomplice, manages to talk his mistress Michèle into committing a fake suicide. She obeys him and the scheme is a success as a result. On this occasion, Jan gets to know Michèle and the two young people fall in love. Happiness seems to be in store for Jan again but this is without counting with Bob. Jealous of Jan, the naughty fellow indeed tells him that Michèle's attempted suicide was nothing but an advertising pretense.

A young, talented and ambitious journalist, Louis heads off to try his luck in Paris. He's spotted by Walter, editor-in-chief for a major daily newspaper, who takes to him and furthers his career. What he doesn't realise is that Louis is ready to betray anyone to achieve his ends...

André Garnier, a young pianist, who was sent to deportation following a denunciation, absolutely wants to find his informer. He falls in love with Hélène, the mistress of a wealthy industrialist, Bernier, in whom he soon discovers the man who once sold him to the Gestapo. Bernier is soon found murdered. André deflects suspicion on Jacques, the victim's secretary. Hélène and André's affair ends up being discovered by the police, who seem to see in it the motive for the crime. André surrenders to justice.

Portrait of a two-faced man. By day he is rich, brilliant and respectable financial officer Lussac; at night, he becomes "Mirror", a ruthless gang leader in Marseilles.

Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.

A lothario is dismayed to learn that his teenage daughter has embarked on an adulterous relationship with a married man very much like himself.

Three successive sketches: Sacha Guitry successively calls Pauline Carton, Gaston Severin and Paul Pauley by telephone, to invite them to the Ambassadors gala dinner.

A female journalist beats two male rivals to a scoop by exposing a white slave racket going on right in 50s Paris.