Billie Burke

Halası ve amcasıyla çiftliklerinde mutlu bir yaşantısı olan Dorothy, sevimli köpeği Toto komşusu tarafından elinden alınmak istenince evden kaçar. Pişman olup geri dönmeye çalıştığı sırada bir hortuma yakalanır ve kendisini Oz'un renkli dünyasında bulur. Üzerine düştüğü ev, Doğu'nun Kötü Cadısı'na aittir. Onu öldüren Dorothy, birden bire Oz'un en ünlü şahsiyeti haline gelir. Kardeşini öldüren Dorothy'den intikam almak isteyen Batı'nın Kötü Cadısı, genç kızın peşine düşer. Cadıdan kaçan Dorothy, Oz Büyücüsü'nün yardımını istemek için onun yaşadığı Zümrüt Şehri'ne gider.Dorothy, yolda 3 yeni arkadaş edinir. Kalpsiz Teneke Adam, beyinsiz Korkuluk ve korkak Aslan, uzun yolculuklarında Dorothy'e yardım eder ve onu korurlar. Yolculuğu başarıyla atlatmaları, kahramanlarımızın dileklerinin olmasını sağlayacaktır.

Kızının nişanlandığını söylemesi ile son davetlinin düğünden ayrılmasına kadar geçen sürede kızını çok seven bir babanın ayakta kalma çabasını anlatan bu klasik komedide Akademi Ödüllü Spencer Tracy ve Elizabeth Taylor başrolleri paylaşıyor. Kızı Kay, Buckley Dunstan ile nişanlandığını ilan ettiğinde avukat Stanley T. Banks böyle bir şeye hiç hazırlıklı olmadığını fark eder. Buna karşın, Kay'in evleneceğini öğrenmek karısı Ellie ile oğlu Tommy'yi son derece mutlu eder. Bir "oğul" sahibi olması, artık büyümüş ve kendi hayatını yaşayan minik kızını kaybedecek olan Stanley için bir teselli değildir. Belki her şey yoluna girecek, tabii eğer Stanley, Buckley'yi kabul edebilir ve düğünü atlatabilirse. Peki, düğün masraflarını kim karşılıyor? Tabii ki, gelinin babası.

Newly married Kay Dunstan announces that she and her husband are having a baby, leaving her father to come to grips with the fact that he will soon be a granddad.

Bir akşam yemeğindeki konukları karakterize ederek zengin ve sonradan görme yeni zenginlerin yalancılığını ve süse düşkünlükleriyle kendilerini beğenmişliklerini yansıtmaktadır.

An acerbic critic wreaks havoc when a hip injury forces him to move in indefinitely with a Midwestern family.

Angela Lansbury hosts a celebration and anniversary tribute to the Wizard of Oz which includes the premiere of the restored, uncut print of the classic.

Madcap couple George and Marion Kerby are killed in an automobile accident. They return as ghosts to try and liven up the regimented lifestyle of their friend and bank president, Cosmo Topper. When Topper starts to live it up, it strains relations with his stuffy wife.

Josh and Dinah Barkley are a successful musical-comedy team, known for their stormy but passionate relationship. Dinah feels overshadowed by Josh and limited by the lighthearted musical roles he directs her in. So she decides to stretch her skills by taking a role in a serious drama, directed by another man.

Some of MGM's musical stars review the studio's history of musicals. From The Hollywood Revue of 1929 to Brigadoon, from the first musical talkies to Gene Kelly in Singin' in the Rain.

A modest country doctor in the antebellum South has to contend with his daughter's upcoming marriage and an affectionate medicine show elephant.

A medicine show man tries to con people into believing he's a legitimate stage actor.

An unhappy, self-centered woman runs off with her sister's husband, wreaking havoc and ruining the lives of those around her.

Respected black cavalry Sergeant Brax Rutledge stands court-martial for raping and killing a white woman and murdering her father, his superior officer.

Cemiyet Kurbanı, Vincent Sherman'ın yönettiği ve Paul Newman, Barbara Rush, Robert Vaughn ve Alexis Smith'in oynadığı 1959 drama filmidir. Film, Richard P. Powell'ın 1956 tarihli The Philadelphian adlı romanından uyarlandı.

A documentary about the glorious history of Metro-Goldwyn-Mayer Studios and its decline leading to the sale of its back lot and props. By extension this provides a general history of Hollywood's Golden Age and the legendary studio system.

Two surgeons in love with a nurse end their rivalry in the operating room.

Topper is once again tormented by a fun-loving spirit. This time, it's Gail Richards, accidentally murdered while vacationing at the home of her wealthy friend, Ann Carrington, the intended victim. With Topper's help, Gail sets out to find her killer with the expected zany results.

Comic mayhem results when a small town pet store owner, mistakenly believed killed during a sea voyage, turns up very much alive.

Irish politician Charles Stewart Parnell struggles to free his country from English rule, but his relationship with married Katie O'Shea threatens to ruin all his dreams of freedom.

Three Navy Cadets become friends, support each other and struggle to survive the rigorous training.

An eccentric wealthy family facing bankruptcy schemes to steal an inheritance, but an alcoholic ex-actor they take in for Christmas charity complicates their plan.

A family of confidence tricksters sets their sights on a very rich, very lonely old lady named Miss Fortune.

A teenager falls hard for an irresponsible playboy.

After the woman who raised him claims he's not her son, Richard searches for clues about his identity. Urged on by his mentor, Capt. Randolph Courtney, Richard focuses on Julia Trent Anders, a middle-aged actress who just might be his real mother. But soon, Richard begins to fall for Julia's stepdaughter. Amidst the upheaval, Richard schemes to return Julia to the stage -- but he's in for another big surprise.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

Lights Out was an extremely popular American old-time radio program, an early example of a network series devoted mostly to horror and the supernatural, predating Suspense and Inner Sanctum. Versions of Lights Out aired on different networks, at various times, from January 1934 to the summer of 1947 and the series eventually made the transition to television. In 1946, NBC Television brought Lights Out to TV in a series of four specials, broadcast live and produced by Fred Coe, who also contributed three of the scripts. NBC asked Cooper to write the script for the premiere, "First Person Singular", which is told entirely from the point of view of an unseen murderer who kills his obnoxious wife and winds up being executed. Variety gave this first episode a rave review ("undoubtedly one of the best dramatic shows yet seen on a television screen"), but Lights Out did not become a regular NBC-TV series until 1949.

Doc Corkle is an American Television sitcom that was broadcast on NBC on Sunday nights for three weeks from October 5 to October 19, 1952. The show's sponsor, Reynolds Metals, was so disappointed with the program that it was canceled and replaced by Mr. Peepers.