Toni Basil

Kült film sıfatını hakkıyla kazanmış filmlerin başında gelen Easy Rider, Hollywood’da başarılı ama bağımsız, karşı kültürel ve düşük bütçeli filmler dönemini başlatmıştır. Wyatt ve Billy adında iki motorcunun süslü Harley Davidson’ları üzerinde Los Angeles’tan doğuya doğru yaptıkları bu özgürlük arayışı, alternatif bir yol filmi olmakla birlikte iki kahramanın Amerikan rüyasına ulaşma yolunda bilinmezlerle dolu destansı yolculuklarını anlatıyor. Film, paranoyanın, bağnazlığın ve şiddetin hüküm sürdüğü konformist Amerika’da idealist 60’ların çöküşüne tanıklık ediyor. Filmde özgürlükler ülkesi olarak sunulan Amerika'nın aslında kendi içerisinde farklılıklara ve bireysel özgürlüğe karşı ne kadar hoşgörüsüz bir tutum takındığından bahsedilmektedir.Zamane kuşağın bu mantaliteyi değiştirmeye çalışması ve kendi bakış açısını ortaya çıkarma çabası filmin ana temasını oluşturur. Film dönemin en eleştirel yapımlarından biridir..

Köklü ve entellektüel bir aileden gelen Robert Dupea, bir işten başka bir işe geçtiği kötü bir kariyere ve bir kadından başka bir kadına uzanan kötü bir özel yaşama sahiptir. Son olarak bir petrol kuyusunda çalışan Dupea zamanın büyük kısmını içerek, poker oynayarak ve seksi ama aptal kız arkadaşıyla birlikte olarak geçirmektedir. Fakat babasının ölüm döşeğinde bulunması için eve çağrıldığında, Dupea zeki ve güzel bir kadınla karşılaşır ve ona aşık olur.

Set in Prohibition era Chicago, bootlegger Robbo and his cronies refuse to pay the greedy Guy Gisborne a cut of their profits after Guy shoots mob boss Big Jim and takes over. When Big Jim's daughter, Marian, gives Robbo a large sum, believing he has avenged her father's death, the gangster donates to an orphanage, cementing his reputation as a softhearted hood.

Anne (Jodie FOSTER), bir sanatçı olarak geleceğe umutla bakan ve başarılı olabilmek için çabalayan güzel bir kadındır. Ancak bir akşam iş dönüşü, onun bu güzel hayallerini yok edecek o korkunç olayla karşılaşır. Mafya, kendilerine karşı çıkan bir kişiyi acımasızca infaz ederken Anne, işlenen bu cinayete tesadüfen şahit olur. İlk şoku atlattıktan sonra polisi arar fakat çetenin elemanlarından birinin polis teşkilatında olduğunu fark edince, büyük bir korkuyla kimliğini değiştirerek Meksika'ya kaçar. Bu sırada Mafya çetesinin peşinde olan gerçek polisler, ellerine geçen bu çok değerli görgü tanığını bulmak üzere onun peşine düşmüştür. Fakat Mafya da boş durmamış ve en iyi kiralık katilleri Milo'yu (Dennis HOPPER) Anne'in peşine takmıştır...

Lucky Jackson, Las Vegas Grand Prix'sine katılmak için şehre gelir, ancak arabasının motoru yoktur. Yarışa girebilmek için gereken parayı kısa sürede kazanır, ancak havuz müdiresi güzel ve dikkat dağıtıcı bir kadınla tanışınca parasını kaybeder. Hem yarışı hem de aşkını kazanma şansı tehlikededir. İşler daha da karmaşıklaşır çünkü rakibi Elmo Mancini hem pistte hem de aşkta ona rakip olmaktadır.

Sokak vaizleri, İtalyan film yıldızları, hippiler ve klostrofobiyle dolu, eğlenceli olduğu kadar hüzünlü bu müzikal, duyguların doruğa çıktığı 1960’ların çarpıcı stilini ve kent kültürünü yakalıyor. Bu şirin aşk öyküsünün kahramanları “aşka âşık” müzikhol dansçısı Charity Hope Valentine ile utangaç ve ürkek muhasebeci Oscar Lindquist’tir. Fakat Bob Fosse’nin yönettiği ve koreografisini yaptığı bu ilk filmin erken tarihte klasikler arasına girmesini sağlayan öğe, konusundan çok, şaşırtıcı dans adımları ve dansçıların vücut hareketleridir. Fosse’nin 1966’daki özgün Broadway gösterisi 608 kez sahnelenmiş ve 12 kategoride Tony ödülüne aday gösterilmişti.

Molly Stewart is now a successful freelance photographer in New York, and after seeing a familiar woman at an art gallery, begins to suspect that she might be her long missing mother. Following her trail to Los Angeles, Molly finds herself in the center of a major crime syndicate who will stop at nothing to execute their diabolical plans.

In the last five years of his life, David Bowie ended nearly a decade of silence to engage in an extraordinary burst of activity, producing two groundbreaking albums and a musical. David Bowie: The Last Five Years explores this unexpected end to a remarkable career. Made with remarkable access, Francis Whately’s documentary is a revelatory follow-up to his acclaimed 2013 documentary David Bowie: Five Years, which chronicled Bowie’s golden ‘70s and early-‘80s period.

Myron Breckinridge flies to Europe to get a sex-change operation and is transformed into the beautiful Myra. She travels to Hollywood, meets up with her rich Uncle Buck and, claiming to be Myron's widow, demands money. Instead, Buck gives Myra a job in his acting school. There, Myra meets aspiring actor Rusty and his girlfriend, Mary Ann. With Myra as catalyst, the trio begin to outrageously expand their sexual horizons.

To beat out competing ambulance services, an ace driver, an office secretary/paramedic and a suspended cop resort to some outrageous behavior to help people in distress. They're a crew whose condition is even more critical than their clients!

Hailed by one music reviewer as "the grooviest, wildest, slickest hit ever to pound the screen," "The T.A.M.I. Show" is an unrelenting rock spectacular starring some of the greatest pop performers of the 60s. These top recording idols – representing the musical moods of London, Liverpool, Hollywood and Detroit – packed the Santa Monica Civic Auditorium with 2,600 screaming fans and virtually brought down the house. This is the cinematic record of that electrifying event.

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

After a film production wraps in Peru, an American wrangler decides to stay behind, witnessing how filmmaking affects the locals.

A Martian teenager sent to prepare for an invasion falls in love with an Earth girl.

"Genius" accidentally invents "goo" which causes living things to rapidly grow to an enormous size. Seeing an opportunity to get rich, some delinquent teenagers steal the "goo" and, as a result of a sophomoric dare, consume it themselves and become thirty feet tall. They then take over control of the town by kidnapping the sheriff's daughter and dancing suggestively.

A woman from Paris, Bernadette, comes to the United States after being promised a job. When she arrives, however, she learns that she is a victim to a hoax. Unable to return to France, Bernadette looks for work while staying with her close friend Shirley, an actress looking for her big break. Their friendship is challenged when Bernadette finds herself falling in love with Shirley's boyfriend.

A man visits Alcatraz prison after having dreams about all the people who died there. When he gets there, his brother is possessed by an evil cannibal demon. The ghost of a female heavy metal singer who was killed there tries to help the man fight the monster.

A documentary about DEVO

Ralph is a sexually frustrated vampire who suffers from a peculiar curse. He's condemned for eternity to watch his one true love, Mona, be murdered by a pirate wielding a ham bone. But now? Now it's 1990, and Ralph is determined to break Mona's cycle of reincarnation. His first order of business is winning her affections, which he does by starting Rockula: a rock band that's sure to stake a claim on her heart.

The life and times of music arranger, composer, producer Jack Nitzsche (Starman, Up Where We Belong, One Flew Over the Cuckoo's Nest).

Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual language of film. But no matter how powerful a formal analysis of his filmmaking process may be in suggesting how Conner’s rhythms affect us, there is much in Breakaway – in Basilotta’s brash and unbridled self-assertiveness, in Conner’s feverish camera style, and even in the uncomplicated honesty of Cobb’s catchy lyrics and tune – that defies verbalisation… and must simply be loved! -- Senses of Cinema

A group of women gather for the birthday party of a friend and discuss their lives and associations with food.

A parable based on the life of Christ. This ain't your father's Bible story, full of references about the destruction of the world through massive constipation and a New Mexican setting.

A late-night live television sketch comedy and variety show created by Lorne Michaels. The show's comedy sketches, which parody contemporary culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest, who usually delivers an opening monologue and performs in sketches with the cast, and features performances by a musical guest.

The competition sees celebrities perform choreographed dance routines which are judged by a panel of renowned ballroom experts and voted on by viewers. Enjoy sizzling salsas, sambas and spray-tans as they vie for the coveted Mirrorball Trophy.

Birbirinden güzel kızlar, inanılmaz bir heyecan ve dünyanın başka hiçbir yerinde görülemeyecek eşsiz bir manzara... Dizi, rüya gibi plajlarda yaşanan akla hayale gelmeyecek maceraları karşınıza getiriyor.

Best friends, roommates, and polar opposites, Laverne DeFazio and Shirley Feeney work together at the Shotz Brewery in Milwaukee and keep each other's spirits up at home.

Mr. Novak is an American dramatic series starring James Franciscus in the title role, which aired on NBC for two seasons, from 1963 to 1965.

Where Are They Now? was a television series on VH1 that featured past celebrities and updated on their current professional and personal status. Each episode was dedicated to another genre. Though not always in sequence, some episodes were a continuation of the motif of episodes from the past. Those episodes sometimes had Roman numerals in their title to signify their sequel status.

Sketch comedy show starring Kenny Everett.

Tom and Dick Smothers return to TV in this revival of the traditional variety show, mixing comedy skits, stand-up routines and musical numbers. Joining the Smothers each week were a number of aspiring young talents and veteran performers.