Marie Dressler

Bir akşam yemeğindeki konukları karakterize ederek zengin ve sonradan görme yeni zenginlerin yalancılığını ve süse düşkünlükleriyle kendilerini beğenmişliklerini yansıtmaktadır.

Some of MGM's musical stars review the studio's history of musicals. From The Hollywood Revue of 1929 to Brigadoon, from the first musical talkies to Gene Kelly in Singin' in the Rain.

Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.

Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.

An all-star revue featuring MGM contract players.

Film clips highlight the funniest scenes and brightest comic stars in MGM's history.

A documentary about the glorious history of Metro-Goldwyn-Mayer Studios and its decline leading to the sale of its back lot and props. By extension this provides a general history of Hollywood's Golden Age and the legendary studio system.

Zengin kadınların peşinden koşan Charlie tesadüfen Tillie adında genç bir kızla tanışır. Biraz saf olan Tillie’nin, babasının varlıklı bir köylü olduğunu öğrenince, genç kadını sevmese da ona aşıkmış gibi yaparak, Tillie’yi evliliğe ikna eder ve onu kaçırır. Ancak şehre varınca işler Charlie'nin planladığı gibi gitmez.

This 1940 presentation features highlights of earlier (1928 onward) Oscar ceremonies including Shirley Temple and Walt Disney, plus acceptance speeches for films released in 1939 with recipients and presenters including Vivien Leigh, Judy Garland, Hattie McDaniel and more, with host Bob Hope.

A housewife divorces her self-centered husband. Years later, she attends a party where her ex is pursuing another woman. Unbeknownst to him, she is the same ex-wife he'd neglected, now transformed into a fashionable socialite.

Landladies Polly Smith and Marie Jones, who operate boardinghouses on the same side of the street, are afflicted with numerous petty envies and jealousies but nevertheless are the best of friends. Polly invests in the stock market and begins to reap rewards, but she is unable to persuade Marie to use her life's savings to buy shares of American Cheese or Brazilian Bananas. Meanwhile, Marie's daughter, Genevieve, and Polly's son, William, just back from college, fall in love; but an argument between the ladies breaks up the romance; and smarting under Polly's patronizing manner, Marie plunges into the market herself and with the winnings is able to stage a society splurge at a fashionable resort.

The edition of Screen Snapshots celebrates 25 years of production. It looks at the content of edition #1, then a tribute to movie people who have died in those 25 years. Finally there are tributes to the Screen Snapshots series by Cecil De Mille, Walt Disney, Louella Parsons and Rosalind Russell.

The story of how Norma Jeane Mortenson became Marilyn Monroe (1926-62), a lucid path of self-discovery, from anonymity to stardom: the painful birth of a myth.

A comedy romance in which breezy Haines, as a young lady killer, tries to capture the heart of Hyams who has turned him down for Bushman. Haines plots dozens of extreme measures to win her over, and finally goes so far as to drag her from the altar, bound and gagged.

Here you will see Marie Dressler, Mary Pickford, Norma Shearer, Walter Huston and a host of other Canadians who achieved world renown on the silver screen. Slapstick, romance, tragedy, comedy--it's all here in an entertaining sampling of what audiences have applauded down the years. You see the audiences too, and the theatres where early movies first drew in the fans. As guide you could hardly find a more knowledgeable or familiar figure than Walter Pidgeon, a Canadian with eighty or more films to his credit. He recalls the personalities of the great stars he has known and explains how the technology developed that shows the stars on the screen.

It's more fun than a barrel of monkeys. Regular village "cut-ups" are those actor chaps and actresses.

Old sailor Chris Christofferson eagerly awaits the arrival of his grown daughter Anna, whom he sent at five years old to live with relatives in Minnesota. He has not seen her since, but believes her to be a decent and respectably employed young woman. When Anna arrives, however, it is clear that she has lived a hard life in the dregs of society, and that much of spirit has been extinguished. She falls in love with a young sailor rescued at sea by her father, but dreads to reveal to him the truth of her past. Both father and young man are deluded about her background, yet Anna cannot quite bring herself to allow them to remain deluded.

A look back at 25 years of Columbia's series of newsreels chronicling the film industry and the lives of Hollywood stars. Clips from earlier films in the series are featured, along with a montage of film greats who have passed away in the intervening years.

Bob Monkhouse introduces the golden age of slapstick comedy.

The story of two feuding Irish immigrant families living in a tenement.

Tugboat, the Narcissus, is owned and captained by Annie Brennan, and among her crew are her alcoholic but good-natured husband, Terry, and her conscientious son, Alec. Annie continually loses business because of Terry's drunken mistakes. Alec wants to quit school to work on the tug full time, but Annie will not sacrifice her son's education. A grown Alec has followed in his mother's footsteps and becomes a mariner, but a more upscale one as the captain of a luxury liner. Alec returns home with his fiancée, Pat - the boss' daughter - with a grand plan to save Annie from the life that drunkard Terry has provided her. But ultimately, it's Annie and Terry that need to be Alec's savior, and by their move show him the meaning of true commitment.

Sylvia is a French teacher at an all-girls school who wants to find love. When she hears Bill Williams on the radio, she decides to go visit and thank him. However, difficult problems lie ahead when Lili gets in the way.

Unfinished pre-Code era film consisting of three sections with past performers from the stage and the vaudeville circuit, then-present-day performers and up-and-coming performers. Musical excerpts were later used in Broadway to Hollywood (1933), Nertsery Rhymes (1933), and Roast-Beef and Movies (1934). "The Lock Step" was later used in That's Entertainment! III (1994)

The original concept of the show was to allow the viewer to see the inner workings of a movie studio and featured interviews with MGM stars and explanations of how movies were made. Later, the format changed to show edited versions of MGM films.