Raj Kapoor
Oyuncu · 1924 – 1988 · Peshawar, North-West Frontier Province, British India
Raj Kapoor was an Indian film actor, producer and director of Hindi cinema widely considered to be one of the greatest and most influential actors and filmmakers in the history of Indian cinema. Often referred to as "The Greatest Showman of Indian Cinema" and the "Charlie Chaplin of Indian Cinema", his work enjoyed immense popularity and widespread acclaim not only within India but in parts of Eastern Asia, the Middle East, the Caribbean, Africa and the Soviet bloc. Among Kapoor's numerous accolades are three National Film Awards and 11 Filmfare Awards in India, the Padma Bhushan (India's third-highest civilian honor) in 1971 for his contributions to the arts, and the Dadasaheb Phalke Award, India's highest award in cinema, in 1987. Kapoor's acting style was inspired by Charlie Chaplin and he played characters based on The Tramp in films such as Awaara (1951) and Shree 420 (1955). His performance in Awaara was ranked as one of the "Top-Ten Greatest Performances of All Time in World Cinema" by Time magazine in 2005; Awaara (1951) and Boot Polish (1954), which he produced, competed for the Palme d'Or prize at the Cannes Film Festival in 1951 and 1955 respectively.
Filmler23
FilmBelgesel"Living Legend - Raj Kapoor" is a revealing portrait of Raj Kapoor, a charismatic personality who held centre-stage in the Indian film industry for more than four decades! In a highly personalized interview, Raj Kapoor talks to the film's director, Simi Garewal, about his emotional evolution.. his regrets.. his love.. his music.. his films and his philosophies. The viewers are also treated to glimpses of haunting scenes and songs from his films.
Film7.3DramRomantikPalyaço Raju, halkın gerçek bir favorisidir. Tüm hayatı bir palyaço maskesi altında geçti, onu içtenlikle seven birçok sadık izleyicisi var. Ancak Raju bu dünyada fazla ömrü kalmadığını hisseder ve kendisini ve seyircisini son kez memnun etmek için Palyaço Raju tüm yakınlarını son performansına davet eder. Palyaço Raju'nun performansı, gözlerimizin önünde yeniden yaşadığı küçük bir hayat gibi ... Elbette Hint filmi "Benim Adım Bir Palyaço" nun kesin olarak algılanması zor, bir yandan - Raju'ya sempati duyuyorsunuz , öte yandan çok fazla keder ve acı çekti - görüyorsunuz, daha iyisini yapabilirdi, ama yapmadı.
Film7.2DramMüzikBir suçlunun çocuğunun yine suça itileceği önyargısını taşıyan hakim Raghunath, masum bir adamı mahkum etmekten çekinmez. Ancak karısıyla arası bozulup çocukluğundan beri görmediği kendi öz oğlu Raj bir hırsız olarak karşısına çıktığında, kader tarafından dersini almış olacaktır: Kötü bir çocukluk geçiren Raj'a gelince, geçmişiyle ilgili onu mutlu eden tek şey çocuklu arkadaşı Rita'nın hatırasıdır. Genç bir avukat olan Rita, Raghunath'ın vesayetine geçmiştir ve yolları tekrar kesişir. Çocukluktan artakalan arkadaşça duygular yerini tutkulu bir aşka bırakır. Rita'nın gözüne girmek isteyen Raj, genç kadına vermek üzere Raghunath'tan bir kolye çalar. Neticede herkes kendini mahkemede bulduğunda Raghunath öz oğlunu keşfedecek ve kendi inançlarını sorgulamak zorunda kalacaktır.
Film7.5RomantikDramThe story of a small-town man who comes to make it big in the city, where he is almost instantly relieved of all his possessions. Homeless and penniless, he is taken in by a woman who looks after him.
FilmBelgeselThis is a biographical on the late Nargis Dutt showing scenes from her many films; from her earlier roles as a child artiste right up to her role in the epic Mother India. During her career as an actress, Nargis won many awards in India and abroad. She was nominated to India's Upper House of Parliament to represent the film industry. This film contains interviews with her family members, friends and colleagues and brings back the fond memories of this great actress and human being.
Nargis
1991
Film7.3DramHersey Sade Bir Piyango Biletinden Basladi Kaderin Oyunuyla Piyango Bileti Sade Bir Garsonun Eline Gecer Namdevin Sadece Ugurli Kazancli Bir Piyango Bileti Diyil Gelicekdeki Kaderini Deyisicek Olaylarin Habercisiydi Sonucda Dort Arkadasdan Biri Cinayete Kurban Gider Namdev Onu Oldurmekle Suclanir ve Hapse Duser Arkadaslardan Geriye Sadece Damu Raghuvir Ikisi Kalir Odulu Aralarinda Paylasarak Kacarlar Zengileserek Kendi Sirketlerini Oteler Zencirini ve Restoranlarini Kurarlar Bu Arada Yasadisi Kokain ve Kacak Altinlar Mafyaylada Isbirliyi Icindeler Budan Yilar Once Ise Namdev Karisini Depremde Kaybetmis Cocuklari Oksuz Kalmis Hallalari Onlari Himayesine Alib Kendi Kiziyla Beraber Binbir Zorlukla Byutmustur ama Hayat ve Kader Sinsi Bir Sekilde Tuzaklarini Hazirlamis Kaderin Planiyla Hesab Gunu Gelmisti Namdevin Buyuk Oglu Babasinin Devamcisi Olur Hallasina Destek Olmak Icin ve Ayilesini Gecindirmek Icin Garson Olark Clisir Namdev Sucsuz Oldugunu Kanitlayib Cocuklarina Kovusha Bilicekmi
Film9.7AksiyonDramÇöllerde devesiyle yalnız, tek başına yaşayan Abdullah bir gün ölmekte olan Hintli bir kadının çocuğunu evlat edinir. Bu erkek çocuğu onun için hayatının gayesi olur. Önceleri onu müslüman adetlerine göre yetiştirmek isteyecek ama daha sonra annesine ölürken söz verdiğini hatırlayarak onu bir Hintli olarak yetiştirmek isteyecektir. Bunun için çöl eşkiyası Halil'e bile karşı koyacak, hatta bu uğurda çekinmeden hayatını feda edecektir.
Abdullah
1980 · 3 votes
Film8.3AileDramWidower Ram Kapoor frequently throws lavish parties to overcome his loneliness. That changes when his son, Rajesh, returns home with a proposition. Ram's life soon spirals out of control.
Kal Aaj Aur Kal
1971 · 3 votes
Film8.0DramMaceraA friendly street kid in India, during the last years of the nineteenth century, looks and considers himself Indian, but is in fact a Brit. The Brits discover his true origin, and train him as a spy.
Kim
1984 · 2 votes
Film7.4RomantikDramİki arkadaşlık dünyası, mükemmel bir konu... Duygu ve sevginin geliştirdiği şüphe, güvensizliğin yıktığı büyük bir aşk hikayesi... Müthiş bir ihtirasın, büyük bir cesaretin öyküsüdür. Birçok duygusal filmin senaryo öncülüğünü yapan Sangam filmi, dalında ilk ve özgün olma özelliğini korumaktadır. İzlediğinizde birçok sahnesi Türk ve yabancı filmlerden size tanıdık gelecektir. Sebebi ise, Sangam filminden esinlenmiş olmalarıdır. Raj Kapoor bu filmle "Awara (Avare)" filminde yakaladığı başarı geleneğini devam ettirmiştir.
Film8.0DramThree love stories that take place simultaneously but do not intersect, because the characters do not interact with each other, even though they all live in the same neighborhood. Govinda, a gloomy Airai boy who was cruelly separated from his beloved girlfriend, Chalvi, who was expelled from the village. Johnny Braganza, a waiter who has just been released from prison after being unjustly accused of falsifying the accounts of the hotel owner, Ferrara, who successfully seduces Johnny's girlfriend, Stella. Now he is setting up a car garage at the same intersection.
Char Dil Char Rahen
1959 · 2 votes
Film7.5RomantikThe tragic-comic story of Chhalia, a naive, simple-minded young man who comes to the city and witnesses the harsh side of life; and falls in love with a young woman named Shanti, only to find out that she is married but separated from her husband, Kewal, and adopted son, Anwar. He puts all he can in an effort to locate Kewal and re-unite the family.
Film10.0KomediRomantikChildren are exchanged by greedy aunt and uncle in childhood and they live undeserved lives.
Dil Hi To Hai
1963 · 1 votes
Film6.6DramSuçNina is a rich and spoiled girl. Dilip accidentally meets her and starts liking her, not knowing that she is already engaged.
Film6.5RomantikDramA man obsessed over two things, the theater and a childhood friend, recounts his life story to his new bride.
Aag
1948 · 2 votes
Film8.0RomantikFilm starring Raj Kapoor, Hema Malini and Jayant
Sapnon Ka Saudagar
1968 · 1 votes
Film9.3MüzikRomantikMeet Pyarelal, a simple-minded, naive young man, orphaned at birth, living with a Muslim landlady, Fatima, who treats him like her son. When the police arrest Pyarelal on the charge of murder, no one really believes that this harmless man could harm anyone, leave alone kill. Their belief is shattered when Pyarelal openly admits in Court that he has indeed committed this crime, and demands capital punishment for it.
Diwana
1967 · 3 votes
Film5.4DramKomediTwo orphans are forced by their abusive aunt to beg in the streets of Bombay. They take up shining shoes but are separated from each other.
Film9.5DramAileBelonging to a family that has a grandfather addicted to alcohol, Mohan Khanna (Raj Kapoor) too is addicted to alcohol, compounded by the fact that he is enamoured with a woman, Miss Reeta (Nishi), who is using him to extort money and vengeance from his Judge father, Kundan Lal Khanna. The only person who is really interested in the welfare of Mohan, in a practical way, is an aged and recently hired servant of the family, who has just been released from prison for killing two people.
Main Nashe Mein Hoon
1959 · 2 votes
Film6.3GerilimKomediEntering an apartment block in search of a drink of water, a naive peasant finds himself mistaken for a thief and is chased by the residents. Whilst evading capture, he inadvertently exposes the venality and dishonesty of the building's middle class occupants.
Film6.4RomantikDramAfter Shekhar (Raj Kapoor) falls for beautiful Sharada (Meena Kumari), he makes her promise that she'll wait for him while he goes abroad on a business trip. But when Shekhar's plane goes down in flames, Sharada finds comfort in the arms of another man, not knowing that he's Shekhar's widowed father (Raj Mehra). Trouble is, Shekhar survived the crash and soon returns home, only to discover that Sharada has become … his mother!
Sharada
1957 · 5 votes
Film6.1KomediMüzikRaju informs the police about a group of bandits, even though he is in love with the chief's daughter. The police set out to kill the clan and it is upto him to save the bandits and his love.
Film9.0BelgeselRaj Kapoor, the film maker and actor became a legend in his lifetime. Head of one of the last great studios on the Indian sub-continent and creator of a film-making empire for nearly half a century. Woven into the texture of this 70-minute film, part personal narrative, part rare visuals, part cinema footage, is the picture of a man who straddled the Indian cinematic world for nearly half a century like a colossus.