Larisa Tarkovskaya
Oyuncu · 1938 – 1998
Larisa Tarkovskaya (April 15, 1938 – February 19, 1998), born Larisa Pavlovna Egorkina, and Larisa Kizilova during her first marriage, was a Russian actress and second wife of the film director Andrei Tarkovsky. She is best known for her role as Nadezhda in The Mirror. She had one daughter, the actress Olga Kizilova from her first marriage, and a son, Andrei Jr., from her marriage with Andrei Tarkovsky. She died in Paris in 1998. Description above from the Wikipedia article Larisa Tarkovskaya, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Filmler5
Film7.9DramTarihTürkçesi ayna olarak çevirilen Andrei Tarkovsky'nin en kişisel filmi. Zaman kavramının tamamen yitirildiği şiirsel bir dille, ölmekte olan bir adamın ikinci dünya savaşı sırasında çocukluğu, ergenlik dönemi ve annesiyle babasının boşanması sırasında yaşadığı travmanın Rusya'nın tarihi ve toplumunun evrimi fonunda verildiği bir başyapıt. 2. Dünya Savaşı'nın karanlık günlerini anlatan film, yönetmenin kendi çocukluğundan da izler taşıdığı gibi, Rus tarihine dair ilginç göndermeler de yapıyor. Filmde çocukluğun masumiyetinin savaşın dehşetine kurban gidişi anlatılıyor.
Film7.5TV MovieBelgeselChris Marker’s portrait of Russian filmmaker Andrei Tarkovsky documents the director at work on his final film, The Sacrifice, during the last year of his life. Interweaving behind-the-scenes footage with excerpts from Tarkovsky’s earlier works, Marker crafts a moving reflection on the artist’s vision, methods, and enduring legacy.
Film8.0BelgeselA documentary about the life of Andrei Tarkovsky in exile in Western Europe including Italy, Sweden, Germany and France until his sad demise to a fatal cancer.
The Exile and Death of Andrei Tarkovsky
1988 · 2 votes
Film7.3BelgeselAn intimate portrait of Andrei Tarkovsky by his son.
Film7.6BelgeselThis documentary offers a rare glimpse of the legendary Soviet filmmaker, Andrei Tarkosvky, at work. Tarkovsky made only seven films in his brief, but brilliant, career; Michal Leszczylowski's respectful movie chronicles him at work on his last film, The Sacrifice. Offering insight into Tarkovsky's working methods and transcendental aesthetics, the movie is a compelling account of the difficulties of film production. In the case of an uncompromising and visionary filmmaker like Tarkovsky, the practical problems of filmmaking are only magnified, as cast and crew struggle to realize the ambitious concepts in Tarkovsky's mind.