Maud Forget

Yaslı bir bilim insanı, Seine Nehri'ndeki devasa köpek balığının Paris'i kana bulayıp uluslararası bir facia yaratmasını önlemek için trajik geçmişiyle yüzleşmek zorunda kalır.

Fransız başkanlık seçimlerinde muhalif taraflar karşı karşıya gelirler. Varoşlarda ayaklanma çıkmış, her köşede alevler yükselmektedir. Kent merkezindeki kargaşa ortamından yararlanmak isteyen küçük bir hırsız çetesi, bir soygun hazırlığındadır. Başarılı oldukları takdirde ülke dışına kaçaçak ve çetenin kadın üyesinin çocuğunu aldırabilmesi için gereken parayı elde edeceklerdir. Ancak soygun sırasında işler kötü gider ve grup bölünür. Polisten kaçmaya çalışan bazı çete üyeleri, sınır yakınlarında ıssız bir pansiyona saklanırlar. Soyguncular; otel sahibinin eski bir Nazi olduğundan habersizdir. Pansiyon sahibi faşist fantezilerini soyguncular üzerinde uygulamaya başladığında; genç çete üyeleri için azap ve çilelerle dolu günler başlamıştır. Otelin karanlık ve ürkütücü odalarında her türlü aşağılama ve işkenceye tabi tutulan çete üyeleri; evrensel özgürlüğün gerçek anlamını öğrenmeye başlayacaklardır.

Since her parents passed away, Princess Mona lives by herself in a castle with two hideous, ghastly characters, Goomi and His Lordship. One day her sobs draw the attention of a unicorn, called U, who wants to comfort and protect Mona for as long as she needs. U becomes Mona's companion, her confidant and her inseparable friend. While Mona grows into a beautiful princess, a group of charming, peaceful and fanciful Yeah-Yeah’s settles in the neighboring forest. They have no particular special powers, yet they soon bring about major changes in everyone's lives, especially in Kulka, the dreamy musician.

Sylvie is a hooker whose illegitimate daughter commits a crime. She and her daughter flee to find Sylvie's first love in the countryside. The daughter is trying to get to know her unwilling mother. Along the way, the two meet a male fugitive and bond with each other.

Delphine is a sweet innocent young girl, her new best friend pulls her into a world where she falls in love with a local pretty boy. Working her hardest to make him love her drags her into prostitution.

Augustine, a young girl suffering from hysteria, arrives at the Salpêtrière Hospital. She quickly becomes the favorite model of the new photography laboratory and the patient of Professor Charcot. Little by little, she escapes the control of the doctors.

Fired for insubordination, PJ Antoine Verlay, good cop but a blood strand and having difficulty working as a team, is attached to the OCBC (Central Office for the fight against Traffic in Cultural Goods) thanks to the intervention of the commander Pardo, his friend who becomes, therefore, his new superior. A clever investigator, but a stranger to everything related to culture, Antoine will have to work with Florence Chassagne, renowned art historian, who lives, speaks and breathes culture, to the point that - fruit of her great imagination - it happens to her in the midst of daydreams, to see and talk to the great artists who have disappeared as if they were familiar to her.

A genealogist and a cop: a great team for uncovering the origins of the crime. On a murder case, genealogist Margot Laurent teams up with Arthur Du Plessis, a young and self-assured cop. Who committed the murder? And why? A murder always has its dark side: a fabricated family history that becomes an urban legend. And who can claim that their family has no secrets? Margot and Arthur strip away the hidden mysteries to shed light on the murder. Arthur is the no-nonsense one, here to arrest the culprit, while Margot, the genealogist, is more interested in the past, in the prehistory of the murder, in what prefigured the tragedy before it happened. Between them, Margot and Arthur bring the events into focus. Here lie hidden family traumas, stories sometimes ignored by those who must endure the aftermath, which give multiple layers to the whodunnit.