Josephine Siao

Bu Hong Kong dövüş sanatları şaşkınlığı, kötü imparatorlardan ve gerçek aşktan bahsediyor. Gizli Kırmızı Lotus Çiçek Toplumu, kötü Mançu İmparatoru'nun ve onun kölelerinin devrilmesini taahhüt eder. Valilerinden biri o gizli toplum üyelerinin bir listesini almak için bir görev gönderildi. Bu arada, Kanton kung fu uygulayıcısı Fong Sai-Yuk zengin bir tüccarın güzel kızı ile aşık oluyor ve yakın zamanda Kanton'a taşınmıştı. Babası, bölgede nüfuz sahibi olmaya ve böylece işini geliştirmeye çalışarak kızı evlilik içinde bir kung-fu yarışmasının galibi olarak öneriyor. Bazı ilginç toplumsal cinsiyet rolleri, 'hataların komedisi' sırasında gerçekleşir.

The hero Fong Sai Yuk becomes involved in the secret brotherhood "The Red Flower", who are trying to overthrow the Manchurian emperor and re-establishing the Ming dynasty. The social upheaval is combined with Sai Yuk's personal moral conflict about how to conform to the rigid regime of the brotherhood and on top of that sort out his difficult love life, saddled with two presumptive wives.

This documentary tells the story of Bruce Lee and his unsuccessful efforts to start a acting career in the U.S., he returned to Hong Kong where he became an international star, and his death at age 32.

After the total defeat of his love rival, Ching must now deal with the love rival's brother, Wan To, who seeks revenge against him. When Ching is ambushed by Wan To and his gang in the streets and is at risk, he is rescued and treated by an apprentice of his, Beef Skin, and his feisty sister, Beef Stew. It turns out those two are even harder to handle than Wan To.

Lau Ching, a Mainlander with an incredibly powerful right arm, arrives in Hong Kong to find his cousin. He befriends with a drifter named Handsome, and a martial artist girl named Mandy. In order to woo her, Ching participates in a fighting competition in hopes of winning a $10 million prize, and must defeat his love rival, Wai, in the ring.

Gangster Li Yibiao's jewelry was suspected to have been stolen by Gu Daqiang. Biao asked Jin Zhenyu to cooperate with him to get the jewelry back. During this period, Yu discovered that the mysterious woman Jin Ou was also looking for jewelry, and the two agreed to cooperate. Hou Yu learns that Biao set up a trap for him and Qiang to kill each other, and Ou and Qiang confront Biao. The jewelry originally belonged to Ou's deceased brother, so Yu lets Ou take it back.

Upon returning home, sailor Yu (Richard Ng) is shock to discover that not only his wife left him, but the house has also been sub-letted to an old maid, May Wong (Josephine Siu). Both Yu and Wong have their own strange habits, and them living together under the same roof causes numerous hilarious incidents.

Tells the story of the relationship between a widower with Alzheimer's disease and his daughter-in-law, May Sun, who is a housewife in her forties trying cope with the upheavals in her family.

Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family. But the infatuated writer is struck by a spasm of sorrow when he later sees Mimi make her appearance as a taxi-dancer at a party. The lovers are reconciled by the story of her plight told by her sister Annie. However, Mimi goes missing on the engagement day. By a stroke of luck, Chim runs into the elusive woman again and finds out how she was forced into prostitution by her drug-addict husband, his childhood best friend and benefactor Chan Hung-kit. Chim leaves dejectedly, and has since been idling his days away. The frail Mimi confesses her love for Chim on her deathbed, and from not far away, Chan has ended his own life.

Cross the Hu-du-men - the demarcation between the back and front stage in Cantonese opera - and you leave yourself behind to totally absorb in your character. Lang Kim-sum is a charismatic Cantonese opera star who understands it's a point of no return once she crosses the Hu-du-men, on stage and in life. Respected by colleagues and friends, and about to retire, Lang has yet to face new, unexpected Hu-du-mens in domestic and professional life.

Chang Yau-Wai is a family committed news reporter. Together with his wife, they have their hands full with their children, including their soon to be wed daughter. Things, however, soon take a turn for the worst.

Rascal To Chai-yan brings a false charge of selling fake medicine against doctor Fan Tin-sang, who is sentented to a twenty-year imprisonment. Fan makes an escape after a decade, and secretly provides for the education of his son Fuk-kwan brought up by a poor blacksmith. Fuk-kwan grows up to be a doctor practising in the country. To again does harm to Fuk-kwan, only this time Fan intervenes. Both he and To die in the fight.

Kin chan no Cinema Jack is an anthology film starring Yuen Biao and produced by Jackie Chan

A revenge thriller unlike any other, Lung Kong confronts themes of reform and revenge by turning his focus to the subject of disaffected youth. Young Josephine, an audacious performance by a 22-year-old Josephine Siao, is sentenced to an all-girl reform school on the periphery of Hong Kong after a violent bar brawl. Along with a few accomplices, she escapes from the intolerable administration, only to find the streets an even more hostile environment, driving the girls to blood-soaked vengeance. An enthralling youth-in-revolt film from the rare perspective of its female protagonists, shot in indelible widescreen color photography, Teddy Girls is one of Lung Kong’s most enduring triumphs.

One of Hong Kong's most influential filmmakers, Ann Hui, becomes a “star” for the first time in Man Lim-chung's directorial debut. A forerunner of the New Wave, Hui’s tumultuous, forty-year career is an unequivocal testimony to her unyielding dedication to filmmaking, and her expedition into the metamorphic city. This biopic probes into the acclaimed director’s idiosyncratic world, where we witness her rashness and goofiness, as well as her humanistic concerns for the everyday nobodies which make her films so moving.

Po-Chih Leong's debut film was a trendsetter in Hong Kong cinema. Shot from the shoulder, the fast-moving world of cops, informers, drug dealers and other crooks are evoked in a very lively and realistic way. The action all takes place in carefully selected locations, among them the walled city of Kowloon and Yuen Long. The film looks like a documentary and evokes the kind of excitement usually seen in news programmes. The story focuses on the battle between two gangs and starts in Amsterdam, where one of the gang leaders is murdered.

Jane, with plain looks but a heart of gold, is always in between jobs. Once she gets a job, her knack for creating awkward situations immediately loses it for her. Ricky is her suitor, but he gets nowhere as the girl has no time for love. So Ricky goes along with her in job hunting. Somehow, Jane lands on a job as governess. Not to a child, but to an uncouth very old, very rich man who still wants to lead the life of his poor, uncivilized youth. His son is now running the old man's millions. He wants to bring up the father the civilized way. And he wants to take over the whole city through take-over deals. He is ruthless and has thrown thousands into the streets.

This is a film about a young boy, that is helped by a ghost, to reunite with his separated parents.

Melodramatic film about a child prodigy.

North Quick Hands, a gambler, killed a gang in revenge for his friend, for which he was sentenced to prison. South Tin-lone waited for Quick Hand's release, so that he might be recruited into the gang. But Quick Hands refused. Meanwhile, Sau Tin, a Hong Kong policewoman addicted to gambling, went to Dongguan to seek a husband. She helped Quick Hands to leave China by arranging a fake marriage, as he promised to teach her some gambling tricks. South Tin-lone and his gang followed Quick Hands to Hong Kong and a series of fights ensued...

An early Brigitte Lin Romance.

The Taipei Golden Horse Film Festival and Awards (Chinese: 台北金馬影展; pinyin: Táiběi Jīnmǎ Yǐngzhǎn; Pe̍h-ōe-jī: Tâi-pak Kim-má iáⁿ-tián) is a film festival and awards ceremony held annually in Taiwan. It was founded in 1962 by the Government Information Office of the Republic of China (ROC) in Taiwan. The awards ceremony is usually held in November or December in Taipei, although the event has also been held in other locations in Taiwan in recent times