Mercedes Hoyos

A gay gym teacher wants to be a father and when his boyfriend's sister, a former addict, comes back on the scene there is now a possible solution.

Madrid’in kozmopolit atmosferine şehirdeki kiliselerin oluşturduğu tezattan bir insan sureti yaratılacak olsaydı ismi herhalde Gonzalo Tamayo olurdu. Gonzalo kuzenine âşık, babasının ayak işleriyle oradan oraya koşturmaktan bıkmış, tek bir ders yüzünden üniversiteden bir türlü mezun olamayan bir felsefe öğrencisidir. Çevresindeki insanların dayatmalarından sıyrılarak ipleri eline almak için kendi tarihini değiştirmeye karar verir ve bebekken ona sorulmadan yapılan vaftizle kaydolduğu Katolik Kilisesi defterlerinden kaydını sildirmek için başvurur. Ancak bu beklediğinden çok daha zorlu bir sınav olacaktır. Gonzalo’yu doğal bir oyunculukla canlandıran Alvaro Ogalla ve filmin yönetmeni Federico Veiroj’un birlikte kaleme aldıkları bu eğlenceli absürt komedi, Buñuel sürrealizmine benzerliğiyle dikkat çekiyor.

İspanya'nın en büyük yönetmenlerinden Bigas Luna'nın bu etkileyici filminde, bir küçük kasaba kızı şansı ve şöhreti büyük şehirde ararken karışık sonuçlar ortaya çıkar. Juani bir taşra kasabasında yaşayan ve bir kutu mağazasında çalışan yirmili yaşlarının başında genç bir kadındır. Evde tembel babası ve annesi ile yaşamaktadır. Zamanının çoğunu en iyi arkadaşı Vani ile geçirmektedir.

In September 2003, Alejandra López de Lemos, eldest daughter of a professor of art history at the University of Seville, disappears without a trace. All suspicions fall on her ex-husband, but the police find no evidence against him. Several months go by and the media attention wanes. Then a journalism student decides to do her final thesis on the case...

A single mother struggles to pay the rent and put food on the table for her 10 year old son.

Ani and Niko are 16 and dating, but their lives couldn't be more different. She is the daughter of a taxi driver and a housewife and has always been happy and contented. Niko delivers pizzas, his mother is an alcoholic since his father abandoned them and his brother is a gang member and drug addict. The world of the young couple is altered by the increasingly frequent appearance of burned cars on weekends. Organized neighborhood patrols in the working class neighborhood will eventually trigger a tragedy that will affect them both.

A young Honduran immigrant and a mother, whose son wants to confine her in a residence, decide to go to Huelva. During the trip they are forced to run away from several pursuers, attack a service station, face the Guardia Civil and meet a false Englishman who changes their lives. Nevertheless, their goal is to arrive to a nightclub called Mami Blue, venue of an unexpected end.

A colorfully yet emotional comedy, filled with provoking political criticism, placed in a contemporary scenario, where salmons and frogs coexist with the inhabitants of a small village, near a beautiful river. This year though, the river and its inhabitants are about to stir things up. The twin brothers Jaime and Nacho find themselves challenging each other for the most important political seat in the nation

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.